Hailing from Paris, France, the bizarrely titled sextet We Insist! recently unveiled the fourth LP of a chronicled and equally reclusive catalogue. With a small following at home-base and even fewer listeners worldwide, new ears could be quick to assume that a moniker of implied force alludes to some kind of emblematic punk rock romp that's heavy on the garage sound and even heavier on the pedestrian metaphors that come with the amateurs of this trade. While the title of this new album only boosts that theory, which would be an incorrect one, the truth is that it's nearly impossible to define conclusively just what the hell kind of a band We Insist! truly is. What exactly does that mean? Well besides these guys taking smatterings from the many influences their Myspace site suggests, the sound produced is the expected zeitgeist-dodging indie palette that elitists will spend their last dollars for, while leaving pop-culture patrons scratching their noggins in confusion. Compared to the dominantly instrumental Inner Pond and the expanded experimentation on Crude, Oh! Things are so Corruptible is by far the band's most commercial work to date. Despite newly crafted pop flavor catchiness, there's still a hearty dose of … Read more
If you're like me, you grew up buying compilations from punk rock labels. It was like opening up a treasure … Read more
Blackfield is the collaboration between Steve Wilson of Porcupine Tree fame and Israeli rocker Aviv Geffen. Blackfield I was released … Read more
It's safe to say that indie music is the new "pop" and bands like Bloc Party and Arcade Fire have … Read more
If I had to loosely describe The Pax Cecilia I would have to use the term "rock," but doing so … Read more
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Boston-based shoe-gazing space-rockers Constants return with their second full-length and follow-up to 2006's The Murder of Tom Fitzgerril EP. With The Foundation, The Machine, The Ascension Constants continues to make waves in the rock world as they showcase their talent towards writing intricate, dynamic, and ominous rock music. The Foundation, The Machine, The Ascension is ultimately broken up into three segments, each of which corresponds to a portion of the album's title. The meaning behind the title and this distribution of tracks isn't given, and without a lyric sheet for the album, it's difficult to explain exactly why this is done. I'm sure there is a deep-rooted meaning, but without an inkling to go on, I'll just leave it as a mystery. The first group, The Foundation, begins with "Genetics … Read more
Two of Texas' most promising hardcore upstarts team up on this split 7" release. On the A-Side we have Last Minute Fix, who released Revenge on the Syringe in early 2006. Like their debut EP, the band still leans towards the earlier years of hardcore punk. The bands two songs - "This Just In" and "Commotion" - are short and … Read more
Stag is a two-piece sludge-metal outfit from Missouri. This self-released four-song EP is a definite homage to the likes of early Neurosis with doom metal experimentation here and there. The drumwork of Ash over the four songs is quite impressive as he unveils a wide variety of techniques. The guitars handled by Michael are thick as molasses, though he occasionally … Read more
¡Apeshit! is a four-piece outfit hailing from New York City. They blast through thirteen songs on this, their debut effort, in less than eleven minutes. You don't have to be good at math to realize that means one thing: super short songs. With only three songs clocking in over a minute, the remainder of ¡Apeshit! is sub-one-minute cuts of traditional … Read more
I first heard The Unlovables on Crafty Record's New York vs. New Jersey Punk Rock Battle Royal compilation. They were one of the bands that didn't blow me away on first listen, but after repeated spins their songs were among my favorite and I quickly picked up Heartsickle, their second full-length. The Unlovables play mid-90's style pop-punk, featuring powerful female … Read more
Caught in a Trap are four, to a certain extent, hefty dudes with beards playing distinctive NYHC styled hardcore which really come as no surprise since they reside in both Brooklyn and Queens. If by some reason you don't know what NYHC sounds like, imagine tough metallic riffs placed over frenetic drumming where everyone in attendance tries to kill each … Read more
Do you ever buy the new album from a band you like and after a couple listens you just think, "This is about what I expected"? Most of the time this means the album is good; just more songs of the sound you've become accustomed to. This happened to me when I got Champion's full-length. I liked it, but it … Read more
Now, this is a pleasant surprise. I have not been previously introduced to Declan de Barra or previous outfits (Clann Zu and Non Intentional Lifeform). So, there are no expectations for Song of a Thousand Birds, his first solo effort. The promotional CD (which gives no real liner notes or in depth information or artwork that may or may not … Read more
The word "fucking" appears on Orchestra of Wolves forty-nine times. Let me break it down for you: there's thirty-nine "fucking"s on the full-length and ten on the two bonus tracks for a grand total of forty-nine. That's not including variants such as "fuck", "fucked", etc. I counted every time it appears in the lyrics (there's an extra in one song … Read more
I unabashedly love Pig Destroyer. And while they are out of vogue with the kvlt grindsters, I think they are infinitely more interesting than the million other death/grind bands with illegible logos. 2004's Terrifyer is one of the few albums I would consider a modern classic, naysayers be damned. So when I heard they added a fourth (non-bass playing) member, … Read more
There have been a few instances that I've gotten pretty pissed off at bands. When Modern Life Is War told the audience that it was a privilege for our small college town to be able to see Converge, I was pretty pissed off, as in all actuality, it is always a privilege for a band to show up to a … Read more
The Number Twelve Looks Like You have always been that band that would come close to winning me over, but never impressed me enough for me to listen to their albums more than three or four times. With their previous release, Nuclear. Sad. Nuclear, there were songs I thought were innovative and worth making a fuss over and then there … Read more
I read an interview with Dan Yemin (Lifetime, Kid Dynamite, Paint it Black) where he noted that despite his appreciation of bands that combine a variety of influences and create a sound with depth, the odds remain strong that he will always enjoy a band that replicates Minor Threat's sound. I share a similar sentiment within the genre of pop-punk … Read more
Explaining the particulars between different types of heavy music is a hard task. For most people, even the most educated music listeners, if it has a guy screaming his head off, then it all sounds the same. I only wish the whole world could hear it and enjoy it the same way I do. And no, I'm not a hippie. … Read more
A Swarm of the Sun delivers with The King of Everything a dark, brooding EP that sounds as if the chasms of hell have opened or, better said, are about to open. If one expects the chasms of hell to be filled with power metal and/or gay metal like Manowar; then one is wrong. The King of Everything is subtle, … Read more
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