Waiting for a follow up record from Kiss It Goodbye felt like an eternity, and rumors were rampant regarding a single recorded for Seattle based record label Sub Pop; when the band decided to call it quits (prematurely I might add), that single was scrapped by Sub Pop and left unheard until it was released by Revelation (who released the band’s album, She Loves Me, She Loves Me Not…, and the single Preacher b/w Target Practice) a couple of years later. Choke was released as both a seven inch single and as a CD which compiled it and the previous single (as well as one of the songs off of the band’s demo) that Kiss It Goodbye released tying up the band’s discography rather nicely for people to grab, but the two songs that were meant for the single also brought in a new element to the band with the addition of a new guitarist. Choke represents no real departure from the album (She Loves Me, She Loves Me Not…) by Kiss It Goodbye as the Tim Singer still sounds as manic and crazed as ever and the layered vocals and spatial sound of their attack does add to this … Read more
Texan duo Pinkish Black employ synthesised loops of terrifying, droning pulses and a deliciously dangerous swagger filters through this debut. … Read more
Touche Amore have made a name for themselves in the hardcore scene with the release of their past record To … Read more
Struck By Lightning came out the gate hard and fast about 3 years ago with their first LP "Serpents". That … Read more
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What if Elvis Costello was still churning out upbeat, poppy numbers like his early work? What if you took away some of the crackle and rough edges, and replaced them with pristine production and a lot of "whoa-oh-oh's"? What if, to spice things up, you threw in a dash of socialist rhetoric, a pinch of hand-held percussion, and a sprinkle of saxophone? Wage Life is The National Rifle's second self-release, their first being a 2006 self-titled EP. Wage Life carries a blatant theme of modern hard times with a call to action that we must re-examine the "work mythology." This is paired up with a catchy indie pop that shows a variety of influences, the most obvious being Elvis Costello, Ted Leo, and Joe Jackson. The National Rifle is an … Read more
Imagine, if you will, that doom rock band Om and a still-young drone metal band Boris got together in a hallucinogen-induced haze one night. Their inevitable pothead lovechild would undoubtedly be doom/stoner outfit Sleep, as evidenced by their final album, Dopesmoker.Having been released at least four different times (with four different running times, not to mention two different names), this … Read more
I really hate being heavily reliant on comparisons to past work in order to form a judgement, but in the case of Paul D'Amour (aka Feersum Ennjin), it's hard not to. As the former bassist for Tool, one of most prolific and undeniably best progressive bands today, it's difficult to take him on his own terms and out from under … Read more
I rarely listen to music that isn't at least fifteen minutes long per song or lacks internal movement titles, so when I received Lionize's Superczar and the Vulture, understand I was stepping pretty far outside of my normal purview--I was pretty much giving this album a chance based on the incredibly intriguing title alone. Much to my surprise, I wound … Read more
Hot off the heels his underappreciated 2011 debut full-length Shotgun & Sleek Rifle, Detroit MC/producer Quelle Chris drops his latest EP, 2Dirt4TV. This time around Quelle steps from behind the boards, leaving the production to “Legendary underground MySpace producer” Mr. Dibia$e. The result couldn’t be more seamlessly harmonized, as Dibia$e’s laid-back boom-bap balances Quelle’s nonconformist flow in way that recalls … Read more
Attrition brings together two punk bands from opposing sides of the Atlantic Ocean—England’s Police Bastard and the United States' War//Plague. Most of the material was recorded at various points in 2009 but not released on vinyl until May of 2011, when Profane Existence Records pressed up a couple thousand slabs of wax to unleash to patched-up masses. Former members of … Read more
Without a doubt, As Tradition Dies Slowly is easily the most metal record that Revelation ever put out (at least so far); and the idea of them even touching this album and even Morning Again as a whole with a ten foot pole really just blew me away back in the day (when this came out), and, at the time, … Read more
There are those records out there where people can point to them as a turning point in their musical taste or a shift in their musical aesthetic and say that the record really changed how they viewed entire swathes of music or entire genres, and I will never forget the day that I bought False Cathedrals from Elliott in part … Read more
Now this is a classic Revelation release and for some, the classic Revelation release; Burn kind of blew up some people’s sense of what a hardcore record could be, springing from a New York hardcore scene with what at the time were some pretty known names in that scene (members of Absolution and Beyond comprise this group’s make up or … Read more
Long before this band went the way of the metal ear candy purveyors that they eventually turned into (check out Courting Tragedy And Disaster for a reference), Himsa dropped this terribly under appreciated and short eponymous EP on an arguably rather stagnant era of hardcore and punk with a dark tone and a bit more of a nuanced view of … Read more
Though not as revered as the final album from The Nerve Agents, Days Of The White Owl is certainly a turning point for the band and a definite precursor to the critical darling of an album that succeeds it, and this is perhaps a monster injustice to The Nerve Agents because with their last and best album for Revelation, they … Read more
Though they're definitely much more accessible than some of their peers, the Diablo Swing Orchestra are without a doubt one of the best avant-garde metal bands around. Granted, it does seem weird to put them in the same category alongside bands like maudlin of the Well, Dog Fashion Disco, and Ved Buens Ende, but their eclectic instrumentation, diverse song arrangements, … Read more
A man such as El-P is an anomaly to say the least. To fully describe his music in genre labels or easily identifiable terminology is almost an exercise in futility as both a music fan and writer. The life long New Yorker and figurehead within the underground hip hop scene manages to make a legitimate argument for hip hop as … Read more
North London four piece Fighting Kites started life in 2009, their brand of intimate instrumental rock immediately setting them apart from the arty crowd that usually inhabits the post-rock tag. Delicate structures of gentle and sweeping beauty permeate this debut record, opener “Chuck Close” a subtle composition of lightly struck notes and slow introductions to a range of noises. As … Read more
How do you rate bands, or maybe, how do you determine if you think a band is good or not; is it their longevity or their subjective impact on music or how their music speaks to you on emotional level, or does their live show or how they play live help make your ultimate decision? For my part, these questions … Read more
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