American Football are the sort of band that shouldn't have attracted so much attention. When they first properly emerged in 1999, a copy of their eponymous debut in hand, they were still playing small college bars around the University of Illinois at Urbana-Champaign. Their album cover was so low-key it should have been unremarkable, depicting the darkened exterior of a house somewhere in the Midwest, while a bright light illuminated one oblong window. It seemed both voyeuristic and distant, but offered a strange familiarity. They broke up soon after their debut came out, and in any other case the band probably should've faded into irrelevancy. Instead, after American Football disbanded, their fanbase continued to swell and their album became a seminal portrait of late '90s emo, before the subculture came to signify guy-liner and questionable hair. The house that was a feature of their debut has become something of a pilgrimage for American Football fans, and when the band eventually reunited in 2014 they consistently sold out shows minutes after tickets were released. They reissued their debut in 2014 and it crashed their label's site. To say that their second album was long-awaited would be an understatement. This time the … Read more
Taking their name from a well-known Danish fairytale, the trio from Brighton entered with confidence the alternative rock world. A … Read more
Given that it's a split release between a well-established group and one making its U.S. debut, the best thing about … Read more
Midtempo punk sounds like such a boring idea.And sometimes it really is.But when it works, it’s hard to top. The … Read more
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M(us)ic equals "us in music." Playful guitar lines and broken time signatures characterize Buffalo, New York's Damiera. Imagine a mélange of The Fall of Troy and Circa Survive. This comparison (to bands also on Equal Vision Records) was the first thing I thought of when listening to Damiera. Each track is respectively catchy and melodically technical, proving the musicians know how to play and write well. The vocals can be overbearing at times, but definitely fit the band's musical style. As a random note, the guitar work on the seventh track, "Departure," sounds a lot like the now deceased Ghosts and Vodka (which is damn cool, I might add). M(us)ic presents many different song structures, but the riffs become too familiar after the first couple of tracks. Chances are, if … Read more
Starting off with an unusual combination of crust, hardcore and black metal, Oathbreaker have evolved significantly since their debut album, Maelstrom. The follow-up album, Eros/Anteros saw a further evolution of their sound, with post-metal elements beginning to populate their palette. This slightly eased the connection between hardcore and black metal, and resulted in a more expansive vision. Rheia comes now … Read more
Collaborations in the experimental music domain always bring something interesting to the table. Oneida is a great experimental rock band, encompassing elements of noise rock, psychedelia and krautrock, as a method of crafting a diverse sound. Having released a plethora of records, mostly through Jagjaguwar, they are now putting out their first collaborative full-length with Rhys Chatham. Chatham is a … Read more
The Icelandic composer has risen magnificently in the last few years due to his works within the film domain. A prolific artist, Johannsson has contributed with scores for some excellent recent movies, including The Theory of Everything, as well as his frequent collaborations with visionary director Denis Villeneuve, in Prisoners, Sicario and the upcoming Arrival. Johannsson returns now with Orphee, … Read more
For a Marillion fan, a new album isn’t just a release – it’s an event. And as far as events go, on an ascending scale from a co-workers 30 day alcohol-free chip celebration, to a close cousin’s Harry Potter themed wedding, to the birth of your new baby, FEAR is more of a birth. A birth of ideas in a … Read more
I’ve covered The Blind Shake for most of their career so far. Over that time it’s been a steady growth often focused on syncopated and rhythmic rock: forceful, punchy, and precise. The kind of rock that you can set your watch to, while still angry and striking a deeper chord. They’ve taken some turns along the way: their collaborations with … Read more
OK, here we are dealing with an absolutely stunning collaboration. In a live setting, cellist Okkyung Lee, an excellent improviser who has worked alongside artists such as Jenny Hval, Swans, John Zorn and Cecil Taylor, and Christian Marclay, a visual artist and composer, master of turntablism, meet to create an Amalgam, a combination of the most strange, bizarre metals that … Read more
As much I knew I’d like this record after spending some time with Almost Famous and seeing the band live a few times, I was hesitant to review it. There are certain sounds I have trouble describing. So while I enjoyed Almost Famous, it had this hard to summarize element where I felt vocalist Kait Eldridge’s lyrics blended into guitar … Read more
Taking Back Sunday accidentally ended up being one of the bands that spearheaded the emo movement that bled into the mainstream in the early noughties, a label that the band aren't entirely comfortable with. More recently, frontman Adam Lazzara got into an argument with the organisers of an LA club night that catered to the nostalgic whims of former emo … Read more
One (of many) differences between indie rock and punk is generally the sense of humor as it relates to self-awareness. Considering that other reviews namedrop Built to Spill frequently in the RIYL section for Pinned in Place, it’s a nice touch to start the record with the song “Built to Chill.” It’s both self-referential and a sweet name that describes … Read more
Amirtha Kidambi is an intriguing musician, an exploratory musics creator and a stellar singer. Having participated in a number of projects, including Mary Halvorson's Code Girl, Seven Teares and Tongues, with Elder Ones we see her for the first time acting as the band leader. Around her is an excellent cast, comprising of saxophonist Matt Nelson, bassist Brandon Lopez and … Read more
It’s nice when your favorite bands surprise you. It took six years for Fambly 42), so I wasn’t ready for Sentimental Ward yet (though apparently it’s already been another four years). Fambly 42 acted like no time had passed and the same holds true here, on Toys That Kill’s fifth full-length release. The four-piece continues playing off kilter pop punk … Read more
When it was announced that Nick Cave was releasing a new album Skeleton Tree to accompany the release of his documentary One More Time With Feeling, it felt decidedly unnatural for a couple of reasons – first and foremost, marketing tie-ins don’t really come to mind, when it comes to an artist like Cave. And two, it was all coming … Read more
Drummer Bobby Kapp and pianist Matthew Shipp are legends of free jazz. Improvisation is their arena, and through a series of albums they have proven unique musicians they both are. Strangely enough, the two have not crossed paths in the past when it comes to recoding, apart from Kapp's album Themes 4 Transmutation. In Cactus the two are thrown into … Read more
Sims is something of a firebrand on his early work, spitting political vitriol and pointing fingers outward and in on records like Lights Out Paris and Bad Time Zoo. This time around, the Minneapolis rapper is looking even more inward on the new More Than Ever, a record that pushes expectation beyond the hard-hitting beats and spitfire lyricism with echo-y … Read more
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