We Are Horror Records are back, after a brief hiatus, and are better than ever. To celebrate this fact label founder, Dan Phillips, has truly outdone himself and put together the third bloody horror-fuelled instalment of the Horrorpunk's Not Dead compilations. These compilations are the finest collection of what's what and who's who from modern horrorpunk today. Volume 3 boasts a whopping 50 tracks of the best blood curdling horrorpunk bands across the globe. As is the way with Horrorpunk's Not Dead, these comps are not a collection of one dimensional Misfits wannabes. They are in fact a glorious horde of well thought out styles that form the horrorpunk genre as a whole, from goth, metal, punk and pop elements making Volume 3 bigger, better and scarier than EVER before! A few of the tracks featured on Volume 3 are from bands that belong to the We Are Horror label such as Das Ghoul and Tricie and the Phantom Punks as well as many other bands that jumped at the opportunity to feature. It has 18 previously unreleased tracks from bands such as Boogeyman, The B Movie Monsters, Mutant Reavers and The Graveyard Boulevard, with The Order of the Fly … Read more
Doctor, Doctor give me the news…. Some of you might pretend you don’t have a winking brown starfish on the … Read more
On her second solo album Laura Jane Grace throws back, looks ahead and reminds us why we should be grateful … Read more
Sex Organs is a duo based between The Netherlands and Switzerland, formed by members of The Anomalys and The Jackets … Read more
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Andrew Jackson Jihad runs the folk-punk gamut—they’ve put out a split with Ghost Mice, play The Fest more or less annually, and they’re a two-piece mostly acoustic band comprised of Sean Bonnette (guitar) and Ben Gallaty (bass). Now that I’ve lumped them in with a number of other acts, it’s time for the separation.The Phoenix band is distinct in their instrumentation, vocals, and song structures. Having a passing familiarity with the band, the vocals have always grated on me, while the honesty of the lyrics was able to somewhat override the off-key delivery. With the release of Knife Man, their fourth studio release, I figured it was time to see how the duo has developed.Their songs still revolve around intimacy and immediacy above all else. There is a directness that … Read more
Not to be confused with Neil Diamond's Song Sun Blue and I draw no real comparisons to that classic housewife panty-wetting meandering staple of heart-melting, throbbing, pulsing underlying sexual tension in Diamond’s piercing, crooning, come hither and watch me slither succubus style. Come to me, look into my eyes… look deep into my eyes. This leads me to a small … Read more
Pearls Before Swine= offering something of value to someone who does not understand its value or appreciate it The whole is greater than the sum of its parts. These two statements could best describe the debut release of Off Contact. To truly understand this release, it would take countless spins around the world of 33 ⅓ rotations. Easy comparisons are … Read more
The singer-songwriter gig is a hard one. You have to be the center of attention, captivating your audience from start to finish. Yes, Frank Turner plays with a backing band (The Sleeping Souls), but the focus is always on Turner, be it on stage or on a 14 song LP. And he’s willing to put it all out there. Many … Read more
Breathe In Breathe Out. Wheezing is often heard as a whistling sound primarily while breathing out but can also be heard when taking deep breaths. It is frequently attributed to the small Bronchial Tubes situated deep within the lungs. However, a maniac can often be seen as a derogatory term used in place of a lunatic, mad person, loony, wing … Read more
Do you take your punk with saxophone? Do you like post-angular guitars and rhythmic, near-spoken vocals? If so, Uranium Club is probably right for you. Apparently they call this egg punk nowadays. I would have called it art-punk. It definitely runs in the left-of-the-dial, DIY punk world, but has that glasses-wearing, proud-of-your-weirdness element that makes it hard to pin down … Read more
I spent a good part of the late ‘90s annoyed at the abundance of Ramonescore. I’ll stand by my word: many of the bands of that era were carbon copies that didn’t bring anything new to the format. But time has passed and what was overdone is now a refreshing change of pace. For whatever reason, when I hear a … Read more
I find Totally Slow a hard band to categorize. Their brand of melodic, hard punk is familiar and comforting -- rooted in ‘80s hardcore, ‘90s skatepunk, and post-something guitar-driven rock. The press release namedrops Dag Nasty and Hot Snakes, among others, which I think are good starting points. But while it’s familiar, it’s absolutely not a carbon copy. Like their … Read more
City Of Death is the third album from Polish noise makers Steamachine. Having dabbled in a few metal styles over their career, City Of Death has a heavy carnival influence to it which I have to say I really like. It's interesting just how much more sinister things sound when you pump eerie, jingly circus sounds amongst very dark, heavy, … Read more
The opening track on Somehow, We Are Here is a statement. Yes, Faulty Cognitions is a punk band with members of Low Culture, Shang-A-Lang, Nocturnal Prose,and more. Yes, this shares a lot of commonalities, but it’s also a new band with a new sound. The band humbly says they were going for an early, jangly R.E.M. vibe but self-confess that … Read more
Jim Mroz is no stranger to the darkest dungeons of the human mind. These locked doors of the psyche are a common destination for his project Lussuria, through which Mroz has quietly amassed an impeccable discography. And so another immersive chapter of harrowing music sprouts forth with Under Crumbled Stairs, with Lussuria extending their phantom limbs to touch upon numerous … Read more
When Pearl Jam dropped Gigaton in 2020 - a mere two weeks after the world shut down, there was a lot of fear and uncertainty about what track we were on as a society, and even as a species. We clung to whatever north star could guide us through those dark times. So it really says something that still, four … Read more
The first song on this album is named “Nirvana.” It’s a fitting nod to an obvious influence, though a Mudhoney reference might honestly be more apt. Going into this record, based solely on the lead single (“Nuff Said), I was expecting more of a brash, garage-punk sound with Dog Date. My first impressions weren’t totally off base, but add a … Read more
Some bands are visual, yeah? You need to see them live, in person, to truly experience them. You need to see the costumes, the theatrics, the flashing lights and, yes, the sweat running down their faces. Spiritual Cramp are like this, but, uh, not? Not the costumes, not the theatrics, not the flashing lights (I’ll stay mum about the sweat). … Read more
Justin Pearson. The only person who you could hear Mike Patton say “Goddamn, that guy’s in a lot of bands”. And it’s true. The list of groups Pearson has been a part of reads longer than his lyric sheets. But within the myriad of music the man has released, Planet B is somewhat of an anomaly. There are synths. There … Read more
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