Recent reviews

Our latest album reviews, featuring the records we've most enjoyed (or not) over the past few weeks.

Reviews by score
Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)

The Peawees

One Ride
Spaghetty Town Records, Wild Honey Records (2024)

Many years ago I read an essay about how the difficult-to-decipher vocals of Joe Strummer was part of The Clash’s legacy -- how making the listener not key in just on the words, but the melody and movement instead makes it more effective and more open to interpretation in a good way. That concept stuck with me. A song is the sum of its parts and, let’s be honest, we all sing along and get the words wrong sometimes-- Oh, and I'm going somewhere with this… I’m going to broadly say that The Peawees are rock ‘n’ roll in the most classic sense. Think 1950s-‘60s rock meets The Clash meets California cool. It’s leather jacket rock ‘n’ roll, but in beachwear. I guess that makes sense. They’re from Italy, which is surrounded by water. The press release also calls it “soul-inspired garage rock,” which is way more concise that I was here. While listening to One Ride I’ve thought about standup bass, especially in “The Wolf” or “Spell on Me,” but also sock hops and just that classic and undefinable coolness factor. Once the record hits song “Spell on Me,” the semi-hoarse vocals reminded me of Vic Ruggiero (The Slackers) … Read more

Beak>

>>>> (2024)
Invada, Temporary Residence (2024)

Without fanfare or much notice, Beak>'s unexpected appearance is nothing short of a welcomed surprise. Since their inception, the Bristol … Read more

Chuck Ragan

Love and Lore
Rise (2024)

Genre labels have their place and I think they’re more useful than not -- but sometimes they just aren’t going … Read more

The Necks

Bleed
Northern Spy (2024)

Any record The Necks release is a pathway to a deeply meditative experience. From the vastness of Open to the … Read more

Massive Nightmares

Massive Nightmares
Independent (2024)

Right from the start, this EP sounds familiar. I can’t quite place the band I’m thinking of, but Massive Nightmares … Read more

Aluk Todolo

Lux
NoEvDia (2024)

Aluk Todolo's experimentalism always felt boundless, not shackled to a particular sound or genre. Since their inception back in 2004, … Read more

Browse our review archives

Reviews by year

Choose a year to view reviews of albums released in that year.

Reviews by artist name

Choose a letter to view reviews ordered by that letter (band name first).

Review categories

200 Words Or Less

749 reviews

Book Review

42 reviews

Classic Album

25 reviews

Multiple Authors

300 reviews

Review

4878 reviews

Video/DVD Review

19 reviews

One from the archives

Plain

Different Not Strange
Independent (2008)

One could say Lugano, Switzerland’s Plain is a risk-taking collection of artists simply for the sheer bravery (or stupidity) of giving themselves that moniker. For those that wouldn’t care for their brand of music, professional critics and aural consumers alike, the door is wide open for the same kind of juvenile puns that your typical Garbage naysayer would dish out. Hopefully, there won’t be any of that in any form in this review, as Different Not Strange is a standout debut LP that’s anything but plain. (You see that? You see what I did there instead?) Again, the group prefers to conjure cheap one-liner ammunition since Different Not Strange is a not too subtle way to describe this album in its entirety. Mixing parts of alternative, hints of progressive, small … Read more

More album reviews

Chimes Of Bayonets

Replicator
Peterwalkee Records (2024)

New York based three piece, Chimes Of Bayonets, released their first album, Replicator, in February of this year after a string of EP's dating back to 2018. There comes a point in most bands career that warrants the need for an album over an EP. It's a way to really showcase themselves and give the fans something substantial to sink … Read more

Night Jobs

Shop Dog EP
Independent (2024)

Can a band sound too personal? Too local? These are my burning questions as I break down the latest EP from Night Jobs of Minneapolis. The lyrics of these five songs are highly personal, from adopting pets to local transit routes to calling out people, by name, who have caused strife. They say to write what you know, and Night … Read more

The Dopamines

80/20
Rad Girlfriend Records (2024)

On the brand new 80/20, The Dopamines break into a whoa-oh! about six seconds in, then their trademark shouted vocal tradeoffs. The first three songs on 80/20, their first album in 7 years, set the tone immediately. Back when they were a little more active, the group was often compared to Illinois pop-punk group The Copyrights. I bring that up … Read more

The MES

Evil Echo and Deaf Mind-
Independent (2024)

