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Hexvessel

When We Are Death
Century Media (2016)

Mat McNerley is sure keeping himself busy. A few months back the new Grave Pleasures (ex-Beastmilk) album came along, and soon enough a Hexvessel album would follow. That would mark the third full-length record that Hexvessel would release, coming after Dawnbringer and No Holier Temple, and following an excellent EP in Iron Marsh.When We Are Death carries on the psychedelic … Read more

Hinds

Leave Me Alone
Lucky Number (2016)

When Hinds’ debut Leave Me Alone started with a jamming guitar riff, I was scared that this Spanish (but English-singing) all-girls rock band was going down the same lo-fi indie road that bands like The Lovely Bad Things and Black Lips have already thoroughly pounded into the ground. But almost immediately, the jam dissipates into a chilled-out, nonchalant air reminiscent … Read more

The Howleez

No Shame
Independent (2015)

Considering that the genre is and probably always will be associated with youth, it's worth noting that there are some more experienced players working in today's punk scene – and not just in “legacy acts” that play songs first recorded years if not decades ago. Count Gainesville, Florida quartet The Howleez among them. Singer Debra Fetzer, guitarist Hazel Levy, bassist … Read more

Secrets Of The Moon

Sun
Lupus Lounge (2015)

There is a great deal of history that follows Secrets of the Moon. The German extreme metal band emerged from the ashes of the obscure, primal black metal outfit, Martyrium. A series of great albums would follow, with the band showcasing in an excellent manner their doom/black hybrid approach. However, through the years it seems as if a change was … Read more

Amber Asylum

Sin Eater
Prophecy Productions (2015)

Amber Asylum has been a force in the post-rock/post-metal domain, since the mid '90s. With their origin found back in 1996 with the release of Frozen In Amber, this intriguing band was able to keep a presence, unfortunately not as constant as we would prefer. The seven year drought leading to the release of 2007's Still Point was the first … Read more

Lycus

Chasms
Relapse (2016)

Extreme doom/death is not an easy sound to get right. Despite the fact that most bands in the genre will just play slow and release heavy riffs, that is not enough to get someone's attention. There must something deeper in the band's sound in order to give you that feeling of desolation and despair. Lycus is a band that knows … Read more

Ali Muhareb

Existentially Wasted
Making New Enemies label (2016)

The concept of being “existentially wasted” seems somewhat appropriate in the context of increasingly confused (and confusing) modern society. It's a concept that could easily have been born out of something like The Matrix, a process of being burnt out on being. Modern humans are often simply swamped with information, much of which seems utterly useless in the bigger scheme … Read more

The Hussy

Galore
Southpaw (2015)

Why have children when I can just listen to my music and watch the bands change and grow instead? First they learned to stumble, then to walk, and finally to slow dance. Er, I dunno. This metaphor fell apart before it even hit the page.What didn’t fall apart are Wisconsin duo The Hussy, a guitar and drum two-piece that falls … Read more

Baroness

Purple
Abraxan Hymns (2015)

Through their career, Baroness has spawned a series of excellent works. From their early Mastodon-ian EPs to the evolution of their own unique sound with Red Album and Blue Record and the adventurous routes that led to the release of their most ambitious work Yellow & Green, the band has remained a constant force in heavy music. A horrendous accident … Read more

Oakeater

Aquarius
Sige (2015)

Oakeater is a Chicago outfit formed in the mid '00s. I must admit I was not familiar with their work before I saw that the band would be releasing their newest album, Aquarius. However, a listen of their cassette, Intrusion, got me interested so I started digging. Apart from a few standalone releases on cassette format, as well as their … Read more

200 Words Or Less

See Through Dresses

End of Days EP
Tiny Engines (2015)

See Through Dresses' sound is lathered in squealing, wailing guitars that melt and sway in the sludge of the rawest depths of grunge. The frazzled cocoon that is "Everyman" is laced with the threat "Wait 'til father gets home" delivered in a neutral tone while the guitars frantically crash through the song. There's a constant juxtaposition between the vocals and … Read more

200 Words Or Less

Wall Of Water

Promo 2015
Independent (2015)

The deliciously gloomy album art on Wall of Water's two-track Promo 2015 features what seems to be a long-abandoned roller coaster rotting away in the elements, an image that seems to jive with the downbeat but arresting style of music played by band members Cullen Toner (multi-instrumentalist and vocalist) and Shawn Eldridge (drummer). Keyboard adds to the occasionally almost theatrical … Read more

David Bowie

★ (Blackstar)
ISO Records / Columbia (2016)

David Bowie has always stood outside the lines. In the last decade or so, every album release came as a surprise of sorts: no media circus or worldwide promo tour. Each release showed Bowie slipping into his older years with something more stable stylistically. Here on his 69th birthday we get his 25th album, Blackstar. In an almost complete lack … Read more

Corrections House

Know How To Carry A Whip
Neurot Recordings (2015)

It was just a couple of years back when Corrections House were putting out their debut album, Last City Zero. Comprised of veterans in extreme and experimental music, including Scott Kelly, Bruce Lamont, Sanford Parker and Mike IX Williams, the band ventures forth into the realm of electro-industrial, encompassing elements of metal and noise in the way to reaching their … Read more

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