I have a type, and it’s short and fast. I’m partial to it and probably less picky. It fills a need that my constantly fidgeting digits and bottomless coffee mug cannot. Besides, short and fast is just better. Duh.Spokenest are seemingly built on that same concept, playing finger-bleedingly fast guitar and drum in this husband-wife two-piece from California. On Gone, Gone, Gone, their second LP (following 2013’s We Move), the songs are slightly longer. Three of the twelve exceed three minutes and two more come within seconds of the marker. But Spokenest’s strengths really rely in fast, frantic, and an almost ADHD sound that delivers a quick blow and moves on to the next thing. It’s all connected and structured, but Spokenest don’t mess around in their songs much. There’s a lot of call and response vocalizing and punchy choruses without dreary repetition. It’s Pinhead Gunpowder pacing, but pepped up on caffeine and without the melodic chorus core. Stripped down punk rock at its primal and basic level, relying on emotion, fury, and frustration.That said, Gone, Gone, Gone does feature fewer call and response vocals than their first LP and the band is varying the sound more, dropping choppy and … Read more
Alison Chesley (aka Helen Money) is mostly known for her excellent collaborations with a myriad of diverse artists, including Bob … Read more
Angel Olsen has been very active since the release of her debut cassette Strange Cacti, revealing a very promising work. … Read more
Starting out as the solo project of Jordan Morrison, All Your Sisters turned into an intriguing duo with the addition … Read more
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Beginning with the layout of their album covers and continuing with the live recording theme, DCxPC Live releases are inspired by V.M.L. Records from the mid-1990s. Like that label, it’s about the energy and what it’s like to be in person at a show. While of course everybody wants a nice sounding record, the goal is more about mood than perfection. You’re going to hear more of the floor than you will the soundboard. Just like a live show. Building off that 1990s reference, both bands on this split are connected to that scene in many ways too. The members of Middle-Aged Queers date back to that scene, and The Raging Nathans can’t escape comparisons of their sound to the skatepunk of that era. As for the record itself, well… … Read more
Carl-Michael Eide (or Czarl) is a legendary figure of Norwegian black metal lore, with his emergence in the scene corresponding with some of its most important bands' first releases. He appeared playing drums in the first Satyricon demo, All Evil, and the first couple demos of Ulver, before initiating some projects of his own.Aura Noir and Inferno with their thrash … Read more
Crybaby are one of those punk bands where you could fill a review with subgenre tags and namedrops and every review would pick a different one to highlight. There’s a lot of stylistic variance, a lot of influence, but it comes together as Crybaby instead of some hyphenated slurry of ‘90s and ’00s bands. Instead, I’ll just say it’s DIY … Read more
A relatively new band, started releasing music around 2010, Nothing display a strong grasp to alternative rock. Their debut album, Guilty of Everything, conjured and presented in great fashion elements such as shoegaze haze and alt-rock grooves, introducing the musical endeavors of the band, but it felt that there was still some way to go for Nothing to achieve their … Read more
The constant presence of Russian Circles in the post-rock domain has raised them to a prestigious status, and rightfully so. The band from Chicago started off about a decade ago, releasing their debut, Enter, in 2006. Their music was heavy and moving, and record by record the craftsmanship of the trio progressed, and especially since Geneva and Empros, they have … Read more
Nobody knows the void like a trans lady does. There is no dark night of the soul that can compare to what most trans women just call “Tuesday.” The toxic combination of societal violence and body dysphoria can really cast a pall over existence—and inspire some incredible art about isolation, body horror, and impending death. From Anna Varney Cantodea to … Read more
Originally formed back in the late '90s, through the years Switchblade have managed to attain a cult status. Flying a bit under the radar, this hybrid drone/sludge band remained very prolific in the fist half of their career, but their output has since become sparser. In 2012 they released another of their self-titled albums, 2012, which is arguably their best … Read more
The progressive thrash band from Pennsylvania is definitely very ambitious with their concept in their latest album, Terminal Redux. Their two previous full-lengths,Black Future and Outer Isolation, have already established this ambition, and the fact that their logo looks suspiciously similar to (both) Voivod used, fuels the fire. Their latest album is coming out through Earache, and will definitely make … Read more
Woman is the Earth aren’t a new prospect, but latest record Torch of Our Final Night is a massive step forward for them in sound and scope and so, quite rightly, they are suddenly gaining traction in the underground. This Place That Contains My Spirit from 2012, and 2014s follow-up, Depths, are tremendous albums, but this new work is infinitely … Read more
The main man of Psalm Zero, Charlie Looker, has been/still is part of some great bands. The avant-garde mentality of Zs, with their merge of neo-classical, noise and free-jazz shows a great allure towards experimental music, while his presence in the mathcore trio Period, reveal a high-level of technicality. Well, Psalm Zero continues to unveil different aspects of Looker's musical … Read more
I recently saw Weiner, a documentary about Anthony Weiner, the New York politician who completely obliterated his career with a sexting scandal, including a dick pic that made international news. Even though Anthony Weiner seemed like a genuine politician with good ideas for the middle class, he never could make a comeback: the media could never past that dick pic, … Read more
Ithi is a Brooklyn based duo, that had been so far exploring the experimental drone domain. Their 2011 release, The Persistence of Meaning, was based around the big drones, immense feedback and noise elements that they were able to conjure. A slight shift came with their next album, Within, seeing Ithi going into a more abstract, experimental rock tone. Their … Read more
Bands returning after a prolonged hiatus, or re-forming after a break, are rarely able to recapture the essence and/or quality of their earlier existence. When Michael Gira announced the return of Swans it seemed that it would solely be a repeat of the band's earliest style at best. My Father Will Guide Me Up A Rope To The Sky came … Read more
Katatonia’s evolution over their twenty five year career has been one that’s taken in doom, death metal, gothic soundscapes and progressive beats, but more than anything, a deeply felt emotional tie to the music has been found within. Whenever they’ve been moving through difficult moments as a band - with members leaving during last few years – their music hasn’t … Read more
Leave it to Quaaludes to elevate a tape of previously unreleased demos to a work of art. I have to admit, even as a long-time Quaaludes fan (and, full disclosure, someone who personally knows Aimee,) I was a little skeptical about their decision to release these demos, “recorded in Quaaludes practices.” It felt like filler, maybe even like a rip-off, … Read more
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