It took me 8 minutes to listen, so it should 8 minutes to write it too. Or, something. Really that’s just a bad Futurama reference so I can “cleverly” say that this is a short EP with 5 songs total. The song names are on this EP are “I,” “II,” “Weak Week,” “III,” and “IV.” Speaking of clever.Boilerman are punk rock in the easiest to pinpoint sense. It’s fast, coarse, energetic, and vitriolic with shades of melody that give an anthemic rage. The bass lines have a subtle rumbling aspect of streetpunk and the melodies also pull some 1990’s skatepunk vibes at times, not the popularized Fat Wreck variety but more along the lines of the lower-fi bands of the era that appeared on many of the comps but didn’t get their due. That thought really stands out to me on “Weak Week,” with a different band member on vocals, though I can’t quite figure out who it reminds me of—maybe Alkaline Trio seeing how it's a cover of that band. I guess it's been a while. Anyway, the other songs with the regular vocalist are rougher and faster and right up my alley. The label also namedrops Screeching Weasel … Read more
Newly-formed Vancouver, BC pop-punk trio Grease Thieves boast a vocalist whose snarl makes him sound a bit like vintage Tim … Read more
Matt Skiba's latest side project sound like they've been born out of the wave of late-90s American indie that brought … Read more
Without doubt one of the more strange albums released in 2015 (or any year for that matter), Irish-born harpist Áine … Read more
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It's a rare thing when the title of a band's record suits that record perfectly, but Every Time I Die has managed to do this. Once you peel off the slip case to reveal the liners littered with photos of two girls kissing, you very may well be saying "Hot damn!" Picking up where Last Night in Town left off without missing a beat, Every Time I Die's sophomore record showcases more of the mathy hardcore being showcased by this band and countless others across the globe. Unlike their peers, Every Time I Die are blessed with two things: a vocalist who can actually carry a tune, and a good sense of humor to coincide with the brutality of their music. When a hardcore singer starts screaming a line like … Read more
Artistically satisfying and incredibly eclectic, 2015’s The Fragile Idea from Italian electronic artist Sophie Lillienne seems designed to lull a listener into a somnambulistic state. Typically lumped into the trip hop genre, Sophie Lillienne’s music is full of unconventional, quietly haunting melodies, scratchy rhythms, and dramatic vocal performances. I would almost say that the dark and gloomy Fragile Idea is … Read more
Feral Kizzy’s new album Slick Little Girl was easy for me to like. I am a big fan of new wave, glam rock, and dark ‘80s music, so I was easily seduced by our obviously shared tastes. I immediately caught the Lou Reed reference of the title (lyrics from “Make Up” off the Transformer album). I love me some Lou, … Read more
This is some of that rhythmic punk that's making the rounds lately. Kind of like Dawn of Humans (with whom they are currently label mates) but more on the crusty and menacing side than the weird and experimental. Blazing Eye is a quartet out of Los Angeles that share membership with Raw Ponx-affiliated acts like Drapetomania, Tuberculosis, and Sadicos. They … Read more
Though his own catalog has been hit-or-miss since 1996’s classic Endtroducing, I’d place DJ Shadow among the relatively few who have managed to stay ahead of the curve in the rapidly changing world of electronic music. Shadow’s own label, Liquid Amber, was formed in 2014 to provide an outlet for unique sounds, and a year later, they’ve already put out … Read more
Naming a record I Feel Weird is a statement about the psyche of Great Cynics, and an applicable one at that (for the band, not necessarily the members). The band’s third record, it wavers between melodic pop punk with digressions into exploratory indie-alt rock. What that means in real English is that they play punk-ish songs with a lot of … Read more
The experimental black metal outfit from San Francisco has been able to create a veil of mystery around their existence. The origin of Mamaleek is traced back in 2008, and since then, these guys have been quite active. Their first couple of albums, the self-titled debut and Fever Dream, were released on a very limited amount of copies through (I … Read more
Locrian’s approach to metal is to disassemble the core structures, push them further away from their crude beginnings and delve into building them back up again into towering walls of sound and phases of light and dark. Infinite Dissolution is a record that shares small similarities to the genre that it’s born from, mostly in Terence Hannum’s hoarse screams and … Read more
Here's some of that good ol’ raw punk that was en vogue a few years ago. You know, those salad days before everyone started going gaga for the gothic, post-punk, all-weird-all-the-time trend that’s hot right now. (Personally, I like both styles quite a bit so I’ve got no complaints. I’m just having some fun here.) While the intro shows a … Read more
Optimists is the debut LP from Washington D.C. emo/indie-rock outfit Mittenfields. The band’s influences are immediately recognizable: Singer Dave Mann obviously listens to Modest Mouse and Arcade Fire, while the band’s three guitarists draw heavily from 1990s indie and emo classics like Mineral, Built To Spill, and Pavement. If you like those bands and want to hear the same sound … Read more
Getting it right when it comes to extreme doom/death is a very tricky business. It is quite a misconception that as long as a band is able to play really, really slow and have heavy riffs, they can be considered successful and good at what they do. Bell Witch know better. The duo from Seattle is relatively new to the … Read more
Sick/Tired don’t mess about. They’re angry, and they want you to know about it and they do so via the medium of fast, raw grindcore. The Chicago band pound through fifteen short, but certainly not sweet, tracks in a delirious sub-twenty five minutes with guest collaborates Merzbow and Lasse Marhaug adding more noise bases compositions to the furious mix of … Read more
It was not that far ago that I was listening to the previous S/V\R album, Sur Les Femmes and I was thinking just how intense their music was. Separating their previous album into two halves, the first saw them taking on their most chaotic and punishing form, rendering their soundscapes completely indecipherable. On the second part though, they seemed to … Read more
I really like Dirtnap Records, but they can’t all be winners. The Splits start off II with a really positive vibe in “Rotten Me,” with a powerful and familiar rock ‘n’ rollin’ base behind music that’s emphatic and emotional. I really like the enunciation by singer Helena throughout this song.Unfortunately, the majority of the record doesn’t hold up to the … Read more
As far as indie-rock goes, Friend Roulette’s sophomore album I See You. Your Eyes Are Red. is pretty gothic. I don’t mean “gothic” as in Bauhaus and bats, but more in the sense of classic literature imbued with feelings of terror and longing. This six-piece band from Brooklyn is both bold and bizarre, featuring violin, clarinet and two percussionists along … Read more
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