William Elliott Whitmore’s raspy folk pulls from diverse influences that are on full display over the span of 10 covers on Kilonova that don’t really sound like covers, putting his timeless and heartfelt stamp on songs originally recorded by Bad Religion, Magnetic Fields, Johnny Cash, and more. It’s an impressive feat, considering the nature of the cover song combined with that wide breadth of styles. This record remains both true to Whitmore’s established catalog of love-the-land folk, but it shows more range as well, delving subtly into bluegrass, country, and gospel at different times – often in line with the original songwriters’ style (though not exclusively so). At times it’s a jarring changeup from the original, like with “Don’t Pray on Me,” which proves that Bad Religion can write a masterful folk song, and at other times, as in “Five Feet High and Rising,” where it clearly pays homage to the songwriter (here, Johnny Cash, where Cash’s unmistakable lyricism is on full display and Whitmore even enunciates in tribute). “Fear of Trains” (Magnetic Fields) and “Don’t Pray on Me” are my personal favorites among the 10 tracks here, with each of those putting Whitmore’s distinct touch to well-written songs originally … Read more
With three singers among the four familiar faces of Proud Parents, isn’t no surprise that the record succeeds on the … Read more
The Get Up Kids seemed to take another break after their reunion full length, There Are Rules. Seven years later, … Read more
Today’s story about wrong first impressions will be about Red City Radio, a some-kind-of-hyphen-punk band from OKC. I’ll admit I’m … Read more
Smash Singles collects all previous releases of Fashionism. Four singles to be precise (released between 2015 and 2017): Smash The … Read more
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First and foremost, I would just like to state that Graf Orlock, or as tourmates Comadre jokingly refer to them, Crap Orlock, kill it live. Their drummer is fucking on point, and vocalist Kalvin Kristoff is as humorous as he is intense. Plus, it doesn't hurt when you have a basement full of sweaty punks yelling out movie lines like, "I only live to get radical." So if you have a chance to see this band on their current tour, make sure you do it. That being said, it's still mind boggling to me that Graf Orlock hasn't been sued by anyone yet. Destination Time Tomorrow, and all of the band's past efforts, use numerous movie samples in every song on the album. And unlike the overplayed Fight Club samples … Read more
For running with the DIY punk scene, Vacation are surprisingly diverse (not to mention prolific). The band’s latest is the 12-song Mouth Sounds #2699 and its 26-minute span delivers the band’s general sound of fuzzed out garage-punk bangers, but within that general sound they deliver crunchy grunge riffs, pop melodies, and flat out noisy bursts, all within a short-song framework … Read more
Thou, in this particular rendition, throw down great song thud after thud, right on the table, while permeating a delicate scent through their carefully constructed EP, Rhea Sylvia. Each song is a steamy dish, smelling like Tool, Starkweather, and Isis mishmashed together. The vocals have a Maynardish-Alice In Chains chest voice, a Starkweather scream, and a shimmering lead guitar tone. … Read more
Playfully naughty lyrics might have been the first thing I noticed about Jack of None's The Tattle Tale Heart EP, but there's more to this record created by three Filipino-born siblings, A.G., Maxine, and Julian Syjuco. Things change from sultry to sinister on a dime, and the album's combination of murky, atmospheric industrial rock with dark and poetic spoken word … Read more
The Plurals are a heavy indie rock band from Lansing, Michigan. Their latest album, Swish, was released on GTG Records, a record label the band created when they started putting out music in 2007. The trio’s passion for the Lansing rock scene and DIY aesthetic is compelling, and this piece in the Lansing City Pulse about the band and label’s … Read more
Immortal’s career hasn't been the smoothest of rides their ninth full length comes after a protracted and tense battle with founding member Abbath, who finally left the band in 2015 before the Norwegian black metal masters could continue work on a follow up to 2009s All Shall Fall. The problems stemmed from who actually owned the rights to the Immortal … Read more
When I stop and look at the discogs, The Brokedowns have been doing what they do for a long time now. What is that, exactly? Well, it’s Midwestern punk that’s angry, funny, heavy, and harmonic. There are contradictions in plain sight in that description, and that diversity in sound is what makes the band so interesting. They seamlessly pull it … Read more
This EP is voted best album of 2018 by half of the band according to the sticker on the CD. That should tell you something about the band we are dealing with today. So they do have humour, there's no denying that. The big question is: do they deserve their superhero status? And if they do, are they in league … Read more
Any band's second album is cause for concern. It can go two ways - a retread of the first, a brand new direction, or something entirely forgettable. Yolk in the Fur is none of those. In every way, it's the sound of a New York-based Wild Pink accumulating mass, becoming something bigger than they seemingly ever intended, reaching beyond what … Read more
I'm not sure what exactly I expected going into an album titled Family Witchcraft Attack, but I wound up being pleasantly surprised by the type of sound exhibited by Miami-based Pariuh on their 2018 Moniker Records release. Almost immediately upon pressing play, I found myself transported out of 2018's frustrating reality to a sugar-coated fantasy world reminiscent of the type … Read more
Welcome to Duvel’s childlike fantasy, their ruminations inspired by Norwegian life. The bleak echoing of whatever neurosis such a wonderfully Scandinavian culture produces, other than seasonal depression and too much equality, speaks through them in musical duality. This album is so childlike, oftentimes aloof, stumbling upon pure goodness as if by accident. They are Parsifal, before he got his name, … Read more
Converge—Nietzsche’s pissed off nephew, Rilke’s furious friend—achieves a glimmering consummation in a mishmash of fourness (which, in numerology, symbolizes spiritual wholeness). They went from thrash titans to sonic gods; now they flirt with the nasty nebula they came from, dumping what we might consider B-sides, smacking a healthy appetite, and a bitter jaded cheek, awake. Seemingly, they can do no … Read more
'[T]here the nightingale filled all the desert with inviolable voice and still she cried, and still the world pursues, "Jug Jug" to dirty ears.' And likewise, with dirty ears, the 'Jug Jug' of Northwoods' Wasteland will lose their hard earned respect, slowly. A respect sucked through a straw from the pool of distracted in-fighting popular music. The average listener, if … Read more
The Bils are Bil and Michelle Bilson, a husband-wife duo that play laid back rock schooled by classic duets. Depending which paragraph of their press sheet you’re reading, they are either named “The Bils” or “The Bil’s.” For the sake of continuity, I’ll match the album art and call them The Bils.Bil is a veteran of The Sunnyboys and he … Read more
Elway kick off their latest with “Inches,” a middle finger at those of us listening to and writing about their music. So, well, I’m not the type to throw fuel on the fire so I’ll leave it at that. They’re entitled to their opinions. Tim Browne even shared some great points in an SPB guest column. The notable point in … Read more
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