Boston punk outfit Revilers have been kicking about on their local scene since 2008, and finally dropped debut album Revilers on Patac Records at the end of March. Containing thirteen no-holds-barred and vitriolic as heck anthems, Revilers builds on the EP's (Isolation, Stand or Fall - both on Patac) the band have released previously and fully realises their stance on the world and how these individuals see it. Featuring words spat by two vocalists, JH and S (who can also be found wielding a guitar each), Revilers take a firm approach in their punk rock sensibilities and whilst this is a band with something clear to say, that message is never forced down your throat. A lot of politically charged bands are inclined to do that and it's refreshing to hear a young band taking their time with their points and letting them seep into your subconscious rather than stomping them all over your face. As such, Revilers can be enjoyed on two levels - as a fast paced, crazy good fun punk rock record, or as an album with that something extra to say. "No Bullshit Reactor," "Quit My Job" and "Sick Of Being Sick And Tired" hiding a … Read more
A lot of cool music can come from unexpected places. I’ve never been to Hungary myself, but they must be … Read more
The things I like about this album start with the art itself; guitarist Mick Turner's beautiful artwork perfectly captures his … Read more
Young And In The Way is a band from North Carolina with some influence from second wave black metal as … Read more
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Does the world really need a ska-tinged surf song about waterboarding? How you answer that question will probably answer how you feel about this record as a whole. Not that such a concept is really a surprise for those who have followed Brendan Kelly’s musical output and sense of humor over the years. While I personally think “Boardin’ USA” feels like a throwaway, perhaps a B-side on an obscure 7”, the record as a whole doesn’t fit that vibe—just pieces of it. Half of Keep Walkin’ Pal picks up where I’d Rather Die Than Live Forever left off, which is something of a character exploration of a creepy, criminal old man. In fact, I was going to lead this review off by saying, Brendan Kelly definitely has the creepy old … Read more
Just a year ago I was writing about Cement Tomb Mind Control. Here we are in 2012, and the Madison, WI two-piece is already dropping their second full-length,Weed Seizure, on Tic Tac Totally Records. Considering the backbone of The Hussy is to play l-o-u-d garage rock, there isn’t a dramatic shift here in style. The changes are more in nuance.With … Read more
It’s truly a pleasure to be listening to new music from Tyburn Saints. Their last full length, 2010’s For the Benefit of Strangers, was a nice throwback to jangly lo-fi artists like The Jesus and Mary Chain and Galaxy 500. With this EP, the band has fully embraced the sonic landscapes of shoegaze and dream-pop, thus giving a more rewarding … Read more
I've reached the point where most post-rock albums start to sound the same. While I won't say I'm completely blasé, unless a band is pulling something out of left field, it's really difficult for a band to stand out. Alas, that is where British rockers Killington Fall find themselves with their 2011 release Keep Your Eyes to the Sea.Don't get … Read more
Splits are, in general, a simultaneously good and bad thing. For each split that flows and feels strong through out (maybe even introduces you to a new band) there are probably 10 more that feel more like a way for bands to get rid of otherwise discarded songs. So with a bit of trepidation i grabbed this split and put … Read more
Enabler play a style of hardcore that takes clear influence from crust and metal (ala His Hero Is Gone). Over their first year they managed to release two EPs. Now to help those that lack tape decks and record players, Creator-Destructor has compiled these releases for the greater public. Year One contains the EPs Eden Sank to Grief and War … Read more
OSI are extremely tough to nail down, and that's not just because they seem to have ins with every major progressive band in the books. Jim Matheos and Kevin Moore, the only two actual members of the band, come from such Fates Warning and Dream Theater respectively, and their guest musicians over their career have included names like Mike Portnoy … Read more
Debut 7”, At War for Youth (the band has also released a split cassette) seems totally off-putting. It’s brash, terribly lo-fi, and haunting. There is a strong, almost mesmerising quality that springs forth from its murky depths of whatever genre you might classify it as. And to make it easy on you, let’s just say its post-punk/lo-fi/electronic/no-wave whatever music.Akin to … Read more
It’s already been four plus years since the last Weakerthans record. If I weren’t aging quickly myself, that would feel like a long time. While I’m not sure what’s up with their status as a band, ringleader John K. Samson set aside time in early 2011 to record his first solo record, Provincial. The frontman, known for his somewhat nasal … Read more
It's hard to categorize female-fronted, Fat Shadow. They blend a mix of indie-rock with late 60s-psychedelia, while bleeding over into punk-rock as well. They do a pretty fine job of it, no doubt. The band's debut full length, Foot of Love, is bringing back a sound and tweaking it into something quite satisfying.The first half of the album is new … Read more
The Book Of Knots are an anomaly in music. They are a super group of sorts entailing members of many different groups (Including Skeleton Key, Sleepytime Gorilla Museum, Shiner, Battle of Mice, Sparklehorse, Elvis Costello, Unsane, Pere Ubu, Frank Black, They Might Be Giants) and using members of a number of guests including one Blixa Bargled (of Nick Cave And … Read more
I’ve read a lot of mixed reviews about this record, and based on the feedback received, I think it’s a really underrated album. Is it perfect? No, but it’s very rare to find a completely flawless album. Is it worth listening to? Of course, this is Tomas Kalnoky we’re talking about here. If you haven’t heard by now Streetlight Lullabies … Read more
It’s been three years since Shawn Foree’s one man synth-punk project Digital Leather released the critically acclaimed album Warm Brother. In that time he’s seen the untimely passing of his friend-turned-manager Jay Reatard, and—after one-off stints on Goner and Fat Possum—has returned to the smaller label he was with before that, FDH. The latest outing, Modern Problems, was recorded to … Read more
Though a lot of post-anything music can, using a single theme, reach past the 10 minute mark without necessarily becoming repetitive or stale, there is still a point where too much is too much. You can only listen to embellishment and variation on one theme for so long before you start to go mad and beg for some variety. I'll … Read more
Over several very under the radar releases (EPs, splits, half lengths, etc.), the dynamic duo that makes up Bubonic Bear unleash Fleshworld on a mostly unsuspecting audience that (despite lots of touring and tons of shows) still have yet to experience the crushing doom-y noise-y sludge that has become this group’s trademark for audience destruction (I always thought of the … Read more
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