Sometimes I think our beloved editor and all around swell dude, Michael, doesn't even bother giving our promo records a listen. Case in point: Awake and Alert's Devil in a Lambskin Suit. So Michael sees a plain CD with the name "Awake and Alert" and he thinks to himself, "This is probably another positive melodic straight edge hardcore band that Jason sadly seems to live on, I'll just throw this into his package and he will love me for it." Michael sits back for a moment sighs and once again muses, "Some days, all I need is Jason's love." Arizona's Awake and Alert is a positive melodic hardcore band...if we lived on the Bizarro planet. Or maybe I forgot to mark my calendar and its opposite day. Awake and Alert are mellowed out poppy indie rock band that would probably find a decent home on Equal Vision Records or Jade Tree Records. The opener on Devil in a Lambskin sets the tone of the album with slow atmospheric ditty ripe with jangley guitars, a piano, and soulful vocals provided by one Maya Peart. I am reminded of Radiohead at their worst or Saosin at their best as Maya's vocals propel … Read more
Most within the hardcore and punk community are likely unaware of the existence of Lie and Wait. Sure, they are … Read more
Similarities define genres, right? You can take a group of musicians, cite some sort of common threads through their records, … Read more
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Tim Kasher manages to juggle two well-respected bands without taking a noticeable break. The strident noise of Cursive may sound much harsher than the soft melodies of The Good Life, but most of the songs are on the same subject of unsuccessful relationships. The Good Life makes that disappointing love theme into a year-long affair on their third full-length album, Album of the Year. Each track on the album represents a different month for a total of twelve tracks. At some points, Album of the Year is similar to the grandeur of Bright Eyes' Lifted. Kasher is more conservative with his instruments in his relatively small band compared to Conor Oberst's full-blown orchestra. Kasher still manages to capture the remarkable full sound without being over-the-top. The album is kind of … Read more
Bridging elements of power/indie pop while harnessing a danceable sound reminiscent of the better radio friendly tracks from the 1950's through the 1970's, Georgie James gives us Places. The Washington D.C. songwriting duo consisting of John Davis, drummer of the disbanded Dischord act Q and Not U, and Laura Burhenn, a locally established solo musician, share vocal duties and instrumentation … Read more
Those familiar with Sufjan Stevens or The Polyphonic Spree might recognize Annie Clark for her accompaniment to their most recent tours and discs. Earlier this year the multitalented indie rock darling released her first solo LP under the stage name St. Vincent. Like the aforementioned bands, Clark pushes forward her fair share of quirks in the triumphant debut that is … Read more
Alternative Press called Sweden's Sounds Like Violence "post-grunge." I don't know what the fuck post-grunge is supposed to sound like, but apparently it's catchy pop-punk "recommended for fans of: My Chemical Romance, Underoath, Refused, [and] The Hives." The music isn't as bubbly as your average pop-punk band, which is definitely a bonus, but the lyrics still drip with angst and … Read more
Fjord are ex-Winter Solstice/The Takeover and have been said to play a brand of metal "for the fans of Converge and Botch." Lives Lives definitely sounds Botch-influenced, but that's not a very unique quality nowadays. The music isn't contrived; it's simply similar to many "metal-core" bands. Thankfully they don't fall into the mold of recycled As I Lay Dying riffs … Read more
Light Yourself on Fire, a four piece from Tampa, Florida, play thrashy hardcore that they call "power death." The seven songs on this EP release are riddled with pinch harmonics and sludgy riffs played at breakneck speeds. The lyrics are unintelligible, but touch on topics such as bullshit on the radio, the ubiquity of neurosis, and global warming. Cover art … Read more
Disillusion sounds like an even more radio friendly version of Slipknot. Actually, I don't know Slipknot well enough to call them that. Let's just call it radio friendly shit, the shit that kids in bondage pants will worship. The beginning of the second track, "Gloria," sounds like the singer of System of a Down trying to talk over a choppy, … Read more
The Fierce Urgency of Now is a record from Philadelphia, PA's Passion. Fans of hardcore and metalcore will appreciate Passion's intensity and technicality; if you're looking for breakdowns and fast-paced music, you will enjoy this album. If you aren't, you'll hate it. "Statistics Show That We Do Not Care" packs a punch, delivering lyrics against child molestation and an ear-catching … Read more
Out of Chicago, Illinois, Scream Poet, Scream play energetic punk. Some songs, like "Trainwwreck," are harsh and dissonant while others - see "I Have Decided to Starve" - have pop sensibilities. They remind me of an opening band... not a specific band, just one of those groups you find yourself paying some attention to as you wait for the other … Read more
This Door to Remain Closed During Work Hours sounds like a jam band who shows their metal influences every once in a while. The repetition of a jam band is there, but there's no soloing. In that case, I'll just call it boring music. Achieve Albeit an Absence could also be an attempt at post-rock; it turned out too mellow … Read more
Rock with horns that isn't ska? Oh, thank god. Ghost of the Russian Empire's debut EP, With Fiercest Demolition - produced by Erik Woffrod (Explosions in the Sky, Voxtrot) - is six tracks of catchy, but not poppy music. There's definitely a Radiohead-esque aspect about this group of Texans (imagine Thom Yorke and company before they started mingling heavily with … Read more
I don't think there has ever been an album that I've liked that I have hated so much about. Case in point; not even fifteen seconds into Crime in Stereo's debut album for Bridge Nine Records there's a damn wah-wah pedal part. I hate wah-wah pedal parts. Does anyone out there like wah-wah pedal parts that isn't sitting in front … Read more
Defiance, Ohio are somewhat of a punk rock abnormality, having released a slew of records in a short amount of time, yet still maintaining the same lineup and same ethics, even as their popularity continues to slowly but surely rise, despite the band insisting on as little promotion as possible. Rather, the band's constant touring and commitment to the DIY … Read more
So what are we to think of this "pure, unholy black metal from Israel"? Well for starters, taking into consideration their country of origin doesn't mean a whole lot. Whether you're from Israel, South Africa, New Zealand or Paraguay, if you're black metal, you'll probably still sound Norwegian. Originality, you see, isn't one of the tenets of the black. Everyone … Read more
Allow me to get this little factoid out of the way first, I have been listening to Nathan Ellis projects ever since he joined Coalesce; The Casket Lottery (Ellis' next band) introduced me to and gave me a great appreciation for much more mellow, but still challenging, music. When I heard that Ellis now is playing with a new group … Read more
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