Locrian’s approach to metal is to disassemble the core structures, push them further away from their crude beginnings and delve into building them back up again into towering walls of sound and phases of light and dark. Infinite Dissolution is a record that shares small similarities to the genre that it’s born from, mostly in Terence Hannum’s hoarse screams and vocal delivery and the alien, off-world landscapes that are created through traditional elements as well as through electronic patterns and beats. Avant-garde seems too loose a term for Locrian; they feel much more than that and Infinite Dissolution is testament to the fact that over the last decade, Locrian haven’t taken the easy route through the darkness. Return to Annihilation from 2013 was an outstanding record, yet at times it felt a little incomplete, the passages not quite flowing together as cohesively as they could – perhaps on purpose, perhaps due to the band not yet finding their proverbial feet – but Infinite Dissolution has a wholly impressive unity that follows the opening notes to the closing pain. The latter half of the record finds itself on more peaceful terms than it did at the beginning as Locrian move onwards … Read more
Here's some of that good ol’ raw punk that was en vogue a few years ago. You know, those salad … Read more
Optimists is the debut LP from Washington D.C. emo/indie-rock outfit Mittenfields. The band’s influences are immediately recognizable: Singer Dave Mann … Read more
Getting it right when it comes to extreme doom/death is a very tricky business. It is quite a misconception that … Read more
Sick/Tired don’t mess about. They’re angry, and they want you to know about it and they do so via the … Read more
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There's probably nothing else that I hate worse that when bands I've never heard of because they happen to know the same people I do and they want me to review their latest release. For some reason they know I "work" for an online music site (which, by the way, they can never remember the name of) and it would be awesome/great/amazing if I could review their music offering. The Spirit of 76 happens to be the latest band on this thankfully really short list that has called upon me for a token review. I've never heard The Spirit of 76 until one cold evening my friend Tommy and I stopped at their shared practice space to pick up some instruments and what not. The people in The Spirit of … Read more
I really like Dirtnap Records, but they can’t all be winners. The Splits start off II with a really positive vibe in “Rotten Me,” with a powerful and familiar rock ‘n’ rollin’ base behind music that’s emphatic and emotional. I really like the enunciation by singer Helena throughout this song.Unfortunately, the majority of the record doesn’t hold up to the … Read more
As far as indie-rock goes, Friend Roulette’s sophomore album I See You. Your Eyes Are Red. is pretty gothic. I don’t mean “gothic” as in Bauhaus and bats, but more in the sense of classic literature imbued with feelings of terror and longing. This six-piece band from Brooklyn is both bold and bizarre, featuring violin, clarinet and two percussionists along … Read more
I had always found it amazing how both Scott Kelly and Steve Von Till were able to separate the different musical modes that defined. Obviously at the top of the pyramid, for both guys, stands Neurosis, being the focal point of the experimental mindset. But both Kelly and Von Till had other projects throughout the years that would allow them … Read more
Punk rock veterans, Lagwagon, had been missing from the scene for quite some time. Sure, they had a tour here and there as well as reissues of their 90s classics, but it's been years since we've heard some fresh new music from the band. They released an EP in 2008, but most of that material had previously already been featured … Read more
I feel like I’ve seen a lot of bands forcing genres together - black metal and shoegaze (Deafheaven), indie rock and hip-hop (Why?), jazz fusion and rap (Flying Lotus’ You’re Dead) - and I could go on and on. Often genre mashing can be a bit gimmicky, but if it’s done right, it can be a recipe for some of … Read more
Though many people – even those who weren’t around when the system was - could probably rattle off several of the more popular NES titles of the 8-bit era, there was a whole world of games existing outside the realm of the familiar gray plastic cartridge. Developed by independent publishers, unlicensed NES games appeared in misshapen, strangely colored plastic housing … Read more
As much as I like the “what if?” scenarios, at the same time I hate them. It is always nice to theorize about what could have happened if x has taken place instead of y. In the case of Warhorse that is a big “what if?” and at the same time an unavoidable one. The band from Massachusetts started off … Read more
Christian Dubé’s project has certainly blossomed over the years. Originating back in 2000, Rei Rea started off as a software-based musical outlet based in Dubé’s basement (that must be one fucking dark basement), releasing a number of split collaborations throughout the years as well as standalone albums, such as Hate Hand And Hate and Slug Launching Stinction. As time progressed, … Read more
If Nic Cage from Leaving Las Vegas had cut an album, it might sound something like Mishka Shubaly’s Coward’s Path. Dealing with such upbeat subjects as alcoholism, death, alcohol, loneliness, drugs, failure, and alcohol, these tunes were originally written in 2008 during a particularly out-of-control patch in the author’s life, and it doesn’t take a listener long to realize just … Read more
I wasn’t sure what to make of Underground Railroad to Candyland when I first saw them. They were a very new band, but the style was off-kilter and different than what I expected of a Todd Congelliere (Toys That Kill,F.Y.P) band. But along the way it’s clicked, both for me and the band. Where they first seemed slogany and weird, … Read more
There is not much one can say about Prurient, the project of Dominick Fernow. Throughout the years Prurient have produced an extensive discography that sees them creating a cartography of the dark ambient and noise genres with their own experimental mindset. The project has been going on for about twenty years now, but it seems that the focus that Fernow … Read more
Red Dons are a band I’ve meant to check out for some time. As a reviewer, perhaps I’m supposed to go check out the whole back catalog, but I often find it equally useful to approach a band tabula rasa, as that gives a better view of where this specific record is at. Past accomplishments, be damned, it’s the A … Read more
This noise rock duo has been terrifying the music scene for close to two decades now with their unconventional sound and experimental attitude. Throughout their career Lightning Bolt have stuck with the same recipe that seems to be working so marvelously for them: chaotic patterns, schizoid riffs, intense songs and with a fucking razor sharp edge to them. Fantasy Empire … Read more
Though much attention relating to 2015’s Austin Psych Fest (a.k.a. Levitation) was directed towards the reunion of the legendary 13th Floor Elevators, one of the biggest surprises in the lineup for me was the appearance of Rhode Island’s Lightning Bolt. I guess I never really thought of this aggressive and abrasive noise duo (made up of Brian Gibson who plays … Read more
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