There's no way around this but to say it straight: I heard the first track from Attack in Black's Marriage, "Come What May," and without hesitation, went to buy the album. I couldn't tell you the last time a song did that to me. Maybe it was the way the guitars swelled and stopped at just the right moment, underscoring frontman Daniel Romano's vocals and lyrics before coming back and doing it again, accented with a bit of palm muting before the punchy bass and drums bring the song to life. Maybe it was the chorus that drenched me in a wave of wonderful harmonizing melody, singing: "Nothing matters / Nothing's wrong / Nothing feels like anything today" and leaving me thinking, "Yeah, I know the exact feeling." Or perhaps it was even the unexpected Springsteen-esque saxophone that helps close the song by adding a flawless layer of melody to the ending. It was probably the combination of all the aspects of that song, but what's amazing is that the rest of the songs on the album are all just as good as the first, and some are even better. Every track on Marriage is remarkable in some way, be … Read more
Bitter River is the most bipolar release of 2007, hands down. Members of Pygmy Lush were once in groups such … Read more
Can I Keep This Pen? is Northern State's third full-length album and it proves that any and all naysayers dismissing … Read more
It almost seemed like this record would never come out. It's been six years since Iron Flag and 14 since … Read more
In 1993, nine MC's hailing from all over New York City came together to release one of the most influential … Read more
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Stuffed & Ready is the third album released by LA band Cherry Glazerr. It’s surprising this is their third album and it’s taken me this long to notice them, but regardless, my timing feels perfect. With an album name like Stuffed & Ready, it’s hard to ignore the boldness of the band. Lead vocalist Clementine Creevy has a dream-like quality to her voice creating this fuzzy, pop-rock atmosphere that produces both a daring and intimate atmosphere throughout the record. I can feel the uncertainty in her voice, and goddamn in a time like this, it’s beyond comforting. “Ohio” is rightfully the opening track with its sweet-sounding vocals and faintly fuzzy chords—the perfect pair. The dynamics in this song are spot on, it’s a song I could put on repeat for … Read more
This is my first exposure to Molia Falls, as it may be for some others as well, and I am not sure what to expect at all from the CD that sits here. The packaging tells me little or rather, gives no impression of the type of music that may be hiding on this EP and that gives me pause. … Read more
Sometimes I think our beloved editor and all around swell dude, Michael, doesn't even bother giving our promo records a listen. Case in point: Awake and Alert's Devil in a Lambskin Suit. So Michael sees a plain CD with the name "Awake and Alert" and he thinks to himself, "This is probably another positive melodic straight edge hardcore band that … Read more
I slept on Manatees' promotional disc for a very long time and I'm extremely sorry I did so. Their untitled release, or the lengthy The Forever Ending Jitter Quest of Slow Hand Chuckie: An Introduction to the Manatee is an ethereal and simultaneously heavy release. Their press sheet sums up the band's sound quite well: "The band name was chosen … Read more
Most within the hardcore and punk community are likely unaware of the existence of Lie and Wait. Sure, they are a fairly new band, but there are plenty of other bands that have been around just as long as them, or even less time, that have already achieved critical praise. The release of Led Astray is going to make it … Read more
Fuck "emo," fuck "screamo." Let's talk about music with intensity and passion. Pyramids' second full-length release, Through the Hourglass, features eight equally brutal and beautiful songs. I was fortunate enough to recently see the band perform at the Lo-Fi Social Club in Baltimore; after their set (prolonged one song by a unanimous call for an "encore"), I couldn't help but … Read more
Similarities define genres, right? You can take a group of musicians, cite some sort of common threads through their records, and coalesce those into a genre. But when there are too many bands in a certain genre, things just get stale. And I feel this way about "technical/progressive death metal." Unfortunately, Illogicist's The Insight Eye is another entry into this … Read more
Although this band shares their name with at least three other groups, this release is pretty solid. The United Kingdom's Jinn brings a little bit of punk and thrash to their metal sound, sounding somewhere between Mind Eraser and At the Gates. It's not too dissimilar from the rise of bands like Isis, in some of its slow, epic parts … Read more
Bridging elements of power/indie pop while harnessing a danceable sound reminiscent of the better radio friendly tracks from the 1950's through the 1970's, Georgie James gives us Places. The Washington D.C. songwriting duo consisting of John Davis, drummer of the disbanded Dischord act Q and Not U, and Laura Burhenn, a locally established solo musician, share vocal duties and instrumentation … Read more
Those familiar with Sufjan Stevens or The Polyphonic Spree might recognize Annie Clark for her accompaniment to their most recent tours and discs. Earlier this year the multitalented indie rock darling released her first solo LP under the stage name St. Vincent. Like the aforementioned bands, Clark pushes forward her fair share of quirks in the triumphant debut that is … Read more
Alternative Press called Sweden's Sounds Like Violence "post-grunge." I don't know what the fuck post-grunge is supposed to sound like, but apparently it's catchy pop-punk "recommended for fans of: My Chemical Romance, Underoath, Refused, [and] The Hives." The music isn't as bubbly as your average pop-punk band, which is definitely a bonus, but the lyrics still drip with angst and … Read more
Fjord are ex-Winter Solstice/The Takeover and have been said to play a brand of metal "for the fans of Converge and Botch." Lives Lives definitely sounds Botch-influenced, but that's not a very unique quality nowadays. The music isn't contrived; it's simply similar to many "metal-core" bands. Thankfully they don't fall into the mold of recycled As I Lay Dying riffs … Read more
Light Yourself on Fire, a four piece from Tampa, Florida, play thrashy hardcore that they call "power death." The seven songs on this EP release are riddled with pinch harmonics and sludgy riffs played at breakneck speeds. The lyrics are unintelligible, but touch on topics such as bullshit on the radio, the ubiquity of neurosis, and global warming. Cover art … Read more
Disillusion sounds like an even more radio friendly version of Slipknot. Actually, I don't know Slipknot well enough to call them that. Let's just call it radio friendly shit, the shit that kids in bondage pants will worship. The beginning of the second track, "Gloria," sounds like the singer of System of a Down trying to talk over a choppy, … Read more
The Fierce Urgency of Now is a record from Philadelphia, PA's Passion. Fans of hardcore and metalcore will appreciate Passion's intensity and technicality; if you're looking for breakdowns and fast-paced music, you will enjoy this album. If you aren't, you'll hate it. "Statistics Show That We Do Not Care" packs a punch, delivering lyrics against child molestation and an ear-catching … Read more
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