Swedish ragers Martyrdöd, along with Acephalix and fellow countrymen Wolfbrigade, are the latest to be chosen in the great Southern Lord crust roundup. Featuring former and current members of Skitsystem, Agrmonia and others, Martyrdöd have been unleashing their brand of blackened everything to the crust-consuming masses for over a decade now. Their latest offering Paranoia was recorded at Göteborg’s famed Studio Fredman, the studio run by producer Fredrik Nordström and recording home to mediocre metal acts Dimmu Borgir, Arch Enemy, the increasingly less-relevant Opeth, and former luminaries like In Flames and Amon Amarth. Not surprising then, the record has a richer-sounding production value than Martyrdöd’s back catalog of stench on smaller labels like Havoc and Plague Bearer. That is not to say that fans of their mid-century masterwork In Extremis, will feel alienated by this; perhaps just a bit startled at first. The most notable difference is how the guitars come across really clean. There is still the full-on power and blunt straightforwardness indicative of D-beat but it’s been polished up enough that listeners are allowed to hear the multitude of layers created by skilled axemen Pontus Redig and Mikael Kjellman—incorporating, among other things, aspects of punk, hardcore and classic … Read more
When you anticipate things, do you find that you build up these lofty expectations that are virtually impossible to reach; … Read more
It may have been six years since Toys That Kill put out a full-length, but Fambly 42 sounds like it … Read more
Let's face it: a lot of the music we listen to is just plain ol' forgettable. Of course, every once … Read more
Drivin’ N Cryin’ formed in Atlanta back in 1985 have announced their plans to release four EPs over the next … Read more
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What I enjoy most about the Jesus and Mary Chain is arguably also their biggest flaw. The band’s slacker energy meets wall of feedback with a surprisingly melodic twist has always worked for me, but it kind of blurs together after a while. It’s kind of rainy day music – hence the classic “Happy When It Rains” off 1987’s Darklands. The band broke up in 1999, reforming in 2007. I listened to the 2017 comeback record and didn’t mind it, but never really dove in deep. Newly released in 2024, Glasgow Eyes sounds like classic JAMC, and that’s an accomplishment given how most reunions work out. It does sound a little different, too, of course. The modern production is bigger, louder, and cleaner – which could be divisive depending what … Read more
Seeing how I feel about Youth Of Today (i.e. I do not really care for them at all), it may come as a surprise that I do enjoy Just One from Better Than A Thousand (probably considered a blasphemous notion amongst many “Youth Crew” aficionados), particularly considering that the band was a “Youth Crew” –esque project from Ray Cappo (Youth … Read more
Please allow me to drop this little disclaimer here before we delve any further; I am not nor was ever a fan of Youth Of Today (outside of maybe one or two songs), and with that said, I still recognize their impact on what became the hardcore and punk scene and straight edge focused music as they were and continue … Read more
Waiting for a follow up record from Kiss It Goodbye felt like an eternity, and rumors were rampant regarding a single recorded for Seattle based record label Sub Pop; when the band decided to call it quits (prematurely I might add), that single was scrapped by Sub Pop and left unheard until it was released by Revelation (who released the … Read more
Now a days, seeing a bunch of dudes with weird looking tufts of hair sticking out of the back of their otherwise bald heads jumping around on stage making a weird version of punk rock while yelling about the Krishna (the focus deity from the sect of Hinduism called Hare Krishna) probably would not be met with much controversy or … Read more
Who has never seen the iconic (OK, iconic in the hardcore punk scene) crossed hammers logo (that shaped an “X” ) of the band Judge? Judge ultimately proved to be a short lived musical unit that produced just one album Bringin’ It Down (discounting the very limited release of Chung King Can Suck It which in it of itself has … Read more
Texan duo Pinkish Black employ synthesised loops of terrifying, droning pulses and a deliciously dangerous swagger filters through this debut. Daron Beck’s clouded voice dips in and out of throbbing electronic beats whilst currents of perilous doom cut through the loaded atmosphere, Beck’s voice often hidden in the murky depths of the all consuming sounds layered by cohort Jon Teague … Read more
Touche Amore have made a name for themselves in the hardcore scene with the release of their past record To The Beat Of A Dead Horse and a slough of 7inches and splits. While some Internet drama has led to a backlash against the band, this new full length Parting the Sea Between Brightness and Me can be held as … Read more
Struck By Lightning came out the gate hard and fast about 3 years ago with their first LP "Serpents". That record truly set them apart from the ex-members of... tag that they could've carried. Instead of playing the post metal of past projects they built a sound that was more indebted to Discharge than Isis. This worked well for them … Read more
Imagine, if you will, that doom rock band Om and a still-young drone metal band Boris got together in a hallucinogen-induced haze one night. Their inevitable pothead lovechild would undoubtedly be doom/stoner outfit Sleep, as evidenced by their final album, Dopesmoker.Having been released at least four different times (with four different running times, not to mention two different names), this … Read more
I really hate being heavily reliant on comparisons to past work in order to form a judgement, but in the case of Paul D'Amour (aka Feersum Ennjin), it's hard not to. As the former bassist for Tool, one of most prolific and undeniably best progressive bands today, it's difficult to take him on his own terms and out from under … Read more
I rarely listen to music that isn't at least fifteen minutes long per song or lacks internal movement titles, so when I received Lionize's Superczar and the Vulture, understand I was stepping pretty far outside of my normal purview--I was pretty much giving this album a chance based on the incredibly intriguing title alone. Much to my surprise, I wound … Read more
Hot off the heels his underappreciated 2011 debut full-length Shotgun & Sleek Rifle, Detroit MC/producer Quelle Chris drops his latest EP, 2Dirt4TV. This time around Quelle steps from behind the boards, leaving the production to “Legendary underground MySpace producer” Mr. Dibia$e. The result couldn’t be more seamlessly harmonized, as Dibia$e’s laid-back boom-bap balances Quelle’s nonconformist flow in way that recalls … Read more
Attrition brings together two punk bands from opposing sides of the Atlantic Ocean—England’s Police Bastard and the United States' War//Plague. Most of the material was recorded at various points in 2009 but not released on vinyl until May of 2011, when Profane Existence Records pressed up a couple thousand slabs of wax to unleash to patched-up masses. Former members of … Read more
Without a doubt, As Tradition Dies Slowly is easily the most metal record that Revelation ever put out (at least so far); and the idea of them even touching this album and even Morning Again as a whole with a ten foot pole really just blew me away back in the day (when this came out), and, at the time, … Read more
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