Burzum
Umskiptar
Byelobog Productions (2012)
The prolific post-prison output of Burzum has verged on the slightly more experimental side of the black metal musical spectrum. Taking a more ambient turn after career highlight Filofosem and incorporating a neo-classical edge in Belus (2010), a new sound was forged by Varg Vikernes after his incarceration. Belus encapsulated a purer tone; less cold and frostbitten than previous efforts … Read more
Busdriver
RoadKillOvercoat
Epitaph (2007)
Busdriver is something of an anomaly in contemporary hip-hop. He is perpetually labeled as, if not "the next big thing", at least "someone to watch out for" by mainstream hip-hop media. And yet he never can quite break out of his underground, intelligent indie rapper niche. Whether this is due to his admittedly strange delivery or his legitimately politically aware … Read more
Butcher
666 Goats Carry My Chariot
Osmose productions (2020)
Bütcher takes you on an epic journey to a parallel universe. A universe that is very similar to ours. A universe where cars are referred to as chariots. A universe where we do not mention horsepower, but talk about goatpower. And Bütcher is here to introduce their new ride! Sorry, was that too corny? I know, I can’t help myself. … Read more
By Surprise
Mountain Smashers
Topshelf (2011)
Although the Indie-Emo genre has been getting over-saturated with new artists lately, there are a few that wear the title suitably; By Surprise are one of them. They take the sound and mend it into something that’s a little more adventurous, anthemic, and sometimes even quirky. By Surprise’s debut full-length, Mountain Smashers, gives us a bird’s eye view of a … Read more
Byla
Byla
Translation Loss (2005)
Byla is an ambient duo consisting of members of Dysrhytmia, Behold the Arctopus, and Infidel?/Castro!. The two started to work together in 2003 and have put out their debut full-length this year on Translation Loss Records. Despite the fact that their other bands are known for making either noise (Infidel?/Castro!) or being a technical debauchery (Behold the Arctopus), this band … Read more
Cable
Last Call
Translation Loss (2006)
Cable might be one of the best bands that you have never heard. In today's punk and hardcore atmosphere there is a serious lack of the visceral disgust that bands like Cable have produced. Originally part of the burgeoning "noise-core" movement that included Deadguy and later Kiss It Goodbye, Cable outlasted their peers in both longevity and creativity with their … Read more
Cable
The Failed Convict
The End (2009)
Exciting is a good term to use to describe the feelings from Cable putting out another album, particularly after they had apparently called it quits. Thankfully, their farewell turn juiced the band up enough to write and record a new album. The Failed Convict is the latest album from the Cable institution and the first with guitarist Bernie Romanowski in … Read more
Cable
Variable Speed Drive (Reissue)
Translation Loss (2009)
Sometimes there is something which goes by the reference of historical revisionism whereby people go back and alter the place of a person, place, thing, or idea into a more vaunted or lower position in the historical record. I bring this topic up because it does happen frequently in the world of music, independent music particularly as artists go in … Read more
Cadence Weapon
Hope In Dirt City
Upper Class (2012)
Hope in Dirt City is the third release from Edmonton, Alberta’s Cadence Weapon. With a smooth flow and an ear for wordplay, Cadence Weapon creates a kind of thumping hip-hop, with big beats that are crafted using sounds that are not traditionally percussive. All that, of course, with a bit of 20-something ironic hipster to it and a focus on … Read more
Cadette
Flesh Without Hunting
Independent (2012)
If first impressions are what make or break an artist, Cadette is a whole bunch of angry. The Minneapolis, MN trio’s debut release Flesh Without Hunting rips through eight songs, drawing a heavy 1990s influence but maintaining their own identity, rooted in the present, throughout. The easiest point of reference comes with vocalist and primary songwriter Laura Larson’s previous band, … Read more
Caïna
Hands That Pluck
Profound Lore (2011)
Hands That Pluck is uncompromising. The final album under the Caïna name for (one man) band leader Andy Curtis-Brignell is intense. Vocally, musically, and lyrically. This is an album dealing with the subject of finality - even more so because it will be the last Caïna release - with ideas of religion and will making numerous appearances."Profane Inheritors" gives you … Read more
Caïna
Litanies of Abjection
Independent (2013)
Litanies Of Abjection isn't your standard Caïna release. It isn't what you expect and it certainly isn't a black metal record. It's something new, different and it's also incredibly personal and as such a terrifying and oppressive listen. For those who have followed the musical career of Andrew Curtis-Brignell, the change and shift shouldn't really come as that much of … Read more
Caïna
Mourner
Profound Lore (2007)
This is the kind record that I enjoy from time to time, a big surprise; it is not what I expected in any way, shape, or form and caught me completely off guard. Mourner is the second full-length, first on Profound Lore, from Caïna, the solo project of Andrew Curtis-Brignell - a twenty-year-old who already has a strong grasp on … Read more
Caithlin de Marrais
My Magic City
End Up (2008)
I will never forget the first time that I heard Caithlin de Marrais' voice; the opening lines of "Rise" off of Rainer Maria's Look Now Look Again reach out from speakers with a naked vulnerability that imbues each word with its own spark and each line with a lifetime of experience. Caithlin's mostly disembodied (save for the times I have … Read more
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Caitlin Rose
Own Side Now
Theory 8 (2010)
Forget Taylor Swift and the rest of her incorrigible ilk, according to the recent accolades, the future of country music belongs in the hands of Caitlin Rose, a twenty-three year old Nashville native whose looks are only surpassed by her voice. Though this might seem like an outlandish statement, in the last year, in one EP and this, her debut … Read more
Caitlin Rose
The Stand In
ATO (2013)
In the intervening years between her debut Own Side Now and this sophomore record, there has been very little sign of Caitlin Rose apart from a great cover of Alex Turner’s “Piledriver Waltz.” So as she returns, it is immediately apparent that this interval has been used for growing up: gone is the indie aesthetic in favour of cover art … Read more
Calabrese
Death Cult EP
Spookshow Records (2022)
In my review of the last Calabrese record, Flee The Light, I said I hoped it would not take them too long to release a new record. I asked them to not make me wait four years to be precise. It has been two and half years roughly and here they are again, with an EP this time. Thank you … Read more
Calabrese
Flee The Light
Spookshow Records (2019)
This year I was so psyched! I am a big horror punk fan. There are three bands I really, really enjoy. Calabrese is one of those bands. I’ve followed this hard working band since their second album and have enjoyed each and every release so far. I had no problem following them in their development from their campy horror punk … Read more
