Jeph Jacques may be primarily a cartoonist, but he's somehow managed to turn that profession into an outlet for his musical passions as well, crafting a virtual band from his own fictional characters and recording real music for them. The result is his one-man post-metal project, the flippantly named Deathmøle, which has turned out a steady stream of albums since its conception a few years ago. The latest entry, the semi-conceptual Meade's Army, was released earlier this year.The music itself tends to follow the tried and true post-metal formula which should familiar to fans of bands like Pelican or Rosetta; i.e., take a couple of melodies and churn them into the ground from repetition. That's not meant as an attack, mind you. But it is pretty safe to say that Jacques isn't taking many risks with his compositions.That being said, what he does turn out is generally very strong, and while he may not be breaking new ground, his music nonetheless hints at a deeper appreciation for the genre than he lets on. His compositions tend to be shorter than the norm, meaning they've none of the bloated excess that sometimes inundates the genre. “Volley Fire” in particular is an … Read more
The big complaint since Aesop Rock’s breakthrough, Labor Days, seems to be that he hasn’t had the memorable singles. At … Read more
In the early eighties when the Boston post-punk band Mission of Burma announced their decision to stop playing and recording … Read more
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Wake is a Canadian grindcore act. One of those grindcore-acts that have taken care of me not growing tired of the genre. The unrelenting speed and anger are good fun, but can get a bit samey fast. This is where the great bands differentiate themselves from the mediocre ones: they know how to keep things interesting. Wake is one of those bands. Not only is this band making a point of writing actual songs, they also are branching out into different genres. That’s becoming more and more clear on Misery Rites.Sowing The Seeds Of A Worthless Tomorrow, Wakes previous album saw the band incorporating sludge influences in their Nasum-styled grindcore. The fact that Misery Rites is recorded at Flatline Audio by Dave Otero who you may know from his work … Read more
From Doylestown, PA, Balance and Composure has created a lot of buzz in the past few years for their melodic and emotional contributions to the ever-changing underground scene. They’ve released two EPs, a split with Tiger’s Jaw, and a full-length called Separation, all on No Sleep Records. Again teaming up with No Sleep, we have an acoustic 7-inch in which … Read more
Chock Full of Misery as a title sets a bleak tone for a group best labeled as pop-punk. Yet, New Bruises don’t let the downer subject matter override their energetic and singalong anthems. In song titles past and present, the group has namedropped both Kurt Vonnegut and Johnny Cash—and both are apt examples for New Bruises common tone of frustration, … Read more
Emirati band Absolace certainly know their stuff. After releasing their debut Resolve[d] in 2010, they easily paved their way for a followup. That album just so happens to be 2012's Fractals. How does their new album hold up? Unfortunately, not as well as you'd hope.The main issues stem from vocalist Nadim Jamal--it just doesn't sound like he's trying that hard … Read more
Releasing new material for the first time since 2009, Italian avant-garde/progressive/jazz/black metal group Ephel Duath cast aside their woes and channel their frustrations into On Death and Cosmos. Having been incredibly prolific before the sudden enforced hiatus after 2009s Through My Dog’s Eyes, Ephel Duath return with a refreshed group of musicians, a three track EP and a new outlook. … Read more
I’ve been hearing about the new wave of pop-punk for a while—how bands like Menzingers and Teenage Bottlerocket are reshaping the genre, building off predecessors like The Ramones, Screeching Weasel, The Queers, etc. while bringing something new to the table. It’s personally taken me a while to get around to checking them out myself, but with the release of Freak … Read more
Terror is a band that needs no introduction. Hardcore legends in their current age, Terror hails from Los Angeles, California and has brought a more metallic sounding hardcore into the foreground of the scene. This is a live CD/DVD of a show in 2003 at the Showcase Theater in Corona, California and the entire thing is interconnected with interview clips … Read more
Continuing where 2009s He Is Never Coming Back left off, Gaza move forward as a band whilst remaining true to their core values as a dangerous and destructive entity. No Absolutes in Human Suffering is a monumental and much matured work, with Gaza finding their space as a group with something important to say whilst focusing their aggression in a … Read more
Taking Reks’ past few years of productivity into account—dating back to 2008’s applauded Grey Hairs and last year’s R.E.K.S, a record that earned him a “Best Album of the Year” award in his hometown of Boston—it is clear the revered underground emcee is not one to idle by in tranquility for too long. Even with accolades for his Statik Selektah … Read more
Two years since the release of their eccentric eponymous debut, Fang Island return with Major, the band’s second album on LA record label, Sargent House. It’s quite evident that their self-proclaimed pursuit to “make music for people who like music” ensues. Picking up right where Fang Island left off, Major is an epidemical power rock album, affluent in frenzied, fuzzed-out … Read more
Throatruiner Records have steadily increased their presence in the world of black/hardcore/completely mad music of late, and this little French label continually put out some of the most exciting and interesting sounds out there. The Phantom Carriage, Love Sex Machine, Clinging To The Trees Of A Forest Fire....each hold massive sound and that little something extra that gives Throatruiner that … Read more
Burn, the debut full-length from Toronto, Ontario’s Titan, wastes no time in establishing itself as the devastatingly heavy powerhouse that it is. Thunderous drums and relentless guitars introduce the bleak, crushing atmosphere that stands through the entirety of the record on the almost 8-minute long “Feast,” with the chillingly powerful vocals kicking in soon after. With 10 songs spanning almost … Read more
It would be impossible to have missed the mark Xibalba have left on the hardcore scene thus far. The band has toured incessantly and released a small handfull of recordings in the past few years. A389 took notice last year and released a discography LP and shortly after Southern Lord took notice and staked a claim upon the band's follow … Read more
There are a few red flags that make me avoid records or, if you will, to judge a book by its cover. First, solo records in a punk or garage world. While the last few years have wiped this misconception away in many respects, I’m still hesitant when I don’t know the name coming in. Second, a record with a … Read more
After releasing their debut alpha-beta last year, a single 45-minute track and accompanying video of unadulterated technical death metal ferocity, Montréalers krokmitën decided that the only way they could one-up themselves would be to do something completely different. The result is the only slightly more modest 10-minute EP, BWV565 Redux.The EP consists (again) of exactly one track, the band's take … Read more
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