I can remember very clearly when I first heard of Flotsam and Jetsam. As a young hesher growing up outside of Vancouver, Canada in 1986, some bands were on my radar and some were not. Flotsam and Jetsam were the latter. Until the end of that year, when I heard that their bassist, a certain Mr. Jason Newsted had left the band to join a certain other - Metallica.Having been then (and still now) a huge Metallica fan, I immediately went out and found their debut album Doomsday For The Deceiver to check out this young upstart who had gotten the gig of a lifetime. It didn't get a whole lot of spins on the turntable/cassette deck (kids, check the sub—urban dictionary for definitions), but the band stayed in and out of my conscious/subconscious. In May of 1988, the band's sophomore release came out, and not having any clear (or at least clearly remembered) expectations at the time I brought it home, gave it a listen and was promptly and forcefully knocked on my ass.Light years ahead of their debut album, No Place For Disgrace became an under sung masterpiece of the genre that only us cool kids* knew about. … Read more
I admit it: arguably the guiltiest of my guilty pleasures is Euro disco, a genre which found (sometimes quite dubiously-talented) … Read more
In 2014 Mamiffer, the project of Faith Coloccia, released Statu Nascendi, which was described as a transitional album, leading to … Read more
Side projects aren’t supposed to invite other band comparisons, they’re supposed to separate, to show artisticrange. Who are we kidding … Read more
In the time before Pinkish Black there was The Great Tyrant. The latest album of Pinkish Black came out a … Read more
Dilly Dally is a four-piece rock band from Toronto who describes themselves as “#softgrunge” on their Facebook page - I'm … Read more
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Self-released split 7"s are a rarity these days. This one features two bands from the state of New Jersey with both bands offering their take on straight edge hardcore. Stressed Out play fairly straightforward aggressive hardcore punk. It's got a definite vintage approach; though they do work in some thrash metal flair with solos. I think the band's strongest aspect is their lyrics, which tackle familiar topics - peer pressure, immigration, and animal rights - in a unique manner. This is the type of band you'd see at a house show and end up drenched in sweat after screaming along for their entire set. Rip it Up venture in a slightly different direction, bringing in a power violence approach to hardcore. "Torches. Demons." features the fast paced aggression of Infest … Read more
Extinction A.D. rose like hellfire from the rubble of the, now listless, Long Island hardcore outfit This is Hell. In a rare move, the entire musical backing of This is Hell packed up and moved into the world of thrash, leaving the band’s lead vocalist in the dust. The result was Extinction A.D., an immaculate four-piece thrash metal juggernaut. The … Read more
Baldruin, the brainchild of Johannes Schebler, is wondering through the psychic domains of ambient music. Even though the project is relatively new, Schebler has put out a number of releases, various split albums and cassettes. However, Portal is the debut of Baldruin in the vinyl domain, released through Wounded Knife Records. What attracts Baldruin to the ambient domain so much … Read more
It’s getting tough to find new things to say about Night Birds. They’re as great as ever with third LP Mutiny at Muscle Beach, it’s just that the sound hasn’t changed all that dramatically from day one. Album #3 is supposed to be when they go all avant on us.Their career has filled out nicely, with textural differences and a … Read more
This is the second 7” from this new-ish congruence of Richmond, VA old-timers. The band flexes a pedigree that includes Wasted Time, Government Warning, Direct Control and a whole bunch of others. Eight minutes in total of bulldozer USHC in the most straightforward sense. No fucking about whatsoever; just head down, get the fuck out of the way hardcore punk. … Read more
The musical collective led by J.R. Robinson has always been inventive when it came to the subjects of their sonic explorations. You've Always Meant So Much to Me was written to accompany a film that Robinson shot in various areas, including Detroit, the desert of Joshua Tree and the forests of Tasmania. The collaborators in this album helped greatly bring … Read more
At a point in the late '90s and early-to-mid 2000s, it seemed like every major artist had at least one tribute album out there. Invariably produced by one cheap-jack record label or another, these albums highlighted a dozen or so no-name musicians playing through (and quite possibly butchering) various well-known songs and were often framed around a particular type of … Read more
While electronic music used to be a rather exclusive club that only those with access to (expensive) equipment could hope to break into, in recent years, the increased availability of technology has allowed anyone with a will and/or a way to become an electronic producer. Theoretically, this has enabled more talented people to express themselves through music, and there is … Read more
Diaz de Leon explores the limits of hallucinatory music through his project Oneirogen. Back in 2012, the debut album of Oneirogen, Hypnos, came into existence, combining experimental and heavy music, with the inclusion of big sounding synths, abrupt noise explosions and dark ambient yearnings, all under a veil of distortion and emerging soundscapes. A year later, Kiasma would be released, … Read more
Every so often I go through a phase where I’m listening to a lot of pre-Independent Wormhole Saloon era Butthole Surfers. Such was the case when this 17-song slab-o-wax landed in my mailbox via Food Fortunata, the genius behind Ear of Corn fanzine. I promptly ripped this to MP3s so that I could listen to it while riding my bicycle. … Read more
The name Dan Barrett is well known to anyone following projects such as Have a Nice Life, Giles Corey and Enemies List (and quite a few more.) In his latest project, Black Wing, Barrett sets on a digital-only path. While the motto of his other project, Giles Corey, has been: “only acoustic instruments allowed,” Black Wing features only digital instruments. … Read more
Back in 2010, Beastmilk were on the rise with the release of their demo White Stains On Black Tape. The band from Finland, with an impressive line-up featuring Kvohst (Hexvessel, ex-Code and ex-Dodheimsgard), Valtteri Arino, Linnea Olsson (ex-The Oath), Johan “Goatspeed” Snell and Paile, was putting together a disturbing vision of apocalyptic post-punk. The result of this concept was the … Read more
The Necks is an experimental jazz band from Australia, which has been outputting record after record since their inception back in the '80s. Following the release of their previous full-length, Open, this trio of excellent musicians embarked on a journey towards their next release, Vertigo. Where Open features a more minimalistic mindset, Vertigo is a cinematic piece placed against a … Read more
Gloriously unpolished and perhaps one of the outright loudest and gnarliest records I've heard all year, 2015's I Saw My Soul Leaving is a sort of greatest hits album released to commemorate the first US tour by Italian garage rocker Panda Kid (a.k.a. Alberto Manfrin). This album combines two new tracks with eight from the artist's back catalog in a … Read more
The Blind Shake have honed their sound over the years, always identifiable yet always moving it forward and with a keen difference between records. It’s pretty impressive considering they write 2-3 minute stomp-garage tracks with a big emphasis on beat and hook—a style where repetition and sameness run rampant.Where Fly Right stands out is its variation from that tradition. The … Read more
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