Every once and a while there will be an album that pretty much levels the musical plane, one that becomes an earworm in the most serious of ways, rendering everything else kind of secondary. For me, right now, that is Cocoa Sugar by Young Fathers.It’s hard to classify exactly what genre the Edinburgh, Scotland-based group are, because they encompass so many different ones at once. It’s a little hip-hop, it’s a little indie rock, and then there’s some weird touches of R&B. They won the Mercury Prize in 2014 for their debut album Dead and were featured prominently on last year’s Trainspotting 2 soundtrack. Cocoa Sugar is a densely layered collection melding Gospel choirs, skitter-stop raps and Radiohead-inspired sound beds.I keep coming back to it time and time again because I’m always hearing something a little different each time. There’s not really any sort of comparison I can make for it from anywhere. Listen to “In My View” for some burnout balladry, the buzzing aria of “Lord” or the narcotic daze of “Wow”. It all changes from song to song and it couldn’t come from anywhere else. Don’t sit on this record or this group. It’s an excellent record which … Read more
For Dimmu Borgir, who haven’t released a full length album in over seven years, Eonian marks a shift for a … Read more
The excitement of We Are the Champions of the Word (Retrospectus) is supposed to be the five new songs at … Read more
This what pop-punk used to mean. On the record it’s clean and melodic, while the live show feels more aggressive … Read more
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On Anxiety’s Kiss, punk veterans Coliseum are back with a heavy, dark, melodic new album. The band’s maturity and experience are evident here even to someone who, like this reviewer, was woefully ignorant of their music until now. If you, like me, have somehow stayed in the dark about Coliseum this long, this album is a fine entry point. Unfortunately, my outsider status means I can’t comment on how long-time fans might find this release. It's hard for me to imagine that they would be displeased. Anxiety’s Kiss is a taut, no-filler kind of album. Every song makes a solid impression. The sound is a blend of post-hardcore with post-punk, and while the ratio of each varies from track to track, there’s a nice consistency in how the album explores … Read more
Geld’s Perfect Texture is 11 tracks, 23 minutes, 41 seconds: walloping wallaby! I feel like I’m back in my initial stomping grounds of Lethbridge, Alberta, a place that must exist in Geld's stomping grounds of Melbourne, Australia. Back in Canada’s Loyal Order of the Moose community hall, standing in an awkward half circle, ceiling too high, among their powerful nasty … Read more
Do you like to be challenged every now and then? Just so that you are forced out of your comfort zone? Some say the best things in life happen just there: outside of your comfort zone. Although there is reason I like to stay inside that zone (it is quite comfortable there, after all) I enjoy the musical challenge of … Read more
Some bands need a couple of albums to find their sound, their niche if you like. Other bands seem to have stumbled upon their sound from their very first rehearsal. Their career is not defined by a grand steps from album to album, but rather by refining their craft on each album. Small changes to better their music a little … Read more
Whimsical/ˈhwɪm·zɪ·kəl, ˈwɪm-/adjectiveUnusual and alluring. Using imagination in a playful manner.This is admittedly, not a word that would typically be used to describe an album written around final moments before death, but somehow, in the hands of John Erik Kaada, it becomes more apropos with each listen. Closing Statements is about those final words, breaths and thoughts but remarkably eschews the … Read more
What gathered my eyes about Exitmusic’s newest album The Recognitions was not any previous knowledge about the group, but a shared name of a favorite book by William Gaddis. Gaddis’s book borrows heavily from religious text, poetry, opera; even the name borrows from the Clementine Recognitions: a religiously gnostic narrative featuring the Apostle Peter told through one Clement.In the Clementine … Read more
I like this Making the Worry Worth It record. That should be all a review needs, right? I say that in part because this 9-minute EP is all over the place, style-wise. Marriage Material is a new group with members of Summer Vacation, Spokenest, Pinned in Place, and God Equals Genocide. It has some similarities to those bands, but each … Read more
The mysterious figure of Father Murphy appeared as a spectre in the early '00s. Formed by, as the band claims, its children Freddie Murphy and Chiara Lee, the Italy based band has created a mystique around their musical investigations. Through the years, the figure of Father Murphy has remained elusive. Through the different records and EPs various facades have been … Read more
Shake off the trenchant hold Depeche Mode has on dark sounding synth pop and Miracle opens up like a blooming flower. Sure David Gahan delivers more punch in his voice, and sure there’s a lack of Martin Gore's vibrato chilled melodies— aside from genre conventions monolithically constructed by Depeche Mode, Miracle is a more serious, mystical and cinematic variation of … Read more
When the Deal sisters re-assembled the lineup from their seminal Last Splash album for a 20th anniversary tour in 2014, they didn’t know how it was going to go. But, the tour went off without a hitch and any ill-will that seemed to exist between the Deals, drummer Jim MacPerson and bassist Josephine Wiggs appeared to dissipate into the ether. … Read more
Kitten Forever are staples of the Twin Cities DIY scene. They also tour nationally and have received a good share of recognition for their unique merger of party punk and vitriol. Overall, the three-piece plays fuzzy, stripped down ragers that alternate between screaming frustration and bopping good times. Semi-Permanent is their fourth full-length and the general tone over the 11-song … Read more
Deep inside Belgium lies Lotus, the Powerbar of Antwerp hardcore. In early December Lotus released their particular blend of pessimistic optimism, paradoxically digestible yet equally unsettling. Steering modern hardcore trends away from cheap nihilism, The Road to Calvary bites down a vicious chunk of hardcore spirit that raises my pulse, burning the excess fat that clogs my record shelf.Within Lotus’s … Read more
It was such a disappointment to see Neighborhood Brats go on hiatus in 2015. I really enjoyed all their output to that point (a couple of EP’s and one full length). Luckily for me the band see the error of their ways and decided to start anew. With a new drummer and bass-player that is. That has not influenced the … Read more
LA’s Cheap Tissue bill themselves as rough around the edges garage punk, namedropping melodic yet understated groups like Radioactivity. While the general sound isn’t too far off the mark, the band’s take on high energy garage-fueled punk is more brash and spit-shined, showing more in common with acts like The Hives and New York Dolls. There’s more flash and posturing … Read more
When I first saw High Priests 3 or 4 years ago, I would have labeled them as stoner punk. While their press photos certainly still hit on that imagery, I’m not so sure that Spinning matches that descriptor in any sense. As for additional semi-relevant background info, the band has some recognizable faces from the punk scene: members and ex-members … Read more
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