40 Watt Sun hold a special place in the hearts of those who have heard their music and been affected by the honesty within. 2011s The Inside Room was a stunning debut that still garners regular plays from this writer and Wider than the Sky will do the same in the years to come. Having been many years in the making, Wider than the Sky comprises of six beautiful songs that speak to the very essence of humanity and delves below the surface of relationships and sadness and loss. Despite the long gestation period for this album, the songs have been played live in various incarnations in the intervening years and for some, these songs will be familiar - yet none of them lose their emotional resonance because of this. Frontman Patrick Walker is notoriously private, and in an interview we’ve conducted with him in the past, he was reluctant to really talk about his songs and their deeper meanings. He’d rather allow the music to speak for itself and in Wider than the Sky we are invited to listen to the stark realities of life. “Stages” doesn’t ease us in easily, with its sixteen minutes spread over gorgeous guitar … Read more
Written in Paris while the city was still reeling in the aftermath of the November 2015 attacks, Mapping the Rendezvous … Read more
I’ve never met Aaron Freeman and Mickey Melchiondo, the two-headed songwriting duo of Ween, but I have my own speculation … Read more
Austin, Texas duo achieve an unholy alliance of industrial music and punk rock in their debut album, End Position. In … Read more
Jenny Hval has soared into the experimental scene since the release of Viscera, the first album under her own name. … Read more
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When first opening this record, I glanced at the cover art, track titles, and album length and made the assumption that this band must sound pretty damn cocky and aggressive. And I was right for the most part. The fact that there are only two songs on the whole record that are over two minutes and considering the first track is called "You Now Have 21:03 to Live" shows that this record has to be somewhat daring. I was expecting this record to hit me as hard as a tornado and well, it slightly delivered. Trigger Effect's Dare to Ride the Heliocraft is a short dose of punk rock with some hard rock and hardcore influences thrown in. To put things simple, the ride is short and sweet but doesn't … Read more
A limited edition split of two not-super-active bands that are Fest staples for this writer, this EP from No Idea Records combines Seattle’s Dead Bars and Tampa’s The Tim Version head to head, or head to ass or however literally one takes the physical conceptualization of a 7”.Dead Bars get the A-side here and it’s not my favorite of their … Read more
The experimental and extreme music scenes today would be completely different, probably for the worse, if it was not for the influence that Neurosis have had on numerous bands through the late '90s and early '00s. Starting off as a hardcore punk band in the late '80s, Neurosis went through a perpetual evolution, acquiring additional elements, revealing a plethora of … Read more
Screens, (2013) was damn near perfect. So what does Low Culture have in store with their second LP? It’s not disappointment, that’s for sure. Places to Hide continues their run of modern garage-punk that’s run through the melody filter and cleaned up of the fuzz and distortion, letting the elemental energy and punk tempo drive the songs while the vocals … Read more
LA has been spoiling us lately: Bleached, Deap Valley and Warpaint are just a few of the bands that have been releasing stellar new material. These bands, like so many other musicians, use the fragments of past relationships as a springboard for putting chords and words on record. They all deliver their seething rebukes with the grittiness and determination necessary … Read more
Kodama (loosely translating to “tree spirit” in Japanese) is a record that follows Alcest’s path of spirituality in music, and while Shelter (2014) was a lovely, warm, summery album, in retrospect it may not have been one of the best outings for the French duo. Kodama strips back to the basics of Alcest’s sound and lifts the mind into new … Read more
Fuelled by intense introspection and the adopting of a more polished sound, Welcome the Worms marries punk rock sensibilities with the radiant bubblegum pop of Southern California. Produced by Joe Chiccarelli (Morrissey, The Strokes, Minus The Bear), Bleached's second album is radio friendly rock with a serrated edge, channelling the likes of Black Flag alongside The Go-Gos. The album's title … Read more
The Hussy keeps changing on me. That’s cool, though. Bands are like babies: they grow and change and…eventually abandon you in the old folks’ home. Er, whatever. The point is that over the Wisconsin duo’s lifetime they’ve shifted from abrasive noisy garage-punk to more melodic but tonally challenging garage-punk, which comes across really well here, where they take those fuzzed … Read more
thisquietarmy is an experimental project helmed by Eric Quach from Montreal. His catalogue is extensive (you could spend hours on bandcamp) gut each release has a life of its own, and a story to tell. The New Testament is a commentary on the rise of the smartphone as a foundation for life, with the cover art simplifying that idea down … Read more
WIFE is the solo electronic project of James Kelly, who is probably best known as the mainman of (unfortunately disbanded) insane, post-black metal band Altar of Plagues. WIFE started out with the release of the Stoic EP, an excellent specimen of the experimental electronic path, which Kelly would follow on his debut full-length, What's Between, released through Tri Angle Records. … Read more
I have a type, and it’s short and fast. I’m partial to it and probably less picky. It fills a need that my constantly fidgeting digits and bottomless coffee mug cannot. Besides, short and fast is just better. Duh.Spokenest are seemingly built on that same concept, playing finger-bleedingly fast guitar and drum in this husband-wife two-piece from California. On Gone, … Read more
Alison Chesley (aka Helen Money) is mostly known for her excellent collaborations with a myriad of diverse artists, including Bob Mould, Mono, Russian Circles and Agalloch. A classical cellist herself she has become an experimental music savant, releasing great records on her own, with 2013's Arriving Angels standing out, as did her collaborative album with Jarboe. On her newest album, … Read more
I have to admit, I chose to review this album with little knowledge of the band, based solely on the strength of their single, “La Mano De Lucifer,” from their debut album, Something Supernatural. “La Mano De Lucifer” is one of my favorite songs of all time. Listening to it is a semi-religious experience for me, and I am uncomfortably … Read more
It took all of three seconds into Tentative Decisions, about 10 seconds before his unmistakable voice, to ID the record as being made by Mikey Erg. Drummer/guitarist/vocalist in bands ranging including but definitely not limited to The Ergs!, The Dopamines, Worriers, The Slow Death, and so many more. Erg’s work has long been built on a pop-punk foundation, emotional indecision … Read more
Angel Olsen has been very active since the release of her debut cassette Strange Cacti, revealing a very promising work. Her dark indie folk/rock tone had a haunting effect, which peaked with Half Way Home and the excellent Burn Your Fire For No Witness. The delicate folk tones of Olsen were engulfed by a healthy dose of reverb, ample amount … Read more
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