More of The Ergs for you. More pop-punk. More songs about girls and this time a rather decent cover of the 90's rock staple "Hey Jealousy." Lemuria are on the poppy side but a tad inclined to the indie rock thing with male and female vocals. Both bands give that "Aw shucks" feeling when you listen to them and that's never a bad thing. Read more
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Currently I am recovering from a heatwave that seemed be going on forever. Unfortunately for me I am not very good at dealing with high temperatures. I fare well with low temperatures and feel very sorry for myself during large parts of summer. Right now I feel like I am yet not human. The right attitude for an album by that name!After four albums and two split records The Crimson Ghosts unleash their fifth full album upon an unsuspecting mankind: Yet Not Human. Although, unsuspecting? This album was announced ages ago. After a while Facebook messages from the band started sounding a bit frustrated as the band had some trouble finding a new drummer. Now that they’ve found one, the big question is: did this influence their sound? For now, … Read more
Chicago's Reptoids, signed to RRRecords, play a female brand of grunge/punk rock. This six-track EP, clocking in at sixteen minutes, shows a fairly wide-ranging sound, taking in early Nirvana, through to a more rock and roll/punk sound reminiscent of 70s acts mixed with grunge vocals. Singer Kay Oh often reminds me of Courtney Love, but musically the band provides a … Read more
If I told you that Skyscraper Frontier was another band out of L.A. playing an 'eclectic' mixture of songs, you'd probably get that glazed look in your eyes and change the subject. You've heard it all before. But what if I told you that this six-track EP really was eclectic? Beginning with "I Just Need You," we get ambient 80's … Read more
South Carolina trio The Last Car in Alaska play a sort of melodic emo-core that must be pretty popular with the Warped Tour audience they've played to. Some of it sounds pretty amateur in parts (mixing on the first track, "I Like You Man... You're Crazy", features some strange contrasts in vocal volume, and the whole EP has vocals that … Read more
Ryan Groat should be presented with some sort of award for the riffs he came up with on The Most, Down to Nothing's third full-length and first for Revelation Records. Seriously, not only are the riffs thundering and inventive, they get stuck in your head for weeks, even months on end. Mr. Groat I award with this Riffy for Most … Read more
There was a time when I thought that Prepare to be Let Down was never going to be released. The album was slated to come out via 1917 Records before the band and label amicably agreed to go their separate ways. Well, after a brief stint without a label, Ruiner have finally brought Prepare to be Let Down to the … Read more
Aesop Rock could be considered the resident Dadaist of the hip-hop community. Many consider him a hyper literate linguist (despite the fact he admits that he doesn't read much), blending modern pop culture phrasings with slang of the last ten years to create complex rhymes that actively reflective on the modern world. Others argue just the opposite; despite his ability … Read more
It's been three years since Brooklyn's Dear Tonight released their debut EP These are Wires. Since then the band has toured regularly, went to Europe with Boy Sets Fire, and honed their sound in order to release We're Not Men, the bands first full-length and only their second release as a band. While These are Wires was much grittier and … Read more
Having never been exposed to Massacre of the Umbilical Cord, I find myself wondering exactly what to expect from half of this split album. Control, on the other hand, I am familiar with what they do and am excited by their contribution to this record. Control is one of a slew of newer bands that are utilizing sounds brought to … Read more
Opening up with an old-time accordion intro, you could be forgiven for expecting Ultra Dolphins to play Iron & Wine-esque 'American gothic' folk rock. However, forgiving is probably the last word you could use to describe Richmond's Ultra Dolphins, who play a kind of post-hardcore noise over the thirty minutes Mar lasts. Kicking off properly with "Town Goat," we get … Read more
Project Mercury is the latest output of material from two of Philadelphia's underground sensations: Balboa and Rosetta. The split features original material from each band as well as a collaborative piece - much like the Harkonen and These Arms are Snakes split put out a couple of years back. Project Mercury is a dynamic adventure in music, much like that … Read more
Sadly it seems that this review took a little too long to finish and the band that was to be reviewed has called it quits. But Calico System have arguably left an impression and their LP Outside are the Vultures is a must listen for those who like run-of-the-mill music. This review will start with the bands mission statement explaining … Read more
I wanted to hate this. I really did. Don't mistake me for an elitist music journalist; A.F.I. is the band responsible for this webzine's founding. But A.F.I. or no A.F.I., I was determined not to like this record. Not being a listener of electronic or synth-based music, and being too embarrassed to ask what "EBM" stood for, I was a … Read more
As a rock band who have become progressively more electronic throughout their career, A.F.I. might have gone some way to introducing their fan base to the influential artists that have inspired CexCells and may have even converted some of them over to the dark(wave) side. If I was feeling optimistic, I'd say that Blaqk Audio the much anticipated side-project of … Read more
Modern Life is War are flirting with a backlash. Plenty of people hated Witness despite the fact that it upped the ante on My Love. My Way. like a gambler splashing the pot, with songs that stood taller, lingered in your head longer, and cut like a Bowie knife (i.e. through human flesh). But still we hear the same old … Read more
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