How many people do you know that absolutely love Quicksand (personally, there is not a person that I know who is into music that does not love this band), or, better yet how many people do you know that point to Quicksand as a band or group to be revered, emulated, worshipped, et al (again, there are a multitude of people out there that I know who wishes they were in this band)? Without getting too deeply into the history of the band, Quicksand was a breath of fresh air in the early 1990’s New York Hardcore scene, impacting the music in a way that music journalists may have invented the term “Post Hardcore” to describe the band’s sound and motif; by 1995 Quicksand had released an EP as well as their first album (Slip) and toured all over the place in a whirlwind five year journey that culminated in the release of their second album, and Manic Compression saw the group reaching new heights of popularity and mainstream approval despite what many deem a record fraught with issues. Manic Compression holds quite a few other songs that are essential to the Quicksand canon like “Thorn In My Side” (with … Read more
Seeing Curl Up And Die the first time has always vividly stuck out in my mind if not for the … Read more
Sometimes over the course of a lengthy tenure in being completely absorbed in music in some fashion, certain bands and … Read more
“TRUE ‘TILL DEATH!” If you subscribe in any way to the adage that life is about living in the moment, … Read more
Ides Of Gemini probably seem to have come out nowhere to most. Looking at their members there isn't a long … Read more
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Japandroids, a Canadian two-piece rock band from Vancouver, British Columbia, has released their second full length album entitled Celebration Rock. The album begins with drumbeats and the first track, "The Nights of Wine and Roses," which showcases their garage-band sound with the voices of both Brian King and David Prowse. Following up their first album, the duo has maintained the sound that makes them unique while giving Celebration Rock a certain je ne sais quoi making it easy on the ears. The sound of this Canadian duo has heartfelt lyrics and their underground sound makes it feels as though they're performing right in front of you. "The Nights of Wine and Roses" is a perfect introduction to what the duo has to offer throughout the rest of the album. This … Read more
There's a new hardcore quartet on the rise in The UK named Ruin Everything, and they just released their debut EP, Lioniser. When I read that they're described as, "tech-hardcore" I was a bit wary. Fortunately my doubts were shattered. The first track, "Leave No Man Behind," kicks things off just right with an aggression reminiscent of Defeater, while it … Read more
German titans Ahab and their deep love affair with the sea began with 2005 demo The Oath and continued into their debut The Call of the Wretched Sea in 2006. Self proclaimed as Nautik funeral doom due to this affection for the ocean, Ahab began a journey into the fathomless depths of emotion and despair. Basing their works on Moby … Read more
Following two collaborative efforts already this year alongside his fellow beatsmith and emcee The Alchemist as the duo Gangrene—the Vodka & Ayahuasca LP and the Odditorium EP—the West Coast producer and rapper Oh No returns once more for a solo mission with Ohnomite. Oh No—the younger brother of Madlib and son of singer Otis Jackson—was granted unmatched right of entry … Read more
The term emo is an overused and wrongly purposed adjective in today’s music culture, often used to describe overbearing metalcore. To this young writer “emo” music comes from bands of the nineties that are in the vein of Sunny Day Real Estate and The Promise Ring, characterized by a healthy balance of vocal strain and heartfelt lyrics, not sick breakdowns … Read more
Lions Lions are a band you should be listening to, but probably aren’t. Regardless of the years spent developing in the local New England scene in a myriad of other very talented bands (including Vanna and Therefore I Am), Lions Lions continue to fly under the radar amongst the throngs of typical pop-punk bands now clogging up a new generation’s … Read more
On some days, when I'm really brutally honest with myself, I can safely admit that all of my favourite old rock bands from the 1970s have gone completely past the point of no return; they'll never release an album of the same calibre as those from their heyday, they'll never sell out huge stadiums and get the attention they used … Read more
Hailing from Long Island, NY, State Lines come from a long list of notable punk bands who call the area home. They have been quick in establishing themselves as a talented, young band with strong potential. Last year’s Hoffman Manor was a clinic in catchiness with a raw, familiar sound that garnered comparisons to Tigers Jaw and Brand New, but … Read more
After what amounts to a 3 year break the Polish grinders of Antigama are back with a new label and everything. Those familiar with the and know that they have always been outside the norm of their given genre. Whether that means the inclusion of alternate lyrical concepts or even electronic bits. So their return is something to be happy … Read more
Ufomammut are certainly not a new band by any means. The Italian psych-doom trio have been kicking around since the turn of the century and over the past 2 years have managed to catch the eye of Neurosis. The previously noted Neurosis noted their power and signed them to their own label. So now with a proper North American label … Read more
Norway’s Ihsahn (or Vegard Sverre Tveitan if we're being formal) has continued to produce some of the most exciting and progressive music since his days as a member of the influential Emperor. Gradually turning from the black metal aspect of his career, Ihsahn has taken his skills as a songwriter and instantly recognisable vocalist to an entirely different and powerful … Read more
(This excessive treatise is continued from my review of Bath)You can already tell the second album is going to be different from how it opens. Completely abandoning the soft, melodic introduction, "Stones of October's Sobbing" instead begins with an almost dissonant combination of winds and acoustic guitar which begins to build into a massive doom-laden epic, the various brass instruments … Read more
I think I can tell you the exact moment my perception of music changed. It was a complete Gestalt switch, an utter reconception of the possibilities that lay open to the artists I enjoyed so much. Several artists had widened my view and primed me for this change--hearing the pulverizing waves of Isis, the mathematical crunches of Meshuggah, the vast … Read more
Pujol seemed like an odd pairing with Saddle Creek when I first heard of the signing last year. In 2011, the band released X File on Main Street a surprise find that got me interested not only in the band, but in the Nashville scene as a whole, playing lo-fi garage rock with a rough, dirty edge. Well, United States … Read more
The 2 piece "band" A Whisper In The Noise has been kicking around for the better part of the 2000's playing a style of folk that contains elements of shoegaze, dream pop, and ambient electronics. So one may come to the conclusion that the band has an identity crisis of sorts with such a striking mix of sounds. Well it … Read more
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