Emily Haines is a diva. Okay, maybe not in the traditional sense of the word, but if the modern definition - "an extremely independent and talented female singer" - allows individuals like Christina Aguilera and Beyoncé to be considered divas, then Haines is more than deserving. Haines may be most well known for her work fronting Metric, but she has also contributed her vocal abilities to the likes of Broken Social Scene, Stars, and The Stills. And while her body of work with those acts has brought her the most attention, it is her solo material that truly stands out. Knives Don't Have Your Back is the second solo-effort for Haines, following her hard to come by debut effort, Cut in Half and Also Double, which was self-released in 1996 - how extremely independent and diva-like of her to release her own recordings. Haines recorded the songs that comprise this album over the past four years with the help of numerous friends, dubbed "The Soft Skeleton," a group of individuals made up of a slew of musicians, including members of Metric, Broken Social Scene, Stars, and Sparklehorse. Knives Don't Have Your Back is eleven songs of mellow indie rock, though … Read more
Hailing from Austin, Texas, Darling New Neighbors play indie rock with tinges of country that strays into universal pop and … Read more
Ask the founding member of Eyes of Ligeia about his band history and you're likely to get this responseââ¬Â¦ In … Read more
No pun intended, but good Lord, how gosh darn posi can one band be? I know straightedge hardcore is supposed … Read more
You are the biggest solo star of your generation and your first album since leaving the boy-band that made you … Read more
After lying in bed with scenery consisting of drifting ceilings and absent eyelids, this year can finally end with a … Read more
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Pusher hails from Louisville and features an impressive cast of ex-members as Steve Sindoni (vocals) comes to the band after handling vocals in Breather Resist and Matt Jaha (drums) comes from his former drumming duties in Black Cross and Coliseum. Unfortunately this release is a posthumous document of a short-lived group that just could not keep it together, but at least we have this eleven-song and roughly twelve-minute document with which to remember them. "And We're Off" immediately reminds me of a noisier version of Municipal Waste with much different vocals. "Dirty Dream Guilt" and "Dull.Dull.Dull." only continue to reinforce this reminder. It takes the strange main guitar riff for "In His Image" to give the proceedings a bit of a change; and honestly, it is a bit unsettling and … Read more
Switchblade is a completely enigmatic group to me. They do not seem to consistently release records with the same labels. I was first introduced to them via their Icarus Inc. - a division of Deathwish Inc- album a couple of years ago. I liked what I heard. These guys are a mostly instrumental behemoth that usually produces long passages of … Read more
"To speak of money and music in the same sentence is a fucking travesty. I'd rather keep losing money, rather keep scraping by than be a part of a scene constantly talks about sales, guarantees, and marketing prowess... Because this is how simple it should be; music is inside you, boiling, and it needs to get out because it's your … Read more
Before the release of Twelve Small Steps, One Giant Disappointment, frontman Joey Cape willingly admitted that the record does not measure up to what it should have been, and not many bands would ever publicly admit something like that, but not many bands have experienced the tragedy that befell Bad Astronaut. The band's co-creator, drummer, and one of Cape's best … Read more
Disclaimer: Whenever a reviewer has no idea how to end a review - a more common occurrence than the reader might think - the reviewer is forced to employ the cheapest of literary tricks: the disengage. By taking the reader out of the narrative flow with an aside that is thought to be clever, but in reality is fooling no … Read more
Everyone into hardcore over the age of twenty-five reeled in shock and horror when they found that the newly reunited Lifetime had signed with Decaydance Records, the label that Pete Wentz of Fall Out Boy owns. No, Lifetime, say it isn't so. Fall Out Boy? The marbled-mouth teen pop-punk mega-stars bassist signs the most revered melodic hardcore band of all … Read more
After the 90's, it seems that any vegan straightedge band seems hell-bent on pigeonholing itself into being a metalcore or melodic death metal band, with good reason, too. Abnegation's foray into death metal, Verses of the Bleeding, sucked and Earth Crisis's attempts to become like Pantera were lukewarm at best. Kingdom tries their hand at stepping outside of the box … Read more
In this day and age of "indie" bands selling to kids and having number ones left, right, and center, one could be forgiven for thinking that pop music in the form we saw for most of the mid 90's and early noughties is a thing of the past. Luckily, with this collection of singles Girls Aloud have reminded us of … Read more
I don't think I've ever heard an album come from this far out in left field and still come together flawlessly. The general consensus seems to be that you can either have a totally bizarre album or a catchy, cohesive album, but you can't have both. But Pittsburgh, PA's Microwaves is living proof that they don't have to be mutually … Read more
Nearly a decade ago Bad Religion's Greg Graffin released his first solo effort, the miscellaneous American Lesion (miscellaneous because you can only find it online), and it was a definite departure for the punk rock icon. He slowed it down quite a bit and explored a different side of his musical roots, as well as lyrical themes not present in … Read more
How to Survive In/In the Woods isn't the easiest CD to review, because to put it bluntly, it's not the easiest CD to listen to. How to Survive In/In the Woods is thirteen tracks of experimental, lo-fi, noisy folk music distorted and amplified beyond comprehension. The result is both beautiful and frightening, calming and disturbing, and ultimately one of the … Read more
Reviewing albums isn't an especially technical task. Anyone can do it. But, when you are piecing together your thoughts for an album review, there is a lot to be concerned about. Mainly, will the words put down on paper (or in this case, a computer screen) be an adequate representation of the music contained on the album? More times than … Read more
There are few artists from the last few years that I have enjoyed more than John Erik Kaada. Woefully under-informed was I of his band Cloroform that had apparently been rocking the shit out of Norway and other more fortunate countries than ours for years. It was not until the release of his first solo album, Thank You for Giving … Read more
Remember the days when you and your buddies would get together in your mom's basement to play Dungeons & Dragons? You'd clear the table of Radical Software magazines, set your game up and to make everything perfect you'd put on some King Crimson, Yes, or Goblin records. Don't remember those days? Well that is because you are a twenty-something year … Read more
Is every member of mewithoutYou of the Christian faith? Beats me. I know that the lyrics portray the group as a Christian band, but said term manifests nothing of the actual music. So what does Christian music sound like? Jesus harmoniously praying to his Father? Dead Poetic? Christmas carols? Fuck, man. I don't know. mewithoutYou's music has always attracted me … Read more
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