Three great musicians of the extreme/experimental metal scene meet up to as Brain Tentacles. Bruce Lamont of Yakuza, Dave Witte of Discordance Axis and Aaron Dallison of Keelhaul, do not need much of an introduction, but their new project certainly does. The band's debut album, coming out through Relapse, shows an unconventional take on extreme metal, replacing electric guitars with horns and crafting complex song structures. In big part Brain Tentacles rely on their dense and hostile tone, arising from the complexity of their tracks, as the record is racing down a maze-like path, swiftly and abruptly twisting and turning, making this one fucking entertaining ride. Even though the scope appears to be experimental and the band's technical prowess is stellar, do not expect a full-blown technical jazz influenced grindcore band, or renditions of Atheist's jazz-induced death metal. The bulk of this album moves masterfully through extreme metal territories, with heavier riffs (coming from the bass or horns) stepping in the spotlight. “Cosmic Warriors Girth Curse” for the most part is an example of this mentality, unfolding through sludge-oid qualities and reaching an experimental take on Acid Bath's dirty doom/sludge, while death/grind seems to always be just a step away … Read more
I discovered This Is My Fist at the tail end of the band’s run, which was unfortunate in that I … Read more
Since the 1980s, Vancouver, B.C. has always had a thriving punk scene, but the new millennium came in like a … Read more
Sometimes I want to add a lot of back story, my own perspective coming into a record. While that certainly … Read more
A lot of the bands I listen to have gotten older and slowed their productivity so it’s nice to realize … Read more
American Football are the sort of band that shouldn't have attracted so much attention. When they first properly emerged in … Read more
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“American Weirdos” sets the tone quickly on Dismal Nitch, the second album from Hurry Up, with a refrain of “American weirdos/ Don’t need no more heroes.” A three-piece from Portland, OR, the lineup features Kathy Foster (Thermals), Westin Glass (Thermals), and Maggie Vail (Bangs), each sharing songwriting duties and vocals. Recorded shortly before the pandemic hit, this record does sometimes feel a little dated; not in relation to the state of the world, but that it would fit in with the mid-to-late ‘90s Kill Rock Stars catalog of guitar-driven weirdo punk. Dismal Nitch features a lot of variety in tempo and vocalist, but it’s always guitar-forward and in the same key. Each songwriter has a unique style, but there’s a unified tone throughout. Some of the first notes I took … Read more
Taking their name from a well-known Danish fairytale, the trio from Brighton entered with confidence the alternative rock world. A series of EPs and three full-length records, with Violet Cries and Wash The Sins Not Only the Face especially standing out, has led the band down an interesting road, as their alternative rock style took on elements from indie rock … Read more
S U R V I V E, the experimental synth quartet from Austin, rose to fame quite fast when it became known that two of its members contributed to the score of Stranger Things, a hit sci-fi/horror series on Netflix (just in case you have been living under a rock.) That information alone can give a fair insight on what … Read more
8 years. Jesus. That’s the same length of time as Barack Obama’s two-term administration. That’s the entire lifespan of an 8 year old child. That’s too goddamn long between albums, is what it is. Yes, Hetfield, Ulrich, Hammett and Trujillo have finally returned with a new album – Hardwired…to Self Destruct. We all know, given their rarity of appearance on … Read more
Given that it's a split release between a well-established group and one making its U.S. debut, the best thing about 2016's Fatso Jetson / del-Toros 7” may be how well its two tracks play alongside one another. Self-proclaimed “godfathers of the desert rock scene,” California's Fatso Jetson kick off the record with the churning “Dream Homes.” Conveying a sense of … Read more
Midtempo punk sounds like such a boring idea.And sometimes it really is.But when it works, it’s hard to top. The chords are still powerful and concise, the frustration and fury still present, but it’s more tempered when the tempo drops down a bit and more powerful when it rises to the top. The vocals need to sneer and snarl instead … Read more
Starting off with an unusual combination of crust, hardcore and black metal, Oathbreaker have evolved significantly since their debut album, Maelstrom. The follow-up album, Eros/Anteros saw a further evolution of their sound, with post-metal elements beginning to populate their palette. This slightly eased the connection between hardcore and black metal, and resulted in a more expansive vision. Rheia comes now … Read more
Collaborations in the experimental music domain always bring something interesting to the table. Oneida is a great experimental rock band, encompassing elements of noise rock, psychedelia and krautrock, as a method of crafting a diverse sound. Having released a plethora of records, mostly through Jagjaguwar, they are now putting out their first collaborative full-length with Rhys Chatham. Chatham is a … Read more
The Icelandic composer has risen magnificently in the last few years due to his works within the film domain. A prolific artist, Johannsson has contributed with scores for some excellent recent movies, including The Theory of Everything, as well as his frequent collaborations with visionary director Denis Villeneuve, in Prisoners, Sicario and the upcoming Arrival. Johannsson returns now with Orphee, … Read more
For a Marillion fan, a new album isn’t just a release – it’s an event. And as far as events go, on an ascending scale from a co-workers 30 day alcohol-free chip celebration, to a close cousin’s Harry Potter themed wedding, to the birth of your new baby, FEAR is more of a birth. A birth of ideas in a … Read more
I’ve covered The Blind Shake for most of their career so far. Over that time it’s been a steady growth often focused on syncopated and rhythmic rock: forceful, punchy, and precise. The kind of rock that you can set your watch to, while still angry and striking a deeper chord. They’ve taken some turns along the way: their collaborations with … Read more
OK, here we are dealing with an absolutely stunning collaboration. In a live setting, cellist Okkyung Lee, an excellent improviser who has worked alongside artists such as Jenny Hval, Swans, John Zorn and Cecil Taylor, and Christian Marclay, a visual artist and composer, master of turntablism, meet to create an Amalgam, a combination of the most strange, bizarre metals that … Read more
As much I knew I’d like this record after spending some time with Almost Famous and seeing the band live a few times, I was hesitant to review it. There are certain sounds I have trouble describing. So while I enjoyed Almost Famous, it had this hard to summarize element where I felt vocalist Kait Eldridge’s lyrics blended into guitar … Read more
Taking Back Sunday accidentally ended up being one of the bands that spearheaded the emo movement that bled into the mainstream in the early noughties, a label that the band aren't entirely comfortable with. More recently, frontman Adam Lazzara got into an argument with the organisers of an LA club night that catered to the nostalgic whims of former emo … Read more
One (of many) differences between indie rock and punk is generally the sense of humor as it relates to self-awareness. Considering that other reviews namedrop Built to Spill frequently in the RIYL section for Pinned in Place, it’s a nice touch to start the record with the song “Built to Chill.” It’s both self-referential and a sweet name that describes … Read more
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