Following on from Zen Summer in 2015 and 2013s Comfort Songs, Cloud’s Plays With Fire moves Tyler Taormina’s sound firmly into the assured category. Where his debut was weighed down with a little too much padding, Plays With Fire takes a somewhat sprightlier turn into sadness, reducing the runtime by thirty minutes yet still packing a hefty emotional punch. Taormina’s strength lies in melancholy and simplicity and Plays With Fire is a succinct journey into the darkness. “Disenchanted” is dedicated to finding answers to life’s questions – “would you love me if I stole?” Tyler asks his mother – and there’s a sense that this is someone constantly seeking reassurance, happiness, love. It’s something we all strive for, in the end, yet Cloud makes it all so bittersweet with peppy guitars belying the fear beneath. A similar sunny vibe appears on "Two Hands Bound," a song seemingly bright and happy on the outside but delve into the lyrics and you'll find a shadow of doubt as to the peace of mind of the narrator. “Me, Her Lavender” is a woozy, dreamlike ode to growing up and losing the holds on life while “Oh, So Juvenile” is a gorgeously downbeat treatise … Read more
Jeff Gutt has a thankless task before him. Some might say impossible, even. He's replacing Scott Weiland, one of the … Read more
The Great Divide came to my attention four years ago when they released their second release White Bird. At that … Read more
Aaron Turner and Daniel Menche, two prominent figures of experimental music, meet again after the Mamiffer collaboration with Menche back … Read more
Royal Brat follow an intriguing trend I see in a lot of queer punk: taking direct and heavy subject matter … Read more
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A few years ago, a low-budget film called Once made quite the impression on international critics for its minimal and poignant love story, fleshed out by a heartfelt soundtrack and the charm of its non-professional actors. After humbly accepting an Oscar for Best Original Song, the stars and songwriters Glen Hansard and Markéta Irglová returned to their level of tertiary fame as the duo project they had begun before the film came to fruition. Now solely recording under the moniker The Swell Season, the two return with another full-length of folksy indie rock, filled with insistence, heartbreak, and plenty of self-imposed Irish guilt. 2006's The Swell Season was a minimal exploration of dejection and coping methods, and most songs saw the duo at their most subdued and vulnerable state. This … Read more
I’ll admit to coming into this one with a clean slate. I don’t know Feral Trash, who predate Chiller and share members Ilisha and Eric. The duo recruited Erin (Black Tower) and Tim (Mother’s Children) and, as the press release says, so began “what has rightly been deemed as a continuation of Feral Trash.”So that’s the history lesson. Because I … Read more
How do you tell a fairy tale using only sound? That's a question seemingly answered by Japanese artist Mokumedori's self-titled album. Utilizing an eclectic variety of instruments, many of the toy variety, this album appeals directly to the imagination of its listener, almost daring you to come up with a story to accompany the music. While some might be tempted … Read more
Wake is a Canadian grindcore act. One of those grindcore-acts that have taken care of me not growing tired of the genre. The unrelenting speed and anger are good fun, but can get a bit samey fast. This is where the great bands differentiate themselves from the mediocre ones: they know how to keep things interesting. Wake is one of … Read more
You know, I’ve never knowingly listened to Miley Cyrus, but I’m pretty sure this record is named tongue-in-cheek and doesn’t include a cover. Full disclosure, I looked up her “Party in the USA” song a couple hours after my first draft of this review. I wish I hadn’t, though it was certainly a learning experience about different lifestyles.For some reason … Read more
After a couple of years of reviewing I’ve got a love-hate relation with genre definitions. I love ‘em because it makes my job so much easier. Just should a genre name and you, my dear reader, should have an idea about the sound of the record in question and if this review is worth your time. It makes my job … Read more
Spain’s Balcanes tread a glorious path through noisy rock with a sound that is as filthy as it is consuming. Although minimally done, Balcanes still force through masses of power by using painful feedback and deep, rumbling bass to create strong textures in their work. Carne Nueva is only a taste of what the band are capable of and on … Read more
While I’ve always enjoyed Mind Spiders, they’ve kind of felt like a side project, an idea that hadn’t really grown into a full-fledged band yet. On each of their releases so far, I listen and think, “I like this, but it’s not really my thing.” Then the next album comes along, I give it a spin, and think, “This keeps … Read more
Though the thought of pairing a shoegazey indie pop band with an anything-goes punk group on a split record may seem odd, in the case of this effort from South Korea's Say Sue Me and Japan's Otoboke Beaver, the results are magical. Say Sue Me's contribution is the sunny “Good For Some Reason,” which finds gorgeously hazy vocals soaring over … Read more
There is no easy starting point with a record such as Ion. It’s an album that’s dense, almost to the point of being utterly impenetrable, with vocals from The Curator that swirl with crawling chaos and drums that march to an inhuman beat. Portal are not an easy band to digest and their music is a claustrophobic head-trip into the … Read more
Given their name, it's appropriate that San Francisco's Spiritual Cramp have a sound rooted in the punk rock of 40-ish years ago. I don't think debut EP Mass Hysteria would have the same punch had it featured a more aggressive approach. Alienation figures prominently in the lyrics of opener “All MY Friends Are Out Tonight (Alright),” and the somewhat vulnerable, … Read more
Erstwhile Kaiser Chief Nick Hodgson has spent the past five years penning songs for the likes of Mark Ronson and Shirley Bassey, basking in being out of the limelight and no longer having to endure a punishing touring schedule as part of one of the UK’s most successful indie bands. The 40-year-old spent much of his 20s and 30s perched … Read more
Music with a message has long been a starting point for many bands but for Orphaned Land that message is of the most extreme importance. Spreading the missive of peace and understanding has been at the root of the Israeli band and their output since the very beginning and over the last twenty six years. Addressing the turmoil that has … Read more
Take Back The Night isn’t one of those experiment Dwarves records, like the industrio-tinge of Come Clean. On their latest offering, the long-running band alternates styles consistently between their unique and twisted take on bubblegum pop-punk and screaming, single-vocalist hardcore. For the most part, the hardcore songs are fronted by Rex Everything (Nick Oliveri), with occasional SPB guest contributor Blag … Read more
Every now and then I find it entertaining to randomly pick something out of the promo-bin without overthinking what to review. Sometimes this way I discover brilliant stuff, sometimes I question my choices. Baronen & Satan’s short and snappy promo chatter sounds promising enough. This quartet is from Gothenburg, Sweden. There’s more than enough quality music coming from Sweden. That … Read more
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