Windmills by the Ocean is a collection of songs that have been dusted off after they sat on the shelf for... well, for far too long. Five friends came together in August of 2003 and laid down five tracks of ethereal, drone, post-rock/metal goodness. While the members went on with their main projects, and new ones too, these songs sat and sat and sat on the shelf. That is until the good people at Robotic Empire decided to release them. When you look at the names of the players of Windmills by the Ocean, it's really not surprising to hear the mostly-instrumental (there are some effect-laden vocals layered throughout the songs) concoction that comprises this recording. They have played in the likes of Isis, Red Sparowes, Anodyne, and 27. That's an impressive pedigree. All that is missing from the best-of-Hydra Head (Boston style) is a member of Cave In or Converge (or the criminally underrated Jesuit). Over the course of these five nameless tracks, all over the six-minute mark, Windmills by the Ocean churn the primordial sea of massive, slow moving, and circulating riffs together with varying speeds of drumming, and a lot, I mean a lot, of guitar effects. … Read more
There are a few music "fans" that may be in denial, but I think most schooled individuals can attest that … Read more
Somewhere - where I have no idea - the idea that traditional stoner-rock could get a huge kick in the … Read more
SLC, Utah's Form of Rocket is five dudes, just as humble as they are talented, blasting out some really creative … Read more
Choose a year to view reviews of albums released in that year.
748 reviews
42 reviews
25 reviews
300 reviews
4854 reviews
19 reviews
William Elliott Whitmore’s Anti debut, Animals in the Dark, was something of an outlier in his discography—the bigger label release introduced more instrumentation and a more global lyrical scope than much of his earlier work. While an excellent album, it isn’t fully indicative of Whitmore’s strengths, and with Field Songs, he returns to his son of the soil theme, built on an ideal of hardworking Americana that has characterized much of his work. At the core of the record are only three things: Whitmore’s voice, his guitar and/or banjo, and an atmospheric snapshot of rural culture. There are some backing pieces in place: deeper instrumentation and simple, complementary drum parts, but the album is mostly Whitmore alone.Many words have been spilt already on Whitmore’s coarse, “whiskey” voice, with ample character … Read more
My only beef is with God. I wake up every day, I curse Him every day, because there is only on person who's responsible for the life I fucking have and that's the bastard who created us. I fucking hate Him. - Glen Benton Oh Glen, you rapscallion, you. You're not fooling anyone with that inverted-cross branded on your forehead. … Read more
There are some things in life that you either love or hate, and one of these are the vocals of Coheed and Cambria frontman and creative mastermind Claudio Sanchez. Much like the notoriously high-pitched Geddy Lee (of Rush), Sanchez has a unique style of singing that is palatable to some, and to others comparable to the wailings of a pre-pubescent … Read more
Emily Haines is a diva. Okay, maybe not in the traditional sense of the word, but if the modern definition - "an extremely independent and talented female singer" - allows individuals like Christina Aguilera and Beyoncé to be considered divas, then Haines is more than deserving. Haines may be most well known for her work fronting Metric, but she has … Read more
Hailing from Austin, Texas, Darling New Neighbors play indie rock with tinges of country that strays into universal pop and traces of folk. Darlings of the southern underground, Every Day is Saturday Night is their debut full-length. Filled with indie rockers, folk-ballads, and eclectic pop tones, it is tied together through stylistic shifts and lyrics of love gone wrong, which … Read more
Ask the founding member of Eyes of Ligeia about his band history and you're likely to get this responseââ¬Â¦ In the cursed year 1998 of the Common Era (not coincidentally corresponding to the Number of the Beast three times over), a new medium was required for the communication of haunting despair and abject misery through music. It was to this … Read more
No pun intended, but good Lord, how gosh darn posi can one band be? I know straightedge hardcore is supposed to be a positive outlook on one's life and choices, but how much glee club positivity can one muster up and still consider themselves hard? Everything on Northern California's Live for Today debut EP Taking it Back is not just … Read more
You are the biggest solo star of your generation and your first album since leaving the boy-band that made you famous was one of the biggest sellers of that year and everyone is clamoring for your next album; so what do you do? If you are Justin Timberlake, you spend four years making a follow-up that's so radically different from … Read more
After lying in bed with scenery consisting of drifting ceilings and absent eyelids, this year can finally end with a night of sleep soaked "z"s. Over three hundred days spent and not many left to live (for 2006) and FINALLY Sabertooth Zombie drops Midnight Venom: eighteen tracks of metallic hardcore that sound like seventy-two hours of no sleep and snakes … Read more
Switchblade is a completely enigmatic group to me. They do not seem to consistently release records with the same labels. I was first introduced to them via their Icarus Inc. - a division of Deathwish Inc- album a couple of years ago. I liked what I heard. These guys are a mostly instrumental behemoth that usually produces long passages of … Read more
"To speak of money and music in the same sentence is a fucking travesty. I'd rather keep losing money, rather keep scraping by than be a part of a scene constantly talks about sales, guarantees, and marketing prowess... Because this is how simple it should be; music is inside you, boiling, and it needs to get out because it's your … Read more
Before the release of Twelve Small Steps, One Giant Disappointment, frontman Joey Cape willingly admitted that the record does not measure up to what it should have been, and not many bands would ever publicly admit something like that, but not many bands have experienced the tragedy that befell Bad Astronaut. The band's co-creator, drummer, and one of Cape's best … Read more
Disclaimer: Whenever a reviewer has no idea how to end a review - a more common occurrence than the reader might think - the reviewer is forced to employ the cheapest of literary tricks: the disengage. By taking the reader out of the narrative flow with an aside that is thought to be clever, but in reality is fooling no … Read more
Everyone into hardcore over the age of twenty-five reeled in shock and horror when they found that the newly reunited Lifetime had signed with Decaydance Records, the label that Pete Wentz of Fall Out Boy owns. No, Lifetime, say it isn't so. Fall Out Boy? The marbled-mouth teen pop-punk mega-stars bassist signs the most revered melodic hardcore band of all … Read more
After the 90's, it seems that any vegan straightedge band seems hell-bent on pigeonholing itself into being a metalcore or melodic death metal band, with good reason, too. Abnegation's foray into death metal, Verses of the Bleeding, sucked and Earth Crisis's attempts to become like Pantera were lukewarm at best. Kingdom tries their hand at stepping outside of the box … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here: