Forget all the stereotypes about punk. Night Court are a punk band, but they aren’t nihilistic or aggressive. Instead, they’re scrappy and DIY and -- while they are certainly cynical at times -- they carry an air of positivity. It’s a well-defined sound on the band’s fourth LP, with 17 bouncy songs to singalong to. “Human Torch” is a fitting intro track, kicking off with lyrics of “No guns, no gods/ no war, no bombs” in a minute-long jamboree. The song is bass-heavy with a peppy beat and group harmonies. It exemplifies a positive message set to an upbeat rhythm. That pattern continues throughout, albeit in different ways because the band alternates vocalists. The songs with Emilor on vocals follow a similar structure, but lean more into traditional pop with a bigger focus on the chorus. To me, the Jiffy and Dave-O songs are a little more slacker-punk, still hook-driven but a little bit more offbeat, so to speak. Often, all three singers share tunes too, such as “Infrared Glasses,” which has some Pixies/Breeders-esque call and response twists before ending in harmony. “Never Say I Told Ya So” pulls all their diverse sounds in a snappy 2-minute package. Most of … Read more
Alright! Handmade Birds, easily one of the most important underground extreme/experimental labels of the '10s, is entering a new phase … Read more
Many years ago I read an essay about how the difficult-to-decipher vocals of Joe Strummer was part of The Clash’s … Read more
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While this is their second overall (if Bandcamp is up to date), The Rapture and Resurgens is my first time really sitting down with a Seagulls full-length. And my takeaways match with seeing them at FEST 21 recently. It’s heavy punk that’s big on singalongs, equally angry and melodic -- and usually both at the same time. I like the band’s high energy approach and it hits more often than it doesn’t. My main knock is that I’m often playing the who-does-this-remind-me-of game as I listen. It hits in all the right places, but with an underlying familiarity like you’ve heard it before. After repeated listens, I’m going to say part of that frustration is because it doesn’t remind me of just one band. Rather, it falls sonically at a … Read more
Genre labels have their place and I think they’re more useful than not -- but sometimes they just aren’t going to convey the point. Chuck Ragan, best known for his long tenure with Hot Water Music, also plays solo under his own name. I’m going to slap the “singer-songwriter” label on his solo work, though it pulls from bluegrass, Americana, … Read more
Any record The Necks release is a pathway to a deeply meditative experience. From the vastness of Open to the cinematic introspection of Vertigo and the constant build-up of Unfold, this act rarely (if at all) disappoints. Their latest offering, Bleed, sees them return to their most delicate strand of minimalism, patiently weaving their compositions in an attempt to uncover … Read more
Right from the start, this EP sounds familiar. I can’t quite place the band I’m thinking of, but Massive Nightmares hit quickly in a warm and familiar way. They play punchy punk with a big dose of The Replacements-style rock ‘n’ roll. It’s killing me that I can’t place who, exactly, they remind me of, but members also play/played with … Read more
Aluk Todolo's experimentalism always felt boundless, not shackled to a particular sound or genre. Since their inception back in 2004, the instrumental trio put forth an overarching vision that would encompass krautrock motifs, noise rock, and no-wave practices via way of a blackened psychedelic foundation. And Aluk Todolo executed this vision accordingly, amassing a stellar discography that contained excellent releases, … Read more
New York based three piece, Chimes Of Bayonets, released their first album, Replicator, in February of this year after a string of EP's dating back to 2018. There comes a point in most bands career that warrants the need for an album over an EP. It's a way to really showcase themselves and give the fans something substantial to sink … Read more
Can a band sound too personal? Too local? These are my burning questions as I break down the latest EP from Night Jobs of Minneapolis. The lyrics of these five songs are highly personal, from adopting pets to local transit routes to calling out people, by name, who have caused strife. They say to write what you know, and Night … Read more
On the brand new 80/20, The Dopamines break into a whoa-oh! about six seconds in, then their trademark shouted vocal tradeoffs. The first three songs on 80/20, their first album in 7 years, set the tone immediately. Back when they were a little more active, the group was often compared to Illinois pop-punk group The Copyrights. I bring that up … Read more
Divine intervention from Finland weaving this ripsnorter straight up the nasal cavity producing flashing lights and heightened endorphin production ……. oh, the downside -repetition is essential for pure unadulterated drops of artificial sweetener-sucralose to take full effect (sure beats saccharin). So, some old geezer like myself is under no illusion that he knows all about music but this ain't my … Read more
Beginning with the layout of their album covers and continuing with the live recording theme, DCxPC Live releases are inspired by V.M.L. Records from the mid-1990s. Like that label, it’s about the energy and what it’s like to be in person at a show. While of course everybody wants a nice sounding record, the goal is more about mood than … Read more
Rob Moss was a member of one of my favourite D.C early hardcore bands, Government Issue as well as Artificial Peace. While Rob officially joined Government Issue in 1983 and played on their US tour, one could say he was a GI since the band began. Rob not only sang backup vocals on the Legless Bull E.P., he made that … Read more
Poppy punk from Florida, Vicious Dreams is a dual vocal trio who recently released Turn Off My Brain. This record follows the tried and true garage to rock to punk evolution of 4/4 songs with catchy choruses. What makes the group stand out is the way the two vocalists split duties and songwriting. It’s very clear when the songwriter changes, … Read more
Stoke Signals are an emo-punk hybrid. The band bears most of the marks of the midtempo, singalong gruff-vocal punk I enjoy. But with some song structure and lyrical patterns of the far more popular emo-rock style that took off some 20 years ago. And: live by emo, die by emo. It’s a genre that puts the lyrics front and center … Read more
They say love is a universal language. But this eponymous EP by Norway’s Assistert Sjølmord is downright angry, so maybe they got that one wrong. I don’t know what they are singing about on here at all, though I can discern a few words from the song titles. But this 7” is a 7-song rager. The drums set the tone, … Read more
Retro music as retro as this is not something I listen to a lot. Nick Waterhouse is the closest comparison I can make that I actually listen to. So why on earth am I reviewing this album, you might wonder? Well, I discovered their label last year. Wap Shoo Wap is a Dutch label specialized in old school punk and … Read more
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