Here we go again. Once again we have yet another young hardcore band, this time hailing from Tacoma, WA, playing overly sincere emotional overcharged hardcore. If you have heard Modern Life is War, Comeback Kid, or maybe Shai Hulud you get the gist of what Never Looking Back is trying to accomplish. If you can sense my boredom right now, you've just won yourself a prize. I don't hate Never Looking Back, it's hard to hate on a band that obviously has their hearts in the right place. It's even harder for me to hate a band that gives out lyric explanations. That will always and forever earn a decent amount of respect no matter what style of hardcore a band wants to play. I've just heard the double bass drumming so many times it sounds like jackhammer in my skull, and not in the good way either. I've heard one too many songs where everyone piles on the singer and screams about being alone or being alive or whatever else they need to get off their chest. The mosh parts on Fragile Hearts are so predictable that your local nutty weatherperson could tell when they are coming six months … Read more
Bands evolve and the fans have to deal with it. Their musical palette expands and the records change. This holds … Read more
A lot has been made lately of the throwback sounds that are ultra popular in hardcore these days. It seems … Read more
Erie has a long-standing tradition of hardcore: xDisciplex A.D., Brothers Keeper, Shockwave, and Abnegation. Continuing that tradition is War of … Read more
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Self-released in November of 2013, Roaming Herds of Buffalo’s Alien Canyons is the band’s second release to date. The Seattle-based group has described this outing as a “collaborative project” in their web-based press kit, although I’m not sure what to conclude from this vague statement. Maybe everyone played everything and everyone got songwriting credits? Maybe the band considers these types of details irrelevant? In any case, all members are active in other projects, and there seems to be a broad spectrum of different/differing influences present. The record kicks off with the brief “Wild Oats” – strummed chords and tin-can-telephone vocals introduce the album’s prevailing aesthetic, while cryptic lyrics present its consistent thematic content. The follow-up is the album’s title track, which provides a pretty good idea of what to expect … Read more
The Fire The Flood hails from North Carolina, a state home to metalcore greats Prayer for Cleansing. Unfortunately, the music that makes up Truth Seekers is nothing worth mentioning in the same sentence as one of the purveyors of modern metalcore. Truth Seekers is comprised of thirteen tracks, of which only two clock in over the two-minute mark. Musically, the … Read more
Dark Days is a discography release that compiles the San Diego-based hardcore outfits previous material into one neat package. The CD opens with "The Bridge," one of three new cuts. The song is fast-paced hardcore song that is centered on individuals that travel to The Golden Gate Bridge only to commit suicide. "Holy Hands" and "Fun in Funeral" follow in … Read more
Some critics may think that their age gives them more credit and validates every opinion they have. I am on the lower end of the age spectrum when it comes to critics, but that doesn't mean I have no clue what I'm talking about when it comes to music. Hey, I'm not a worldly expert but I think I can … Read more
Hailing from Italy, One Starving Day are a four-piece band that, at times, sounds more like ten or fifteen people playing music. Their sound is full and emotive conveying enough raw moods and feeling in each musical piece that begs for one to pay attention. The only time prior to Broken Wings Lead Arms to the Sun that I have … Read more
Municipal Waste likes to party. How do I know this? Well, there's the album title. Couple that with songs like "Beer Pressure," "Born to Party," and "Chemically Altered" and you don't exactly have to be Veronica Mars to connect the dots. It also goes without saying we're not exactly dealing with subtle music open to the interpretation of the listener … Read more
Westerners tend to love Japanese pop culture almost as much as Japanese kids love western (read: American) pop culture - especially rock and roll. And punk is no exception to this phenomenon, as each side doesn't hesitate to make a fetish out of the other: American punks work themselves into a lather bidding on GISM LPs, while Japanese punks go … Read more
Winnipeg's Under Pressure is a dirty 80's sounding hardcore band with a dude singing like he's trying to hold in his bong hit for the longest time while gargling glass. Saying he sounds a little gruff is like saying the people that have smoked Pall Mall Non-Filters for thirty plus years are a little raspy. Musically, the band either goes … Read more
God bless Matthew William Kohnle. Kohnle is The Swede. While I'm not sure if the name is a reference to his nationality (or if he is in fact a root vegetable), this project is solely his. With the exception of some bass clarinet by Todd Knapp and some vocals by Mrs. Kohnle, all songs are written, performed, and even recorded … Read more
The Colour and the Shape was the Foo Fighters second full-length release, though it was the first album in which Grohl enlisted a full band to back him in the writing and recording of the album. Grohl gathered an ensemble of musicians to surround him for what would become the band's breakthrough album: bassist Nate Mendel of Sunny Day Real … Read more
As our global society is brought closer and closer as a result of the Internet and other lightning fast communicative technologies, the influx and exposure of foreign bands and musicians continues to increase in frequency at an unprecedented rate; one label that has fully embraced this global mixing is Crucial Blast who bring the United States the domestic release of … Read more
This review is dedicated to Anthony H. Wilson. Fuck Keith and Mick, Fuck the Toxic Twins of Aerosmith, and fuck Britney Spears. The greatest rock and roll survivor of all time is one Shaun William Ryder. Here is a man that hasn't made a penny since he was sued by his former managers, a man that helped introduce ecstasy into … Read more
When John Zorn released his Kristallnacht album, it contained one track of sheer horror, anger, and sorrow all rolled into one. Entitled "Never Again," Zorn did his utmost to convey his interpretation of the "Night of Broken Glass." The track is essentially just that: over eleven minutes of the unbearable sound of glass shattering. Zorn even went so far, though … Read more
Oh J Church how I love you and your noisy simple pop-punk brilliance. And thank-you for doing a good cover of The Car's "Just What I Need." Flamingo 50, you on the other hand and side, are completely new to me and are apparently from the UK. You remind of a Screeching Weasel mixed with early Discount for a decent … Read more
This split 7" features two of the most exciting hardcore bands that have been hitting the fest circuit this Summer. Soul Control sounds like 108 mixed with Quicksand and it's all awesome. "Focus" is one of my favorite songs of 2007. This song just fucking jams in all its noisy post-hardcore brilliance. I Rise also play melodic post hardcore with … Read more
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