The members of Battles definitely have impressive resumes when it comes to their former and current musical endeavors. Everyone knows John Stanier from his days in Helmet and his recent work in Tomahawk. Ian Williams is a guitar wizard who spent many years with Don Caballero. Dave Konopka played in the under-appreciated Lynx. And Tyondai Braxton is the son of jazz musician Anthony Braxton and has released solo recordings as well as worked with some notable artists - John Zorn and Prefuse 73 among others. Rather impressive and then you throw them together and ask them to make music. The result can best described as a mish-mash of experimental, electronic, indie rock. The most notable difference between Mirrored and the band's two previous EP's is the addition of vocals to the music. While before they were an instrumentally driven band, the addition of vocals has taken the band to a whole new level. But, being a band of experimentation, Battles do not make use of typical vocals melodies in their work. Rather, the vocals provided by Braxton are digitally altered, most of the time sounding like a robot that's been sucking on helium. The album gets moving with "Race : … Read more
After his thorough touring of each continental U.S. state (and several abroad) in an apparent effort to sate a sort … Read more
After 2005's A Healthy Distrust Sage Francis cemented himself as one of hip-hop's biggest heroes as well as one of … Read more
The lights, the sounds, the excitement If you've ever been to New York City, you know what I'm talking about. … Read more
Do you love bubblegum pop-punk? Do you love sign-alongs? Do you love ridiculous breakdowns? Well, then Four Year Strong and … Read more
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The Morning After Girls are a band from New York by way of Melbourne. I have to assume their name is more a reference to the haziness that follows a night out, as opposed to the pill bearing a similar name. Musically, they are descendants of the fuzzy psych-rock of bands like Jesus and Mary Chain and My Bloody Valentine, focusing on well placed feedback, explorative but tempered jams, and a sense of aloof disconnect. However, they don't simply mimic their predecessors. On "Alone," they nicely layer extra percussion and keyboards while 60's harmonies and psychedelic guitars replace the shoegazer fuzz. The complexity works well, and Sasha Lucashenko's calming voice is suited to the style. "Alone" segues into "Death Processions," which is perhaps the most Jesus & Mary Chain derivative … Read more
The history behind Ringfinger's Decimal is rather interesting. Tracy Wilson, whom some of you may remember from Dahlia Seed, started the project shortly after the demise of her former group. Wilson originally wrote and recorded rough versions of these songs before seeking out many close friends to add, tweak, dismantle, and/or reassemble the songs with their own artistic insights. Now, … Read more
Allow me to preface my review with the following disclaimer: I am an avid follower of Tomas Lindberg's projects; so, due to his being the band's original screaming vocalist, I have some exposure to Nightrage in their previous albums, 2005's Descent into Chaos and 2003's Sweet Vengeance. They play a variation on the melodic Swedish death metal style popularized by … Read more
There's no way around this but to say it straight: I heard the first track from Attack in Black's Marriage, "Come What May," and without hesitation, went to buy the album. I couldn't tell you the last time a song did that to me. Maybe it was the way the guitars swelled and stopped at just the right moment, underscoring … Read more
Bitter River is the most bipolar release of 2007, hands down. Members of Pygmy Lush were once in groups such as Pg. 99, City of Caterpillar, Majority Rule, and Hissing Choir just to name a few. Now, they've found themselves writing an album that changes drastically over the course of fourteen songs (two songs were added to the CD release, … Read more
Can I Keep This Pen? is Northern State's third full-length album and it proves that any and all naysayers dismissing the group as a novelty act can just get in that boat and float right to Camden. I admit, I was once one of those aforementioned naysayers. I mean . what can you say about three chicks from suburban Long … Read more
I'm watching The Shining as I listen to Gog's EP for the first time and the music is matching up at the moment (which is awesome). A creepy high-pitched sound is slowly building up, just like Kubrick's film. The band's label, Sounds of Battle and Souvenir Collecting, says on its website, "[We are] dedicated to experimental, drug/metal, art-doom, and drone." … Read more
It almost seemed like this record would never come out. It's been six years since Iron Flag and 14 since 36 Chambers revolutionised hip hop, and in that intervening period, the genre has seen the rise of the shallower side of the performers, with quality production often sidelined in favour of bold statements and styles without the musical muscle to … Read more
In 1993, nine MC's hailing from all over New York City came together to release one of the most influential hip hop albums of all time. With incredibly gritty production and razor sharp, kung-fu inspired lyricism, Enter the Wu-Tang; the 36 Chambers took the hip hop world by storm and rap as we knew it would never be the same. … Read more
This is my first exposure to Molia Falls, as it may be for some others as well, and I am not sure what to expect at all from the CD that sits here. The packaging tells me little or rather, gives no impression of the type of music that may be hiding on this EP and that gives me pause. … Read more
Sometimes I think our beloved editor and all around swell dude, Michael, doesn't even bother giving our promo records a listen. Case in point: Awake and Alert's Devil in a Lambskin Suit. So Michael sees a plain CD with the name "Awake and Alert" and he thinks to himself, "This is probably another positive melodic straight edge hardcore band that … Read more
I slept on Manatees' promotional disc for a very long time and I'm extremely sorry I did so. Their untitled release, or the lengthy The Forever Ending Jitter Quest of Slow Hand Chuckie: An Introduction to the Manatee is an ethereal and simultaneously heavy release. Their press sheet sums up the band's sound quite well: "The band name was chosen … Read more
Most within the hardcore and punk community are likely unaware of the existence of Lie and Wait. Sure, they are a fairly new band, but there are plenty of other bands that have been around just as long as them, or even less time, that have already achieved critical praise. The release of Led Astray is going to make it … Read more
Fuck "emo," fuck "screamo." Let's talk about music with intensity and passion. Pyramids' second full-length release, Through the Hourglass, features eight equally brutal and beautiful songs. I was fortunate enough to recently see the band perform at the Lo-Fi Social Club in Baltimore; after their set (prolonged one song by a unanimous call for an "encore"), I couldn't help but … Read more
Similarities define genres, right? You can take a group of musicians, cite some sort of common threads through their records, and coalesce those into a genre. But when there are too many bands in a certain genre, things just get stale. And I feel this way about "technical/progressive death metal." Unfortunately, Illogicist's The Insight Eye is another entry into this … Read more
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