What do you expect a Russian band called 'The Korea' to sound like? I would've bet something like kitschy indy alt rock; I certainly wasn't expecting groovy technical death metal, let alone it being actually good. So allow me to share with you the unexpected delight that is The Korea's Колесницы Богов. (For everyone who is not Russian, like me, Google says this translates to Chariots of the Gods.) What immediately strikes me about this album is how much there is going on, even within individual songs. Some songs switch back and forth between intense melodicism to unforgivingly dense chugging without giving you a chance to catch your breath. The vocals are even more diverse. Many songs feature the expected traditional death metal growling alongside melodic clean vocals, and a few songs like go from Demilich-style frog-belch expectoration to hardcore-esque lighter screaming. There's also a fair amount of world-music influence; it's easy to hear artists like Senmuth on some tracks (and in the artwork, come to think of it). What's most odd about this album, however, is that it sounds eerily similar to Vildhjarta's EP Omnislash. The mixture of acoustic guitars with electric, clean vocals with growling, melodic lines with … Read more
Swedish purveyors of crust Anatomi-71 return with their latest injection into the overly congested genre that is D-beat—Från Primat till … Read more
Both Alpinist and Masakari have made alot of progress in becoming well known within the hardcore scene in a rather … Read more
Whoa, is it 1994 again and someone didn't tell me? Much in the way Teenage Bottlerocket appropriated the early to … Read more
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When Pallbearer released their debut album, Sorrow and Extinction, I was stunned. No matter how good their 2010 demo was, there was no way you could be prepared for an album of the caliber of Sorrow and Extinction. And of course the expectations for the sophomore album of the doom metal act are now much higher, but they are still able to meet them. In Foundations of Burden, Pallbearer just top their game, taking their music a step forward.Even though five out of the six songs of Foundations of Burden are long in duration and they are heavy as fuck, they still somehow remain easily accessible. The heavy riffs of “Worlds Apart” have sorrowful leads sitting on top of them, making the whole process more easy listening, without the band … Read more
Municipal Waste is a crossover band from Richmond, Virginia who has captivated audiences from all different scenes. Whether you’re into punk, metal, hardcore or any of the diluted sub genres concocted in the past decade, you probably have a vein that’s been pinched by Municipal Waste. “The Fatal Feast” is the 5th Full length release for Municipal Waste but it … Read more
I’ve never thought of Brendan Kelly as much of a singer. Sure, I’ve followed his career—hell, Slapstick played at the first real DIY show I ever saw—but he’s always been in that category of “punk vocalist,” who relies on attitude far more than vocal chops. As such, I had pretty mixed feelings coming into his solo project Brendan Kelly & … Read more
Okay, I'll just come out and say it--I like DragonForce.I know, I know; just saying 'DragonForce' is a one-liner joke in of itself. Whether its the plague of terrible performances that prevailed during the Inhuman Rampage tour, or the observation that the band can only play at two speeds: metal and ballad, or simply the fact that fantasy-based power metal … Read more
Ever notice the similarity between Jack White III and the modern-day Willy Wonka, portrayed by Johnny Depp? Put a top hat on Jack White and suddenly to the eye he appears to be this musical magician. Pulling stunts like launching 1000 helium balloons tied to flexi-discs containing the Blunderbuss highlight, “Freedom At 21”, to his left-field performances with the likes … Read more
California’s High On Fire let loose an album of gargantuan proportions with De Vermis Mysteriis, the follow up to 2010’s massive Snakes For The Divine. Similarly huge, De Vermis Mysteriis is a much dirtier affair; pummeling riffs and absolutely gigantic swells of sound make up this mystical journey into darkness. Based loosely on a grimoire written by Robert Bloch (the … Read more
*Reviewers disclaimer – This is the most Meshuggah I have ever heard, so here you get two viewpoints – a fan perspective and, well, mine. Sweden’s Meshuggah (literally meaning “crazy” in Hebrew/Yiddish) have been the backbone of the extreme/technical/progressive death metal scene since their inception way back in 1987 and are usually credited with coining the term “djent” to describe … Read more
Liverpool's Anathema are a curious entity. Starting life as a death-infused doom band full of intense lamentation and a deep-seated despair they struck a path that no-one could see coming. Eternity heralded a change in direction for Anathema in 1996 and ultimately led them to the stratospheric height of We're Here Because We're Here in 2010, a record of loss-filled … Read more
Black Breath came out of the depths of the Seattle hardcore scene about 6 years ago and released a sole demo before getting the eyes and ears of the infamous Southern Lord. Since then they have managed to make a name for themselves playing a well thought out mix of hardcore and classic metal (in this case meaning Motorhead and … Read more
Meshuggah is one of those bands I have an unnatural reverence for. Ever since I first heard Nothing, I've been in perpetual awe of their musical virtuosity and incredible technicality. Needless to say, when I heard they had a new album out, I emerged from my room, boldly risking such dangers as human interaction and contact with direct sunlight to … Read more
Pick Your Side came out last year seemingly out of nowhere. The band was merely touted by many as the return of Beckman. The man best known as the throat that drove the infamous Haymaker. While this alone doesn't make the band It still is basically a who's who of the Toronto area metal and hardcore scenes. So when their … Read more
There are few bands as polarizing as The Mars Volta. And while I've found both good and bad in the band's discography, their recent release Noctourniquet unfortunately lies firmly on the weak end of the spectrum.The big issue? The songwriting is absolute aimless tripe. "Empty Vessels Make the Loudest Sound" just kind of plods along without really accomplishing anything, especially … Read more
Rise And fall are a hardcore band from Belgium formed in 2002 out of the ashes of bands The Deal and Kingpin. One of the more successful European hardcore bands, Rise And Fall have been consistently putting out albums since their conception. Faith is their 4th full-length album.Right off the bat with this album, you are pelted with some of … Read more
Big Action Records’ latest release, 7pm Go!!! from L’Assassins is definitely in line with their recent catalog. Instead of throwback garage, however, L’Assassins have a surf-rockabilly sound that’s takes inspiration from the original genre instead of the bastardized psychobilly that rules punksubgenreland today. This sounds like the kind of record your parents (or, for you younglings out there, your grandparents) … Read more
Cleveland, Ohio's The Sidekicks have always had it in them to make a record like this. It’s their most polished, mature, and best to date. There is not one bad track out of the eleven here. It’s musicality at its most honest.Taking the influences from past acts like The Replacements and Elvis Costello, The Sidekicks created 2009’s Weight of Air … Read more
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