Spanning the country’s geography north and south, this split from Fargo, ND’s Crab Legs and Fort Worth, TX’s Not Half Bad is a snippet of the varied sounds of the current DIY pop-punk scene and everything that unifies yet separates bands within it. Crab Legs play a coarse shout it out style that’s gruff yet melodic while partners in vinyl Not Half Bad are more of the peppy up-tempo lot.Crab Legs mixes up the tempo well all while keeping a sore throat shout across the way. Opener “Drunk Chris Hennen” is a fist in the air anthem whereas the next song, also seemingly named after a person (“Pat”) is more of a melodic back and forth rhythm before the final movement with a cathartic and emphatic punch. Crab Legs, as a whole, write songs that build and rage, establishing the rhythm and then letting momentum take over in a supercollider of release/aggression. Take some East Bay melodies, some Tim Version rage, and tendency to let the drums carry the mix ahead of the riffs ‘n’ roars.When the record flips the tone does as well. Not Half Bad are a little more spread out in song structures, drawn around the melodies … Read more
Fucking finally. It’s been six long years since we’ve heard from the Brooklyn via D.C. grind-brigade. This month marks the … Read more
When it comes to mystical vibes, few can challenge the music of Wolvserpent. The duo consisting of Blake Green and … Read more
Radon has never really done a lot for me. The melodies are nice but it really never strikes a chord … Read more
Värähtelijä marks Oranssi Pazuzu’s fourth foray into the outer reaches and the Finnish band pull no punches in creating a … Read more
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Old school hardcore punk has really found its feet in the last few years. Bands like Creem, Raw Nerve and Violent Reaction have brought innovation to the scene by utilising lesser heard influences ranging from street punk to crust, whilst reducing the songs to their bare bones; short, pissed-off and raw. With its vibrant artwork and blistering intensity (11 tracks in just over 20 minutes), Power's Bremerton Zoo is a good but superficial addition to this underground revival. Kicking off on the title track, the general sound soon becomes apparent after a short introductory sample- heavily NYHC with a strong groove, yet mosh-stirring from the get-go. Referentially, there are noticeable overtones of bands such as Youth Of Today and Raw Deal, with a definite early Boston edge. The vocals are … Read more
St. Louis indie pop band Bunnygrunt will probably always be stuck with the 90s cuddlecore label, as much as they may hate it. The lovable duo Matt Harnish (guitars/vocals) and Karen Ried (drums/vocals) specialize in fun, disposable - and dare I say cute - punk rock, Bunnygrunt reliably delivers the ephemeral sound of what their label Happy Happy Birthday to … Read more
Finding an anchor in your life is one of those inevitabilities that is constantly chattering away in the back of your head; you're trying to figure out where you should be and where you should stay. If your 20s are there to discover what you're doing with your life and which space on this planet is most homely to you, … Read more
When Iggy pop parted ways with The Stooges in the mid-seventies, no one really knew what to expect from the man next. If they had been taking bets in Vegas, the highest odds would have gone to: Moving to Berlin to collaborate with David Bowie. Nevertheless, that's exactly what happened, and the result was his first solo release, The Idiot. … Read more
Since 2010 and the release of their album All The Waters of the Earth Turn to Blood, sludge outfit The Body have really taken off. Originally found back in 1999, the band from Oregon did not seem to be very active, releasing a good debut album in 2004, but it would take six years until their next full-length. However, since … Read more
It’s not often a band whose tenure spans as long as Agoraphobic Nosebleed’s makes such a successful effort in redefining their sound without conjuring notions of desired mass appeal. More importantly, it’s not often a band as influential to heavy music as Agoraphobic Nosebleed creates what is easily their most accessible effort without sacrificing their abrasive integrity. We see an … Read more
Led by Scott Hull, Agoraphobic Nosebleed is one of the quintessential grindcore acts out there, and probably the most prominent band in the genre to make use of a drum machine, leading to hundreds of followers. Their style is dictated by ferocity and speed, albums filled with bursts of violence and constant pushing of your mental state. From Honky Reduction … Read more
Debuting in 2014 and quickly releasing the surprisingly outstanding Spike & Wave 7”, Easthampton, Massachusetts-based Kindling has undergone a substantial metamorphosis over the past few years. The original duo of Stephen Pierce (he of Ampere) and Gretchen Williams have been joined by drummer Andy Skelly and bassist Andrew Farr, allowing the group's initially rather sparse material to be fleshed out … Read more
What does it mean when a three-piece band has a spin-off two-piece? While the premonition is that drama is afoot for member number three, that’s probably overthinking it. At least in the case of Shadow in the Cracks, a side project of The Blind Shake where brothers Blaha split off from their main gig for a more ambient approach at … Read more
Mat McNerley is sure keeping himself busy. A few months back the new Grave Pleasures (ex-Beastmilk) album came along, and soon enough a Hexvessel album would follow. That would mark the third full-length record that Hexvessel would release, coming after Dawnbringer and No Holier Temple, and following an excellent EP in Iron Marsh.When We Are Death carries on the psychedelic … Read more
When Hinds’ debut Leave Me Alone started with a jamming guitar riff, I was scared that this Spanish (but English-singing) all-girls rock band was going down the same lo-fi indie road that bands like The Lovely Bad Things and Black Lips have already thoroughly pounded into the ground. But almost immediately, the jam dissipates into a chilled-out, nonchalant air reminiscent … Read more
Considering that the genre is and probably always will be associated with youth, it's worth noting that there are some more experienced players working in today's punk scene – and not just in “legacy acts” that play songs first recorded years if not decades ago. Count Gainesville, Florida quartet The Howleez among them. Singer Debra Fetzer, guitarist Hazel Levy, bassist … Read more
There is a great deal of history that follows Secrets of the Moon. The German extreme metal band emerged from the ashes of the obscure, primal black metal outfit, Martyrium. A series of great albums would follow, with the band showcasing in an excellent manner their doom/black hybrid approach. However, through the years it seems as if a change was … Read more
Amber Asylum has been a force in the post-rock/post-metal domain, since the mid '90s. With their origin found back in 1996 with the release of Frozen In Amber, this intriguing band was able to keep a presence, unfortunately not as constant as we would prefer. The seven year drought leading to the release of 2007's Still Point was the first … Read more
Extreme doom/death is not an easy sound to get right. Despite the fact that most bands in the genre will just play slow and release heavy riffs, that is not enough to get someone's attention. There must something deeper in the band's sound in order to give you that feeling of desolation and despair. Lycus is a band that knows … Read more
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