Long before the MTV defined "screamo" fad took the music world by storm, there was the underground phenomenon Far, a four-piece outfit from Sacramento, CA. And fronting this pioneering group was Jonah Matranga, one of the most beloved and respected songwriters in music today. His honest lyrics and soothing harmonies epitomized a genre that owes a lot to him for its popularity. Matranga started work on a solo-project which quickly became a full-time venture following the ill-fated breakup of Far. Onelinedrawing is a lo-fi rock project defined by sparse instrumentation and Matranga's sincere songwriting ability. Under the moniker Onelinedrawing, Matranga has previously released several small-label issued EP's and the critically acclaimed Visitor in 2002. The short harmonic "New York" acts as the preface for the trek through The Volunteers. The most apparent change on this album from pervious material is the addition of full-percussion on several of the songs, as on "Over It." This doesn't mean that Matranga has abandoned his unplugged coffeehouse persona that got him where he is today. "The Ghost" and "Oh, Boys" could easily have found their way onto Visitor or one of the Sketchy EP's. Matranga strumming his acoustic guitar paired with his hush vocals … Read more
A piece of hardcore music is going to die when In Control bows out later this year. They are one … Read more
A lot of the time when I see "true metal" kids referring to metalcore they put quotes around the metal … Read more
Weird, artsy, dark hardcore was nothing new to San Diego in 1994 when Antioch Arrow released their seminal masterwork, Gems … Read more
Choose a year to view reviews of albums released in that year.
749 reviews
42 reviews
25 reviews
300 reviews
4878 reviews
19 reviews
This EP runs all of 4:59, featuring two new cuts from Low Culture. The band just released a full-length earlier this year on Dirtnap Records, Screens, and it’s making waves—at least in this writer’s household. With that aside, this 7” jumps right into the heart of melodic garage-punk, very in tune with the Dirtnap sound (though this comes courtesy of Drunken Sailor Records). The production values are a bit earthier than the full-length, giving a dirtier sound that removes some clarity from the individual instruments but leaves the strong melodies intact. The A-side, “Evil,” is an upbeat jam more on the poppy side, playing off group harmonies and toe-tapping beats. The B-side, “Slave to You,” varies this with a stronger bass level and some big hooks right at the bridge, … Read more
Minimalist tendencies. Math-rock. Post-rock. All good things in proper doses. But can they be mixed to produce something great? Ah, well, there's the real question. Rockets Red Glare seems to think so. Judging by this record, I'd have to agree with them. Hailing from Ontario, the band were a strange exercise in restraint for the most part, always intriguing by … Read more
While the majority of Texas seems to think that listening to indie rock and "emo" is where all the fun and hype are at, there are those in the know that can attest that people like that know nothing about Texas, let alone its music. During my short-lived time in Texas, I came to discover that the true pride of … Read more
Oddly enough, this album doesn't start off with a 30 second sound clip. That being said, the album blasts off immediately with pure hardcore fury. For those not familiar with the band, do not let this description repel you. These guys belt out their hardcore with a fresh dose of pop-punk and melodic, yet abrasive vocals. In fact, their style, … Read more
Many people consider Dear You to be a perfect record. I'm not one of them, and I'm a Jawbreaker fan, too. Nope, I'm one of those finicky kids that thinks they hit their stride around the time that 24 Hour Revenge Therapy was released and that a major label budget nearly ruined them. Nearly. I never said that, while imperfect, … Read more
Good Goddamn, it's about time. The beginning of 2004 shall be riddled with great albums from such artists as the Catheters and Lightning Bolt, but Hella will start us off with a bang. The Devil Isn't Red is Hella's return to the indie two-man group of Hold Your Horse Is that stole me and Zed's collective hearts a year and … Read more
Deerhoof, never one to rest on their laurels, is back in 2004 with Milk Man. Things seem to be the same as always as the public wonders, "Can Deerhoof really top Apple O'?" The same question was asked this time last year except it was Apple O' being questioned if it could live up to Reveille. The album's "concept" is … Read more
It's so sad when a great band releases a great album and then breaks up soon after before they even get a chance to showcase their talent to the world. Such a thing happened to For the Crown, a melodic hardcore band hailing from the Bay Area in California. The quartet released on one full length in their short lifespan. … Read more
This Dallas based band made their own bed and now they have to lie in it. Their press releases and website state that their latest effort Midnight at the Black Nail Polish Factory sounds like: "The Pixies at their tightest and The Beach Boys at their loosest." We interrupt this broadcast for a healthy and much deserved scoff. There might, … Read more
Orange Island are one of those bands who have had the unfortunate luck of being horribly mislabeled as emo. A more accurate description of their sound would be calling them an abrasive yet matured indie-rock band with an awareness of a pop-filled past. With the help of two previous releases, an EP and full-length with Iodine Records, Orange Island have … Read more
As any lover of lo-fi already knows, the complexity of The Mountain Goats' John Darnielle and his work is vast. He records every album on a living room boombox, has a large backup band despite a very small amount of accompaniment on any given record, and has a penchant for weird lyrics of which he is the only person who … Read more
Now this is how hardcore is supposed to be played: fast, loud, and pissed off. From beginning to end this disc is brutal. You'll find no sissy, emo bullshit here. This is 17 songs in well under 20 minutes, or "fuckin' quick" as some may like to call it. "But wait," you may ask, "Isn't this on Jade Tree?" Yes, … Read more
Before I even begin to go in depth about Year of the Rabbit's major-label debut I want to get one thing clear. I find it unfair to make comparisons and set standards to bands based upon their involvements in previous efforts. Yet, it happens all the time, most recently with The Fire Theft and their past as Sunny Day Real … Read more
So comrade, this elderly man walks into a bar and asks the bartender, "Where can I find the most recent issue of Sports Illustrated?" Then out of fucking left field, sometimes inadvertently perceived as right, Dispensing Of False Halos busts through the adjacent wall and tears that geezer a new blowhole. Now, what exactly instigated this odd situation and, better … Read more
In many cases, EPs of new material from bands who have released prolific albums in the last couple of years are enfuriating teases and rehashes that offer the faithful listener little new material if any at all. It's also difficult to accept an artist's re-rendering of some of your favorite songs. In most cases, tracks are placed in unfamiliar hands … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.