The hook on ONETWOTHREE is the band is comprised of three bassists. Which, actually, means there are a ton of hooks on this, their debut record. And now that I’ve hooked you with unnecessary wordplay, I’ll get on with things. But, really, it was the unique arrangement that first intrigued me. The lineup consists of Klaudia Schifferle (Kleenex/LiLiPuT), Madlaina Peer (Noknows), and Sara Schär (TNT/Souldawn/The Kick), which is both an impressive resume and a sign of what’s on this record. The band uses that triple bass along with drum patterns and synths. It’s minimal and hypnotic, with lyrics that are playful and remind me of Japanese absurdism, although these musicians live halfway around the globe. The vocals vary between list-style delivery, call-and-response, and sound effects, often serving more of an instrumental role instead of melodic. Sometimes they deliver a knock on consumerism and things we (think we need to) buy. Sometimes it’s a cat call on a loop. Sometimes it’s a little more traditional, as in the opening track, “Perfect Illusions,” which is groovy at its base and punchy with the up-front vocals. Then it gets more dance-laden in the next song, “Give Paw,” which fits nicely in that 21st … Read more
If I tell you some band members from bands like Disfear, Dollhouse, Year Of The Goat, Tortyr and The Dontcares … Read more
I never really thought in any measure that I’d be writing at any point in time a review of a … Read more
Let’s call it like is it is. Punk rock has been too much of a boys’ club for far too … Read more
The Work was one of the most anticipated metal records of the year. Let me start this review by curbing … Read more
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I don't like split releases. They annoy me because I would rather hear an EP by the two separate bands to digest it completely before I am being forced to listen to another band's output on the same disc. Also, you never hear anyone say that a split is their favorite record of all time because quite frankly splits just don't hold up to the test of time like a single band's album or EP does. Maybe it's just me but I think we could just do away with split releases all together. So I'm going to review a split just for a sense of irony. Anchorage contributes the first five tracks on this CD and the first thing that grates on my nerves is vocals. He's a bit off-tune … Read more
I can’t believe this is the first time Not On Tour is reviewed on this site. Not On Tour is a skate punk band from Tel Aviv, Israel. This band is insanely melodic and catchy. Not On Tour is one of those bands that master a certain art: they seem to effortlessly combine speed with catchy melodies. The band nailed … Read more
It’s nice when artists get back to their roots. There’s a time and place for growth and exploration. But there’s also a time and place to let the rage loose, and that’s what’s happening with Band of Bastards on their debut twelve-song slab of blistering hardcore. That’s probably not what you think about when you heard band names like ...And … Read more
While I like new Descendents, their older stuff always had an intangible bite to it. The new stuff feels more sarcastic while their earlier material was pissed off underneath that playful disposition. And that’s what you get on 9th & Walnut which is billed as the band’s eighth studio album, though the timeline is more complicated than that. All 18 … Read more
Ah, an actual tape cassette…in a day and age where portable digital devices are ubiquitous, I find delight whenever an analogue tape pops up – even more so when the sound of the bands fits the medium. Case in point: Sunshine Satellite, a duo that channels its alchemy in sleek and powerfully compact garagey-pop-punk tunes, serenaded by female vocals in … Read more
There is a lot of productive ways to spend a pandemic lockdown: 1. Grow your own windowsill herb garden 2. Watch all the seasons of Law & Order and make note of how many episodes pass the Bechdel test (spoiler alert: it’s two). 3. Make an album with your mates. Ok, calling 1 and 2 “productive” is a bit of … Read more
This record is honestly kind of painful. It’s meant to be, too. It’s about depression, drug abuse, death and all kinds of dark material. And it works on that level, but it’s also painful because the NOFX sound puts Fat Mike’s vocals so front-and-center in everything: It’s like watching somebody standing under a spotlight while hitting rock bottom. The lyrics … Read more
I expected every webzine, music mogul, and rock print publication to give the newest Weezer album a bad review. I figured that Van Weezer - titled in tribute to, well, you know - was next in a line of punching bags that were guilty of not being Pinkerton. Well, fuck me - most of the big-name publication reviews have been … Read more
It is an act of courage to redefine oneself. Especially when the initial recipe and direction has been exciting and challenging. Yet, when a project is as intricate as Kristen Hayter’s Lingua Ignota there should not be any surprise when evolution is afoot. Hayter started in the underground, releasing the first two records of her project independently. Through the raw … Read more
Die at the Zoo is a live recording from Obits, live in Brisbane, Australia, in 2012. There are 16 songs from the band’s catalog and it was recently released on limited vinyl by Outer Battery. There are probably two main angles for looking at a live record: is it capturing a time and place, or is it capturing an essence … Read more
I think it’s a good rule of thumb to assume if some band has their album art done by Adam “Nightjar” Burke, it’s going to be at least a good album. While that could be an exaggeration, I’ve yet to see a bad record with album art made by that man, so that’s a good track record, right? Anyway, Wills … Read more
Hungarian musician Csarnogurszky István is quite prolific, helming Black Hill, musicformessier, Realm of Wolves, Stvannyr, and of course Silent Island. His most recent release is The Curse of Coleodeia under Silent Island. As it can be often witnessed with prolific bands and/or musicians, the output may tend to suffer in quality due to the quantity in which it comes about. … Read more
My girlfriend asked me, earlier this year: “why does all music you like sound so bloody serious?”. At first I denied this and listed a couple of bands and albums that sound more party-like, but after giving it some thought I had to agree. I really lean towards the stuff that sounds bloody serious. In comes Impure Wilhelmina, who can … Read more
The first song on Sumer Soon is titled “Dirty Taint.” And if that doesn’t put a taste in your mouth for what’s to come, well, keep reading then. There’s some trash rock influence, for sure, but it’s not that cut-and-dried. The Bambies also have some heavy Ramones influence that gives a more wholesome counter tone. It walks the trash punk … Read more
The British prog-death metallers from Voices are back with some fresh material. It’s not much, but it’s something to hang on to until their next album. Formed alongside Akercocke, by some of their members, Voices deliver an interesting take on the genre and are definitely one of the better representatives of the niche. They’re also one of those criminally underrated … Read more
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