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Our latest album reviews, featuring the records we've most enjoyed (or not) over the past few weeks.

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Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)

The Obits

Die at the Zoo
Outer Battery Records (2021)

Die at the Zoo is a live recording from Obits, live in Brisbane, Australia, in 2012. There are 16 songs from the band’s catalog and it was recently released on limited vinyl by Outer Battery. There are probably two main angles for looking at a live record: is it capturing a time and place, or is it capturing an essence of the band. (And, yes, live records can do both simultaneously.) I see Die at the Zoo as the second of those two angles. Obits themselves are a no frills rock band, recalling a simpler era when “rock” was a genre instead of something with four extra hyphens and a dress code to match. I’ll admit I’ve never seen Obits live, but this fits what I expect: little banter, music center stage, and a timeless feel that eclipses that this is a very specific live recording. It’s what I imagine the band sounded like at every concert. And while I imagine the band doesn’t talk a lot at their shows, this is edited to remove pieces too. It’s not a straight-play live repeat but it comes across as clear and uninterrupted despite those edits. It’s high energy, raw, and on … Read more

Wills Dissolve

Echoes
Hypnotic Dirge Records (2020)

I think it’s a good rule of thumb to assume if some band has their album art done by Adam … Read more

Silent Island

The Curse of Coleodeia
Independent (2020)

Hungarian musician Csarnogurszky István is quite prolific, helming Black Hill, musicformessier, Realm of Wolves, Stvannyr, and of course Silent Island. … Read more

Impure Wilhelmina

Antidote
Season of Mist (2021)

My girlfriend asked me, earlier this year: “why does all music you like sound so bloody serious?”. At first I … Read more

Bambies

Summer Soon
Spaghetty Town Records (2021)

The first song on Sumer Soon is titled “Dirty Taint.” And if that doesn’t put a taste in your mouth … Read more

Voices

An Audience Of Mannequins
Church Road Records (2021)

The British prog-death metallers from Voices are back with some fresh material. It’s not much, but it’s something to hang … Read more

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One from the archives

Broken Prayer

Misanthropocentric AKA Droid's Blood
Sorry State (2015)

I incorrectly said this band was from North Carolina when I talked about their last record, when in fact they’re from Chicago. So I’d like to take a moment to say I’m sorry to Broken Prayer. (Up until recently I had a tendency to assume that every band on Sorry State was from North Carolina.) Another thing I said about Broken Prayer was that they sounded like some crusty D-beat guys that let one their younger brother’s play his synths with them but only if he got fucked-up on cold medicine and cocaine first. That statement is also false. They are not D-beat. At least not glaringly obvious D-beat. And secondly, the synths (if that’s even the correct terminology) are actually played by Liz Panella of Earth Girls, and Libyans. … Read more

More album reviews

Clown Core

Van
Independent (2020)

Who are Clown Core? Long story short – no idea and no one really knows. There’s a lot of speculation online regarding the fact that the duo may actually be drummer Louis Cole and saxophonist Sam Gendel. Although, both have denied being part of the band. As Clown Core continue to skillfully keep their identities a mystery, we can only … Read more

200 Words Or Less

The Arson Choir

Invisible Monsters
War Against Records (2020)

The Arson Choir are another fine representative of the new wave of American mathcore. They’re a pretty young band, but they have a lot of power in them and they sure know how to lay it down. Their balls to the wall delivery paired with chunky and groovy riffs, as well as the classic dissonant screeches is very appropriate and … Read more

Christian Scott aTunde Adjuah

Axiom
Ropeadope Records (2020)

I believe Christian Scott aTunde Adjuah requires practically no other introduction than his name – especially for people savvy within the realm of jazz. The award-winning musician along with his band has managed to throw together a marvelous collection of songs as his third live album, titled succinctly, Axiom. This all went down across four days during March last year … Read more

Fawn Limbs

Darwin Falls
Roman Numeral Records, Wolves & Vibrancy Records (2021)

