So I’m a fan of The Hussy. People who read this site have (hopefully) picked up on that. Well, TIT is a two piece with Bobby Hussy and Shawn Foree of the more popular (but previously unheard by me) Digital Leather. Let’s just say that their 12” is an interesting record, and not what I expected.Where I expected ballsy and rip-roarin’ rock, there’s instrumental and dronish noise. It’s still too hooky to be called drone, but it’s guitar and keys, repeating and meandering through feedback enough to keep interest and ambition without getting too pretentious or playful. There are just 3 songs here, 8:50 in total, and it’s hypnotic and spacey. Side A includes slow and deep vocals with a bit of a No Wave meets robot Krautrock thing going on, while “Drug Antenna,” on Side B is a spaced out session. If you like jammed out, feedback laden guitar-keyboard rock with an almost robotic rhythm, this is something to check out for sure. If you’re looking for pep and party, well, try the other releases from the same musicians. Read more
Boasting precise mixing and near-flawless musical execution, Code Elektro’s 2015 Superstrings may be one of the best albums of cyberpunk-inspired … Read more
On March 31,1994, singer and guitarist Kurt Cobain, frontman for Nirvana and heralded as the spokesman for a generation, escaped … Read more
"secret consciousness of power is far more delightful than open domination"Dostoevsky - The Adolescent. Le Butcherettes came seemingly from out … Read more
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My review of the Mongoloids last full-length, Time Trials, was probably one of the worst reviews I have ever written. I had the vinyl version of the album and for some reason my record player wasn't working and everything sounded sloppy and off time. Don't ever buy record players from Target. Anyhow, I found a copy of Time Trials on CD for cheap and after listening to that it became one of my favorite records of last year. The Mongoloids are one of those bands that people either really like or really hate. The people that hate them dislike this New Jersey straight-edge band for their ridiculous merch and occasionally confrontational attitudes about other bands around them. You can't really blame the naysayers, The Mongos did put out a shirt … Read more
I’m not sure I could come up with a worse scenario for a band than having one of its players pass away while the group was touring, but that’s sadly what occurred in September 2014 when Lorein Bourne, a.k.a. Styx and drummer for Portland, Oregon-based and self-proclaimed “garunge” duo Dark Oz, died of complications from Turner Syndrome after a show … Read more
Desaparecidos is the Omaha emo outfit led by Conor Oberst of Bright Eyes fame. Payola is the band’s second album, and it’s been 13 years since they released their first album Read Music/Speak Spanish in 2002. Usually one of two things happens when a band releases an album after a long pause: Often it’s a huge disappointment, but sometimes it’s … Read more
Buying compilation albums are like going to a family reunion. It starts with a sense of misguided obligation and ends with regret for ever having done so in the first place. A Perfect Circle's Three Sixty blessedly proves that ham-fisted metaphor to be all wrong. At first glance, it's a typical chronological affair, beginning with The Hollow from debut album … Read more
Given the never-waning focus among classical music fans on established (and too-frequently, dead) composers, it would seem that the world of modern classical music is one of the most difficult to get a handle on – audiences are left unsure where to even begin, and composers themselves don’t get much attention or many breaks. Meanwhile, except for the occasional article … Read more
It's been 40 years since the world was first introduced to the name of Motörhead. In that 40 years, they have become seemingly invincible. Impervious to the likes of addiction, lineup changes, musical trends and anything else that would have decimated a lesser band. But it would seem that the Motörhead juggernaut may finally be showing signs of slowing. Frontman … Read more
I incorrectly said this band was from North Carolina when I talked about their last record, when in fact they’re from Chicago. So I’d like to take a moment to say I’m sorry to Broken Prayer. (Up until recently I had a tendency to assume that every band on Sorry State was from North Carolina.) Another thing I said about … Read more
These guys know how to start off a record, with the rapid fire “Battered” pummeling with riffage for the first minute and then Jeff Burke’s familiar vocals chime in and the record transitions to melodic and punky pop songs—and not the kind of pop that’s usually attached to that word. While a minute isn’t a long time for an instrumental … Read more
When Ghost first materialized on the scene in 2010 with their debut album Opus Eponymous, they made quite an impression. First there was the image: five "nameless ghouls" performing the music in hooded robes (now silver, horned masks) and vocalist Papa Emeritus, dressed as a sort of anti-pope with a penchant for fog machines and blacklight paint. These aspects of … Read more
There's very few bands that work as hard to bring the music to the masses as Supersuckers. They're like a sleeper cell. Without warning, they'll come out of hiding in Anytown, U.S.A. and blow shit up. They are a band that everyone needs to see live at least once - and when you do, you'll want to see them every … Read more
Upon hearing that legendary northwest garage rockers The Sonics were releasing a new album – their first in (gulp!) nearly fifty years – in 2015, I didn’t know if I should be excited or very, very afraid. Here was a band that helped to invent the signature, rowdy rock and roll sound in the early-to-mid ‘60s and delivered songs such … Read more
Titus Andronicus (+@, as they shorten it) is a punk outfit led by Patrick Stickles, an obvious obsessive who has spent the last three +@ albums cramming barrages of references to Pieter Bruegel, Cheers, Nietzsche, and obscure New Jersey baseball teams into angry punk songs. +@’s most-talked-about work is their second album The Monitor, a grandiose, Civil-War-themed account of what’s … Read more
I came across Infera Bruo a couple of years back when they were releasing their debut album, Desolate Unknown. The perspective of the band on the black metal genre was intriguing, remaining true to the roots of the genre, but also building on top of its traditional outlook. The dissonant quality was overflowing in the record, while the inclusion of … Read more
Covering much of the same ground as a group like Perturbator, Philadelphia’s neon shudder makes dark electronic music inspired by the world of cyberpunk – a genre of sci-fi that’s often described as “future noir” and includes works like Blade Runner and Shadowrun. Though I didn’t say as much in my review of it, Áine O'Dwyer’s Music for Church Cleaners … Read more
Well this was bound to happen. With so many hardcore acts flirting with Oi! for the last few years it’s not surprising that somebody finally came out like, fuck it, we’re just going to be an Oi! band. It’s not the first time by any means—there’s been the PDX crusties’ side project Criminal Damage and the Brendan Radigan-fronted Battle Ruins—but … Read more
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