Like the Bible's steadfast conviction in the second coming of Christ, I knew this day would someday come. And goddamnit, it's here! Pop punk - real pop punk - has returned. While far too many bands are priding themselves convoluted songwriting, a whole new batch of bands - some old, some new - are popping up and proving that all you need to write kick ass songs is three (sometimes four) chords, one melody, and a whole lotta harmony vocals. At the forefront of this revival (some will argue it never went away) is the Illinois band, The Copyrights, who are ready to usher in the summer with a brand new album, Make Sound. One listen to this album got me reminiscing about my first days as a punk, way back when Lookout Records was still a legitimate label. Rather than giving a straight review of this, I'm opting instead to take a few questions from some readers who might be confused about what this album has to offer: "For all those old fogies out there who know what pop-punk really sounds like, how would you describe this album?" Why that's a good question. Remember when punk rock seemed to … Read more
Split CDs are never a good idea because you usually don't have any clue what's going on, especially when you … Read more
Complain all you want about the state of modern music. Yes, we have to deal with fake soul like Maroon … Read more
When I first heard Sonic Youth, I didn't know about their formidable New York hipster cachet: Glenn Branca confederates, initially … Read more
With the over saturation of the industry, technology making the ability to record a feasible option for anyone who has … Read more
I'm having real trouble introducing this band. How could I set up a band that's been covered by Isaac Brock … Read more
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The Lost, The Sick, The Sacred starts off with this atmospheric near dirge ditty that I thought I might have a Joy Division clone on my hands. That would have been a treat, sadly the guitars down tune, the drums begin the pummel, and then some screaming is started. Oh of course, it wouldn't be today's metalcore without some nicely sung vocals ruining every single chorus. The rest of the The Lost, The Sick, The Sacred follows suit with it's clear but still chunky production thick with bombastic drums and guitar squeals. Inhale Exhale's sound lies somewhere between Underoath and Norma Jean so they will be a hit with the Christian hardcore fans that go to Cornerstone Fest every year. I actually don't mind Inhale Exhale so much when they … Read more
Black metal and obscene, blasphemous imagery are like peanut butter and jelly"¦they were essentially made to go together. Of course in a sea of peanut butter as huge as the black metal scene is, it's usually hard for one band to spread on enough jelly to really stand out amongst the crowd. In 1991 Sweden's Marduk took this into account … Read more
Surely by now, almost everyone within the underground music community has heard of Napalm Death. If you have not yet (what rock have you been living under?), check out Albert Mudrian's Choosing Death: The Improbable History of Death Metal and Grindcore for a bit of a history lesson. This book gives an excellent synopsis of the early history of Napalm … Read more
Back in 2006, a small post-punk quartet from Newmarket, Ontario hit the club scene and blew people away with their brilliant live shows. They then released their first album to critical acclaim and became a major Internet buzz band. Tokyo Police Club has returned in 2007 with a short but sweet three song EP that is the follow up to … Read more
First things first, where the bloody hell is the Roman numeral? This is Tiger Army IV: Music from Regions Beyond, not just Music from Regions Beyond. I feel a little lost and confused with a Tiger Army album title like this. And only eleven tracks? Who is in charge here? I demand they get back in the studio and give … Read more
It has been a long time since I've heard a pretty singer-songwriter record reminiscent of Bruce Springsteen and Van Morrison's less folk-based records. Behind these legends there lies a giant gap of singer-songwriters varying from reasonably known to cult artists. Jesse Malin's third solo record, Glitter in the Gutter, is a good record for all who like this kind of … Read more
For the most part, the state of music - underground or major label - is stale and nothing more than a regurgitation of what has been previously done. But there are those rare gems, those bands that do something that is just a little bit different, that exist and make you excited about music. It's been quite a while since … Read more
Sometimes a record comes along that just floors me and it's hard to find words to put to paper. I've had a couple of records do this to me lately and Dead Hearts most recent effort, Bitter Verses, is one of them. If I had to choose three words, and three words only, to describe this release, they would be … Read more
The Ergs are self-proclaimed dorks. The great thing is that they are dorks that can write some great hooks. Upstairs/Downstairs is simply The Ergs latest example to demonstrate their ability to write infectious songs about girls and other pop-punk staple subjects. Upstairs/Downstairs delivers where their debut full length, dorkrockcockrod, set the stage for and where last year's EP, Jersey's Best … Read more
The Underground is a Dying Breed is a surprising comeback for Hot Rod Circuit. It appeared that even diehard fans were left disappointed with 2004's Reality's Coming Through. The album's blandness was an especially hard blow considering that their 2002 Vagrant Records debut, Sorry About Tomorrow, was on par with their much-loved Triple Crown Records material. Hot Rod Circuit had … Read more
People around here at Scene Point Blank like to joke and rib me about being the token melodic hardcore guy. It's all in jest and like with most stabs of humor they never stray to far away from the truth. However, there is a dark secret I would like share with everyone. Towards the end of the 90's and into … Read more
About two months ago, I had the pleasure of seeing Altered Beast play a quick, understated, but totally badass set in my friend Paul's basement. Being the swamped college kid that I am, I am just now able to sit down and write a few words about the demo they passed out to everyone in attendance. If I hadn't been … Read more
On The One A.M. Radio's 2004 full-length, A Name Writ in Water, songwriter Hrishikesh Hirway surprised critics and listeners alike with his apprehensive brand of esoterically compact and personal lo-fi composition. Falling somewhere in the dark crevice between electronica and singer/songwriter melancholia, Hirway demonstrated an almost uncanny ability to be both rhetorically personable and musically reserved. The vaguely metropolitan musical … Read more
Init Records is one of the most underappreciated record labels releasing music today. Documenting some of the Midwest's most important punk bands, from The Spirit of Versailles to The Vidablue, the label is consistently on point. I know Steven Init through the great invention of Internet message boards, and the guy is an absolute stand up person. So it still … Read more
Complacency is one of the greatest threats to hardcore's continued vitality. Many bands fail to grasp the importance of taking risks to produce a fresh sound. Even more frustrating are lyricists who allow hardcore to become insular. On their Tramps Like Us demo, Ramparts make certain they are committed to fighting stagnation. What struck me first about Ramparts was how … Read more
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