When writing reviews, the job of the reviewer is to judge the album on its own merits. Only then and even this is in dispute amongst those who review music is it acceptable to compare it to other works by the same artist or to different artists altogether to assist in making your point and to give the reader an easy summation by saying this sounds like this or this isn't as good as this. This method could be described as lazy on both the part of the writer for not having the vocabulary for reviewing on an individual basis and the reader for needing such a summation. The thing is when you're lucky enough in your musical career to have released an album of legend and acclaim, the flip side to that coin is that legendary album sets the watermark for all future works to be judged by. With King Diamond, that album of legend is 1987's Abigail and if you've read this far, I'm going to contradict everything I've just said and let you off the hook - Give Me Your Soul Please isn't as good. Not by a long shot. King Diamond has enjoyed consistent success since … Read more
I can remember being seven years old and staring bleakly at the television screen while Magic Johnson announced to the … Read more
It was in 1994 at age thirteen that I first skipped a day of school and popped Rancid's Let's Go … Read more
Listening to Melt Banana carries a list of requirements: Deal with the vocals. Deal with annoying noises. If you can't … Read more
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This is the first time I saw Billy the Kid: It's Mid-July and the air conditioner at Toronto Lee's Palace is broken. The show is sold -out and I'm leaning on the stage with the capacity crowd behind me. We're sweaty and dehydrated. The air is getting hard to breathe, but nobody's complaining. Frank Turner and the Sleeping Souls are midway through their set and the band is barely audible amongst the chorus of singing fans, laughter, and applause. The energy in the venue is incredible. Even in the heat everyone can recognize that the show tonight is something special. As another song winds down, the Sleeping Souls leave the stage and Frank is left on his lonesome with an acoustic guitar. I've seen him play nearly a dozen times … Read more
These reunions need to stop. Gorilla Biscuits? Cool. Bold? Okay. Bad Brains? No. Honestly, what was Beastie Boy Adam Yauch thinking when he was producing this pile of garbage known as Build a Nation? Truth be told, I'm relatively new to the Bad Brains catalog. Having listened to them for only a year or so, I'll admit they are a … Read more
Seeing Damnation A.D. for the first time in years at New Year's reunion in Syracuse a couple of years back awoke something in me that I had not realized had been sleeping. Watching this five piece shake the building with their tortured, bottom heavy power was and is a great experience. If you doubt this, go see them and watch … Read more
Zeit·geist n. German. The spirit of the time; the taste and outlook characteristic of a period or generation. The Smashing Pumpkins' comeback album threatens to set itself up as a Serious Rock Statement about present-day societal ills, in the same vein as Jack White's totally hoary commentary about illegal immigration on the recent White Stripes single "Icky Thump." As a … Read more
In all likelihood you're fully aware of the Smashing Pumpkins history and 90's legacy; if you somehow don't, I recommend Wikipedia. But in short, this is the first album in seven years from Billy Corgan and Jimmy Chamberlin under the Smashing Pumpkins moniker. Both were in Zwan, and both performed on the other's respective solo disc. But since 2000, neither … Read more
Mellon Collie and the Infinite Sadness changed the way I listened to music. Siamese Dream continues to do so. Machina is one of the best records I've ever heard. The news of the Smashing Pumpkins' abrupt return, more than half a decade later, was a big deal - a huge one in fact - and of course it brought with … Read more
Someone beats on sheet metal. A phone rings? White noise and feedback. Sounds from a long lost sci-fi B movie I think. Someone recorded the sounds from an alien spaceship's motherboard. A saxophone goes completely fucking berserk. An eerie, unrelenting din pervades everything. This is what I hear as I sit down to review Nonhorse's compact disc. Enter Haraam, Circle … Read more
Odious Mortem's website describes their sound as employing "technical, dark, and experimental aspects of the death metal genre." When I think death metal I think Nile, Suffocation, maybe even Slayer. Odious Mortem are what Slayer might sound like if you replaced Kerry King with a jet engine. Vaguely reminiscent of early Fear Factory and Dillinger Escape Plan, for the most … Read more
Internal Affairs is a band that embodies what hardcore should truly be about. The music is fast, energetic, and pissed off. The lyrics are honest to the point of being blunt - hardcore used to be about speaking your mind, somewhere along the way most bands forgot this. And finally, the band puts on one heck of a performance, inviting … Read more
Since about the year 2000, Tim Armstrong, Lars Frederickson and pretty much that has anything to do with Rancid has pretty much been a horrible venture, looking your way The Viking, Transplants and the last Rancid album. Prior to listening to this album the only conation I had about The Aggrolites was that they were Tim Armstrong's backing band for … Read more
Over the past decade or so "toughguy" hardcore has gotten more obnoxious by the second, but one of the bands that spawned this shitstorm, Madball, always had at least one thing going for them. This special ingredient was the combination of the pure catchiness of their riffs and their surprisingly tight sense of rhythm. Even though I am enough of … Read more
When Hank III goes on tour, he leaves no stone unturned, playing anywhere that would have him: cities, towns, hamlets, burgs and more than a few Native American reservations. This had quite an impact on Hank's then touring guitarist, ex of the Jesus Lizard and future Tomahawk co-founder Duane Denison. The music he would hear while on the reservations left … Read more
You know what I liked when I was in high school? Actually, you can probably guess this one. I liked The Smashing Pumpkins. You probably did too. I know for damn sure the Distortions did. Their Myspace page lists them as indie/shoegaze/post-punk, but I'm not seeing it. I guess it's possible I don't know what those terms mean, but if … Read more
It is real nice that Rocky Votolato's A Brief History is available again. With the original label - Your Best Guess Records - going the way of the Dodo, this underappreciated gem went out of print. Second Nature, thankfully, has the foresight to make this available for people again, and just in time for the release of Votolato's forthcoming new … Read more
A Brief History is Rocky Votolato's second full-length, originally released in 2000 after his hard-to-find self-titled debut in 1999. At twenty minutes long, it's really more of an extended EP, but then, the 'brief' in the title should be taken quite literally. Newcomers to Votolato's alt-country/Americana sound might be surprised to backtrack through his releases and come across this, helpfully … Read more
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