Minimalist tendencies. Math-rock. Post-rock. All good things in proper doses. But can they be mixed to produce something great? Ah, well, there's the real question. Rockets Red Glare seems to think so. Judging by this record, I'd have to agree with them. Hailing from Ontario, the band were a strange exercise in restraint for the most part, always intriguing by being the one band that never got exceptionally loud in a scene full of bands that did nothing but crescendo. It managed to catch a few ears the first time around; the much-lauded Chicago quartet Sweep the Leg Johnny released the Montreal trio's first album in 2002 on their Sick Room Records label following a series of shows, showcasing the world Rockets Red Glare's minimalist-yet-jagged approach to creating music. By the tried and true method of saying "it sounds like ____ crossed with ____," you could manage to possibly come across the sound of the band by merging Joy Division with Slint, with a dash of June of 44 and Shellac thrown in as an aside, weirding things out just a bit for interest's sake. And yeah, I agree, it seems like it wouldn't be able to work out all … Read more
While the majority of Texas seems to think that listening to indie rock and "emo" is where all the fun … Read more
Oddly enough, this album doesn't start off with a 30 second sound clip. That being said, the album blasts off … Read more
Many people consider Dear You to be a perfect record. I'm not one of them, and I'm a Jawbreaker fan, … Read more
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Bridging elements of power/indie pop while harnessing a danceable sound reminiscent of the better radio friendly tracks from the 1950's through the 1970's, Georgie James gives us Places. The Washington D.C. songwriting duo consisting of John Davis, drummer of the disbanded Dischord act Q and Not U, and Laura Burhenn, a locally established solo musician, share vocal duties and instrumentation on the debut, creating a charming blend to their melody. Drawing comparisons to an up beat version of Death Cab for Cutie, the pair suffer slightly from monotony as the album progresses, but manage to connect with a few choice tracks, most noticeably "Long Week" a song dealing with the come down from a natural high. While Davis' contributions to the record are certainly notable it is Burhenn's lead vocal … Read more
It's so sad when a great band releases a great album and then breaks up soon after before they even get a chance to showcase their talent to the world. Such a thing happened to For the Crown, a melodic hardcore band hailing from the Bay Area in California. The quartet released on one full length in their short lifespan. … Read more
This Dallas based band made their own bed and now they have to lie in it. Their press releases and website state that their latest effort Midnight at the Black Nail Polish Factory sounds like: "The Pixies at their tightest and The Beach Boys at their loosest." We interrupt this broadcast for a healthy and much deserved scoff. There might, … Read more
Orange Island are one of those bands who have had the unfortunate luck of being horribly mislabeled as emo. A more accurate description of their sound would be calling them an abrasive yet matured indie-rock band with an awareness of a pop-filled past. With the help of two previous releases, an EP and full-length with Iodine Records, Orange Island have … Read more
As any lover of lo-fi already knows, the complexity of The Mountain Goats' John Darnielle and his work is vast. He records every album on a living room boombox, has a large backup band despite a very small amount of accompaniment on any given record, and has a penchant for weird lyrics of which he is the only person who … Read more
Now this is how hardcore is supposed to be played: fast, loud, and pissed off. From beginning to end this disc is brutal. You'll find no sissy, emo bullshit here. This is 17 songs in well under 20 minutes, or "fuckin' quick" as some may like to call it. "But wait," you may ask, "Isn't this on Jade Tree?" Yes, … Read more
Before I even begin to go in depth about Year of the Rabbit's major-label debut I want to get one thing clear. I find it unfair to make comparisons and set standards to bands based upon their involvements in previous efforts. Yet, it happens all the time, most recently with The Fire Theft and their past as Sunny Day Real … Read more
So comrade, this elderly man walks into a bar and asks the bartender, "Where can I find the most recent issue of Sports Illustrated?" Then out of fucking left field, sometimes inadvertently perceived as right, Dispensing Of False Halos busts through the adjacent wall and tears that geezer a new blowhole. Now, what exactly instigated this odd situation and, better … Read more
In many cases, EPs of new material from bands who have released prolific albums in the last couple of years are enfuriating teases and rehashes that offer the faithful listener little new material if any at all. It's also difficult to accept an artist's re-rendering of some of your favorite songs. In most cases, tracks are placed in unfamiliar hands … Read more
You know, I could sit here and lie to you about how there are certain artists that are doing something important and/or completely original. Why not? I mean most people who review albums for other websites do. I could do that, but it wouldn't really matter 'cause the people who will read this probably won't care anyway. Mental comes from … Read more
Ani DiFranco is, without a doubt, one of the most active singer/songwriters in music today. Since her 1990 debut, she's put out about 20 other releases on her very own label. Needless to say, she's a very hard worker and an even better writer. Over the years, her albums have featured a vast array of other instruments to help transform … Read more
Somewhere around the turn of the millennium, Fat Wreck Chords decided it wanted to be the best punk label around. File Under Black, None More Black's first full length offering is a perfect example of how Fat has come to be just that. The band is fronted by longtime scenester, Jason Shevchuk, front man of the legendary melodic hardcore band … Read more
Fantômas is a musical group whose sound can best be described as a schizophrenic adventure through the world of an Alfred Hitchcock thriller. The music of Fantômas is both unstable and methodical as well as beautiful and chaotic. Multitalented brainchild Mike Patton and musical cohorts Trevor Dunn, Dave Lombardo, and Buzz 'King Buzzo' Ozbourne return with a masterpiece of ambience … Read more
When I first got into hardcore, I was exposed to the old shit'you know, Bad Religion, 7 Seconds, Minor Threat, DI'the stuff from when people still realized that hardcore IS punk. Slowly, as metal began to invade the scene, hardcore and punk split into, what seem today, two completely different genres. In Control bring it back to the old school, … Read more
There're plenty of bands in the world, but the ones that really stick out are the ones that leave you scratching your head, unsure of what you've heard, but a little bruised, beaten, and fulfilled because of it. Japan's Envy is one of those bands, a flurry of sound that differentiates only in extremes, from pummeling assaults to lush, gorgeous … Read more
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