I’ve been fighting the urge to just quote John Hoffman from when I interviewed another one of his bands, The Mimes, earlier this year, because I think he described his songwriting style really well in it. Instead, you get a vague, shameless plug, though I’ll circle back after more explanation. On their latest offering, Vacation hasn’t wildly changed. Existential Risks and Returns is similar to the sound they’ve developed over some 12 years at this point. It’s DIY and grounded, but it ain’t exactly textbook punk. It’s fuzzy, quirky and there are a lot of dynamic shifts. Sometimes it’s even kind of slow. It draws influence from a lot of ‘90s alt-rock, but it’s a modern take instead of a rip-off. I hear Black Francis weirdo melodies, Nirvana fuzz, and then a blast of power-pop that gets stuck in your head. Sometimes the riffs are chunky and angular, but more often they’re soothing and energizing. Sometimes they escalate to almost sappy and joyful (which is pretty much the opposite of ‘90s alt-rock) but with a subtly defiant edge. It’s buoyant: it bobs in the current but it never wallows into the depths. If I had to pick singles to define … Read more
Within the canon of American countercultural rock bands of the 1960s, there is hardly one that stands out more than … Read more
I’m always on the prowl for dreamy music, especially metal. It’s harder to find things that fit that descriptor in … Read more
Dennis: When browsing through new releases in my overflowing inbox I decided to go for Slow Crush. It is released … Read more
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I first got the chance to interview Tim Kasher directly after the release of Cursive's Happy Hollow. A friend and I drove two and a half hours to Buffalo, NY and caught up with the band in the lobby of a Best Western Express not far from the venue. Their tour manager told us that they needed to soundcheck soon, but we could have twenty minutes to do the interview. I hit a button on my oversized tape recorder and began to ask my questions. It went poorly. Without hyperbole, I had listened to one of Cursive's records everyday from the age of sixteen to eighteen. I memorized and analyzed their whole catalog, which largely consisted of songs about failed relationships and the difficulty of everyday life. I don't know … Read more
When it comes to what is referred to as “post-punk” and repetitive-driven guitar sounds accompanied by tense, circular bass lines and grimy, otherworldly vocals with the an enigma of a frontman meandering through tropes of British magic realism that seemed to be fuelled in equal parts by uppers and downers, you cannot go past The Fall. After the untimely demise … Read more
Sincere Engineer, fronted by Deanna Belos, runs the emotional gamut with angry highs and desperate lows – often both within the same song. I kind of think of it as a female take on ‘90s emo: the songs are personal and introspective, searching for help through the downtimes. A difference being that most ‘90s emo was seeking validation while this … Read more
Nova Era is a sweet journey through the olden Balkan ethos that permeates this region, of which I also happen to be a part of. Of course, I have certain biases that will come to light through the course of this review, but do not let that discourage you from delving into these sounds in any way. Barcelona Gipsy Balkan … Read more
There’s nothing like a good vocal driven ensemble am I right? Well, I don’t know about you but I find myself impressed to the highest degrees by such bands. It has to do at least partly with the steep mastery curve of the human voice as a musical instrument as well as its phenomenally unique tonal characteristics at an individual … Read more
The story of Sofa is interwoven with the rise of the Montreal experimental music scene. In the mid ‘90s Sofa made their first steps, staying within the underground and self-releasing a number of records. Their creative output found them moving all over the weird rock scene. From alternative and indie beginnings to post-hardcore and lo-fi implementations, Sofa has been cultivating … Read more
Partial Traces play pop-inspired keyboard rock – but not at all the kind you imagine when you hear those words. In pop songs, the keyboard generally brings melodrama or atmosphere. In Partial Traces, those two ideas meet in the middle. It’s emotional and serious, but instead of dramatic, it’s tonal. It feels real and authentic, which largely comes from the … Read more
I don’t know anything about Bricheros beyond what’s in the press sheet. Which has quite a bit of info, really, but in the spirit of due diligence, let’s just say I want a little more. The band plays Panic Button Records-style Ramones-core with a strong dose of Screeching Weasel. In fact, they cover both of those bands on side B. … Read more
Today we’re looking at one lovely record - it’s Branches Vol. 2 by Brooklyn based Japanese violinist and composer Tomoko Omura. Tomoko’s works span a fairly vast territory, encompassing areas from jazz, modal jazz, post-bop, Japanese folk, gypsy music, and fusion with varying musicians. Branches Vol. 2 is the physical and spiritual successor of Branches Vol. 1. I actually never … Read more
The hook on ONETWOTHREE is the band is comprised of three bassists. Which, actually, means there are a ton of hooks on this, their debut record. And now that I’ve hooked you with unnecessary wordplay, I’ll get on with things. But, really, it was the unique arrangement that first intrigued me. The lineup consists of Klaudia Schifferle (Kleenex/LiLiPuT), Madlaina Peer … Read more
If I tell you some band members from bands like Disfear, Dollhouse, Year Of The Goat, Tortyr and The Dontcares started a new band together, what kind of music would you expect to come out? Now, I don’t know every band from that list, but considering the bands I do know I would probably just frown a bit, because they … Read more
I never really thought in any measure that I’d be writing at any point in time a review of a Deafheaven record, yet here we are. Even now I remember the absolute furor that bundled virally around their 2013 release, Sunbather. I didn’t really understand then, nor do I understand now why was it so huge. Personally, I couldn’t then … Read more
Let’s call it like is it is. Punk rock has been too much of a boys’ club for far too long. And, since the style is rooted in blunt communication, what better way to call attention than putting the scene on alert on the first song of a band’s first EP? Neon Belly starts with a mission statement in “The … Read more
The Work was one of the most anticipated metal records of the year. Let me start this review by curbing your enthusiasm and letting you know that this album is a bitter disappointment. It took me about sixteen listens (it was a fucking chore) to also find out that it’s ultimately not a legitimately bad album, but it isn’t legitimately … Read more
Where do you even start with an album like this? It’s been a while since it’s been released, so I definitely had time to immerse myself into it properly as well as getting the leverage of seeing how it aged, even if over a short period of time in terms of timespan when talking about albums. Rïcïnn’s latest record, Nereïd … Read more
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