Transatlantic noise laden mathgrind power trio Fawn Limbs are back with fresh material. What could they possibly have in store this time around? Their prolific catalogue reaches a true high point with their ninth release, Darwin Falls. Physically following in the footsteps of Sleeper Vessels, while aesthetically and spiritually in those of Thrum, Darwin Falls sees the band stepping into … Read more

Luz de Gas

Luz de Gas
Iron Lung (2021)

So many punk albums start strong and lose their energy by the end. This self-titled debut does the opposite, intentionally starting slow and building up tension with an instrumental and then gaining momentum all the way through. It seems the Santiago, Chile-based band released this demo last year and it’s made the rounds, now getting a USA cassette release via … Read more

Book Review

Nik Bärtsch

Listening, Music, Movement, Mind
Lars Müller Publishers (2021)

Based in Zürich, Switzerland, the acclaimed publishing house of Lars Müller is the manifestation of his love for books. Over the last eighteen years, a plethora of carefully curated and edited publications have been published, zeroing in on specialist areas in the realms of society, design, photography, architecture and art, all of which reflect Müller’s eclectic fields of interest. The … Read more

Kaonashi

Dear Lemon House, You Ruined Me: Senior Year
Equal Vision, Unbeaten Records (2021)

Let me start by saying that, if you’re into good hardcore and haven’t heard of Kaonashi, you’re missing out. The Philadelphia based five-piece brought their second full-length record to our ears a few months ago. Dear Lemon House, You Ruined Me: Senior Year sees the band maturing in a lot of ways and finding their voice with focus and clarity. … Read more

Totally Slow

Casual Drag
Refresh Records (2021)

I don’t hear skatepunk-influenced bands that catch my attention very often. What was once new and vibrant has grown stale and derivative. Yet, Totally Slow (from North Carolina) have a very clear West Coast ‘90s influence that thrives throughout Casual Drag, their third record. While I hear a lot of familiarity, it still feels urgent and emotional. And while I’m … Read more

Eastern High

Halo
Independent (2021)

It feels like people have sort of given up on doing prog metal with clean vocals, no? Or maybe that’s just me? Or maybe I just started giving up on that area due to its general lack of ingenuity in musical terms and veered more heavily into extreme prog. Regardless, Eastern High have just recently released their second album, titled … Read more

Talk Show Host

Mid-Century Modern
Disconnect/Disconnect, Wiretap Records (2021)

Talk Show Host is a power-pop group from Toronto. And while it’s chock-full of those pleasant, soaring melodies expected of the style, the band establishes its tone early, showing there are some teeth behind the smile with opening track “You Asshole!” Songs like the lead track, “Crisis Actors” and “Warmest Condolences” defy the idea that pop songs are empty, instead … Read more

200 Words Or Less

Gentlemen Rogues

Do the Resurrection
Snappy Little Numbers (2021)

Austin, Texas never disappoints when it comes to being a hotbed for great independent bands and Gentlemen Rogues is no exception. With their Do the Resurrection 7” they showcase not only their weak spot for fuzzed-out guitar driven pop punk, but also their song writing expertise reminiscent of the better moments of acts like XTC, Gaslight Anthem, Teenage Fanclub and … Read more

Hysterese

Hysterese
This Charming Man Records (2021)

The second record of German band Hysterese is a record I own and play quite frequently. To me it is one of those strange records that you enjoy a lot, but didn’t invite you to delve into their past or actively follow the band. Until now. As I saw the band name pop up in the heap of promos I … Read more

Alien Nosejob

HC2
Iron Lung (2021)

It seems that Jake Robertson spent a lot of the past year playing with himself. But haven’t we all? Bad jokes aside, the one-man band put out multiple full-lengths in 2020 and now a new 6-song EP too. Overall, the project is diverse, falling generally within the punk umbrella but different influences scattered as Robertson feels like it. But this … Read more

200 Words Or Less

The Black Black

Careful on Your Way Out
Ewel Records (2021)

If one were to define post-punk as the departure from the musical rawness and simplicity of punk rock and the adoption of dancey rock elements, Brooklyn-based The Black Black would fit the bill quite well. Their third long-player spans eight tracks, which sonically traverse bass-centric territory between 1980s sentiments left in the wake of Joy Division and the groovy end … Read more

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Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)