Divine intervention from Finland weaving this ripsnorter straight up the nasal cavity producing flashing lights and heightened endorphin production ……. oh, the downside -repetition is essential for pure unadulterated drops of artificial sweetener-sucralose to take full effect (sure beats saccharin). So, some old geezer like myself is under no illusion that he knows all about music but this ain't my … Read more

Various Artists

Middle-Aged Queers / The Raging Nathans - DCxPC Live Volume 20
DCxPC Live, Wave Mage Records (2024)

Beginning with the layout of their album covers and continuing with the live recording theme, DCxPC Live releases are inspired by V.M.L. Records from the mid-1990s. Like that label, it’s about the energy and what it’s like to be in person at a show. While of course everybody wants a nice sounding record, the goal is more about mood than … Read more

Rob Moss and Skin-Tight Skin

Records
Rock On Records (2024)

Rob Moss was a member of one of my favourite D.C early hardcore bands, Government Issue as well as Artificial Peace. While Rob officially joined Government Issue in 1983 and played on their US tour, one could say he was a GI since the band began. Rob not only sang backup vocals on the Legless Bull E.P., he made that … Read more

Vicious Dreams

Turn Off My Brain
Brassneck Records, Dirt Cult, GC Records, Swamp Cabbage Records (2024)

Poppy punk from Florida, Vicious Dreams is a dual vocal trio who recently released Turn Off My Brain. This record follows the tried and true garage to rock to punk evolution of 4/4 songs with catchy choruses. What makes the group stand out is the way the two vocalists split duties and songwriting. It’s very clear when the songwriter changes, … Read more

Stoke Signals

Make Dying Fun
Independent (2024)

Stoke Signals are an emo-punk hybrid. The band bears most of the marks of the midtempo, singalong gruff-vocal punk I enjoy. But with some song structure and lyrical patterns of the far more popular emo-rock style that took off some 20 years ago. And: live by emo, die by emo. It’s a genre that puts the lyrics front and center … Read more

200 Words Or Less

Assistert Sjølmord

Assistert Sjølmord
Static Shock Records (2024)

They say love is a universal language. But this eponymous EP by Norway’s Assistert Sjølmord is downright angry, so maybe they got that one wrong. I don’t know what they are singing about on here at all, though I can discern a few words from the song titles. But this 7” is a 7-song rager. The drums set the tone, … Read more

The Mocks

Do You Want Me Too?
Wap Shoo Wap Records (2024)

Retro music as retro as this is not something I listen to a lot. Nick Waterhouse is the closest comparison I can make that I actually listen to. So why on earth am I reviewing this album, you might wonder? Well, I discovered their label last year. Wap Shoo Wap is a Dutch label specialized in old school punk and … Read more

200 Words Or Less

Lucta

Eterna Lotta
Static Shock Records (2024)

Lucta come from Milan, IT and play heavy, fast hardcore that sounds straight out of 1984. It’s aggressive, while also feeling unpredictable and a little bit unstable, like it could break into pure chaos at any moment. There are some metallic flourishes, kicking off with a minute-plus heavy atmospheric instrumental lead in the intro track, “Sacrificio,” but then it shifts … Read more

Geneviève Beaulieu

Augury
Union Finale Records (2024)

There is no doubt that Menace Ruine is a pioneering force in the extreme music space. The Quebec-based duo of Geneviève Beaulieu and S. de la Moth honed their avant-garde sound by encapsulating components of drone, neo-folk, and tinges of black metal. This unique mix resulted in some of the seminal works of the ‘10s, particularly Alight In Ashes and … Read more

Scrunchies

Colossal
Learning Curve Records (2024)

I’ve covered a lot of bands in the Scrunchies family tree in the past, so Colossal is pretty much what I expected. Yet, at the same time, it’s a slight turnaround in style for the band, who released Feral Coast in 2022, which was a punkier sound. Their third LP, on new label Learning Curve, Colossal takes a hard ‘90s … Read more

MakeWar

A Paradoxical Theory of Change
Fat Wreck Chords (2024)

This is the third album from MakeWar and they have their sound pinned down. I mean that, in the best way possible, A Paradoxical Theory Of Change is exactly what you want from the band. I also note it because, as it’s my third time review them, I’m trying not to repeat myself. This album introduces a new drummer, Alejandro … Read more

Reviews by score
Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)