It didn’t take long for Mellow Cruisers to appeal. Butter Knives, the follow-up from California’s Audacity, though, seems to be more of a grower.A band quick-summed-up as power-pop (though that description lacks), the new record seems to miss that one-two punch, earworm aspect. Instead, the songs are a bit more complex, less predictable, and more varied from starter “Couldn’t Hold a Candle” through ender “Autumn.” It’s hard to pinpoint just where Audacity is going which, from an artist’s perspective, is far from an insult. The songs are well written, well varied, and well performed. They just don’t have that authoritative kick that was on its predecessor.Audacity really draws their distinction in their vocal delivery and in the roughshod take on pop structure. When the songs are a bit cleaner in production, as they are on this record, it loses a little heart in the process. It’s not just a production issue, though. Matt Schmalfeld’s wavering crackle of emotion is subdued throughout this record in favor of a calmer approach. When he lets that wanton emotion through, as in “Couldn’t Hold a Candle” and “Watered Down,” the songs benefit. When the focus is more on a steady tone, as in “Hole … Read more
Due to its liberal usage around ye olden music-critiquing biz, “garage rock” is one of those dicey descriptors that, should … Read more
It’s safe to say that everyone’s already getting a head start on choosing the song that will be most played … Read more
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One of the reasons I gravitate toward the pop-end of the punk spectrum is because it lacks pretention. The structures are straightforward and honest, often predictable to such a fault that it’s become cliché. That’s why an album like Developing A Theory of Integrity is so refreshing. The overall sound is gruff pop-punk with a verse-chorus-verse foundation and a lot of emotion. However, it turns many of those conventions on their side. The songs are almost all over 3-minutes long and they rise and fall, like wave after wave, but coasting in their rhythm without a violent crash against an imaginary shoreline at the end.Developing A Theory of Integrity is a powerful 10-song trip that’s equal parts enthusiasm, enjoyment, lament and loss. It’s all of those things at once, steadily … Read more
There's a song on Indian's From All Purity titled "Directional" and given the Chicago-based band's implementation of new ideas such as fuzzed out guitars and meat cleaver sludged riffs, it'd be easy to make a joke about the group going in new directions. However, the phrase "new direction" implies a sort of willingness. From All Purity, the group's fifth full-length … Read more
Following a couple of excellent 7”s, the confusingly-titled Macrocosm is a Wash is the first full-length LP from this Minneapolis foursome. Spun from the same Mecca-like breeding ground as Wild Child, Total Trash, Varix, and countless others, Much Worse play a non-stop, angry, and poignant style of hardcore punk. While there is an air of reckless abandon in their approach, … Read more
Age makes fools of us all. First it was In Utero releasing all of my hard-found rarities on a single disc, and now comes The Dwarves Are Younger & Even Better Looking a new double-gatefold LP package that combines the group’s 1997 record Young & Good Looking (record one) with Blag Dahlia’s solo EP, some b-sides from the era, and … Read more
Tomorrow We Sail is the perfect title for a band that seemed to have taken me on a journey. From the moment I turned on song one, “The Well & the Tide” I felt like I had been swept on an adventurous trek through mountain and sea. I closed my eyes and imagined myself in places I’d have seen on … Read more
Jazz metal three-piece Les Yeux De La Tête’s (translation: The Eyes Of The Head) second full-length release, Mosca Violenta, is a vicious 11-song steamroller of sludgy riffs, raucous drum patterns, and avant-garde saxophone lines. For a guitarless, sparse album, MV is surprisingly theatrical and fascinating.The trio’s doom jazz masterpiece opens with the demonic ska song “Fubar.” “Soutane Of Swing” is … Read more
When a band consists of only two members tasked with carrying the weight of riff-heavy and sneakily blues-influenced garage rock sounds on two pairs of shoulders, a certain degree of equilibrium needs to be reached. When Maya Miller and Becky Black decided to leave their former band and write and perform as a two-piece it was probably the best decision … Read more
In King Khan & the Shrines, King Khan goes big band. Not in the jazz sense, but in a horn-laden variety a la Memphis rock with some James Brown thrown in for good measure. It’s leg-kicking, camelwalkin’ rock with horns that fill out the sound over a funky groove.While the energetic frontman has a knack for rock ’n’ roll, especially … Read more
I feel like there are a million punk records named No Way Out, but I don’t really care because it’s one of those commonalities that makes punk music, well, punk. And staying within the vein of reiteration, there’s only so many ways to say that a band isn’t trying to reinvent the wheel; so I’ll just stick with that old … Read more
While hardcore and the like have always valued the use of noise rarely has it ever been used in a combination of hardcore as a genre as well as the idea of noise as a genre unto itself. Noise as a genre is a very tough to pin down aesthetic in and of itself, just as hard would be to … Read more
Comprised by members of great acts such as Kayo Dot, Dysrhythmia, Gorguts and While Heaven Wept, Vaura find themselves in a strange territory. Somewhere between post-punk, darkwave and black metal, they unleash their second full-length, entitled The Missing. And just about a year after their debut album, Selenelion. The title track is introducing the band in the most suitable manner. … Read more
Maybe Minnesota is just a long way from Texas, but it seems that Mind Spiders are more of a studio band, releasing a record a year but only hitting my town once in the past three. Or maybe it’s just the 1000 miles in between. That’s really neither here nor there, though, as far as talking about the sound delivered … Read more
Bazooka hail from Greece and their tumultuous current situation has left its mark on the sound of this band. Lo-fi, double drumming, weirdo psych-outs – it all adds up to an assured debut that buzzes with early 90s garage vibes and 70s punk as well as a nice line in indie melody. “Ravening Trip” sounds like it could have come … Read more
Canadian sound artist Tim Hecker is no stranger to the more esoteric side of electronic composition. Continued experimentation with increasingly nuanced ambient soundscapes under said moniker for six full-length releases, as well as countless side appearances, has inevitably led to the creation of something undeniably unique. With the release of Virgins- now Hecker's seventh effort - the bohemian Montreal resident … Read more
Cloud’s Comfort Songs is a collection of downbeat, gloomy works that create an atmosphere of utter desolation while somehow lifting the emotional aspect of the pieces beyond total sadness. There are lovely little hints of hope hidden in the depths of these songs and the young man behind it all, Tyler Taormina has, at heart, blurred the lines between sadness … Read more
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