New York based three piece, Chimes Of Bayonets, released their first album, Replicator, in February of this year after a string of EP's dating back to 2018. There comes a point in most bands career that warrants the need for an album over an EP. It's a way to really showcase themselves and give the fans something substantial to sink their teeth into and Replicator certainly fits the bill. It is also worth noting that rather just lumping their EP's together, which seems to happen a lot these days, Replicator is 8 new tracks, with the exception of "Human Mascot" which was featured on their live EP Zero Three Zero Seven. Only this version has had time to be refined and studio recorded making it sound a lot cleaner than the live version. Replicator is 35 minutes of technically skilled post punk/hardcore that takes you through a range of emotions with bursts of fast paced angst interspersed with moments of calm and tranquillity, sometimes within one track. Stand out tracks for me are the newly recorded, fresh faced version of "Human Mascot" and the more chilled offering "Channel Marker". When I say chilled it is loosely termed as the tempo … Read more
Can a band sound too personal? Too local? These are my burning questions as I break down the latest EP … Read more
On the brand new 80/20, The Dopamines break into a whoa-oh! about six seconds in, then their trademark shouted vocal … Read more
Beginning with the layout of their album covers and continuing with the live recording theme, DCxPC Live releases are inspired … Read more
Rob Moss was a member of one of my favourite D.C early hardcore bands, Government Issue as well as Artificial … Read more
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Within hardcore there lies a style of music that has come to known as beatdown. It is an interesting but narrow-minded sub-genre to the whole hardcore realm. Musically, the bands that play this style of music rely heavily on having ridiculously huge breakdowns. I wouldn't be surprised if they wrote the breakdowns first and then surrounded them with the rest of the music for the song. Lyrically, there is a reliance on having a "fuck you" attitude. So when you partner those two together, the scope of what comes of this sub-genre is going to be rather limited. On a Warpath is the band's debut full-length in re-released form; it was originally put out on Mike Hood's Westcoast World Wide label earlier this year. Over the course of the nine … Read more
Poppy punk from Florida, Vicious Dreams is a dual vocal trio who recently released Turn Off My Brain. This record follows the tried and true garage to rock to punk evolution of 4/4 songs with catchy choruses. What makes the group stand out is the way the two vocalists split duties and songwriting. It’s very clear when the songwriter changes, … Read more
Stoke Signals are an emo-punk hybrid. The band bears most of the marks of the midtempo, singalong gruff-vocal punk I enjoy. But with some song structure and lyrical patterns of the far more popular emo-rock style that took off some 20 years ago. And: live by emo, die by emo. It’s a genre that puts the lyrics front and center … Read more
They say love is a universal language. But this eponymous EP by Norway’s Assistert Sjølmord is downright angry, so maybe they got that one wrong. I don’t know what they are singing about on here at all, though I can discern a few words from the song titles. But this 7” is a 7-song rager. The drums set the tone, … Read more
Retro music as retro as this is not something I listen to a lot. Nick Waterhouse is the closest comparison I can make that I actually listen to. So why on earth am I reviewing this album, you might wonder? Well, I discovered their label last year. Wap Shoo Wap is a Dutch label specialized in old school punk and … Read more
Lucta come from Milan, IT and play heavy, fast hardcore that sounds straight out of 1984. It’s aggressive, while also feeling unpredictable and a little bit unstable, like it could break into pure chaos at any moment. There are some metallic flourishes, kicking off with a minute-plus heavy atmospheric instrumental lead in the intro track, “Sacrificio,” but then it shifts … Read more
There is no doubt that Menace Ruine is a pioneering force in the extreme music space. The Quebec-based duo of Geneviève Beaulieu and S. de la Moth honed their avant-garde sound by encapsulating components of drone, neo-folk, and tinges of black metal. This unique mix resulted in some of the seminal works of the ‘10s, particularly Alight In Ashes and … Read more
I’ve covered a lot of bands in the Scrunchies family tree in the past, so Colossal is pretty much what I expected. Yet, at the same time, it’s a slight turnaround in style for the band, who released Feral Coast in 2022, which was a punkier sound. Their third LP, on new label Learning Curve, Colossal takes a hard ‘90s … Read more
This is the third album from MakeWar and they have their sound pinned down. I mean that, in the best way possible, A Paradoxical Theory Of Change is exactly what you want from the band. I also note it because, as it’s my third time review them, I’m trying not to repeat myself. This album introduces a new drummer, Alejandro … Read more
Shehehe, from Athens, GA, deliver a powerful sound that’s part rip-roarin’ rock ‘n’ roll, and equal part Ramones. It’s as classic as it gets in a way, while still feeling like a unique band that’s doing their own thing. Throw in a dose of DIY grit, and you’ve got their general sound. It’s punk rock from the heart, where you … Read more
This full-length record might fit on a 7”. It’s short and fast, but still definitely a full record with 10 fully-formed tracks of stomping punk rock just over 15 minutes overall. I’ve written about the band before and this record continues their trajectory. I remember a little more barking and aggression last time, but that isn’t to say this record … Read more
Volume 22 of DCxPC Live, a live album vinyl record label for punk, hardcore, ska and metal bands, features Sticky Steve, Borrowed Sparks, Jacob Danielsen-Moore and Dougie Flesh and the Slashers. This iteration leans heavy into folk punk and psychobilly sensibilities. Think Laura Jane Grace if she was obsessed with Spirit Halloween and B-horror movies. The vinyl itself didn’t seem … Read more
Some artists slow down as they get older. Who knows if that’s because of day jobs or family or something about the new creative process. It’s all case by case and speculation, and that’s not why I’m here talking about John Reis’s latest project anyway, other than to give a lengthy intro to Swami & The Bed Of Nails, which … Read more
A pioneer of the extreme ambient scene, Jouni Ollila's work with Mz.412 has been instrumental in tying the dark ambient scene with a black metal perspective. In effect, Ollila has influenced an array of artists from the brutal, dungeon chaos of Abruptum to the horrifying, noise dreams of Gnaw Their Tongues. While Ollila continues to produce dark visions through Mz.412, … Read more
One of the rare instances of a band getting more raucous with time (and success), Mannequin Pussy’s third studio album I Got Heaven sets the mood with heavy drums and cutting vocals. While the sound doesn’t swing in as hard, or as messy, as previous albums, the band hits their stride with lyrics equal parts scalding and snotty. Album opener … Read more
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