Ted Leo and his Pharmacists are sweeping the nation's rock and roll scene. People first began to take real notice of Mr. Leo with the release of his second LP, The Tyranny of Distance, however a few may remember Leo from his days with Citizens Arrest and Chisel. With a growing fanbase and critical acclaim to fuel their creative DeLorean, the RX kids headed back to the future for 2003's Hearts of Oak. Hearts was, like Tyranny, met with critical acclaim. With one of the best pop songs of the year, 'Where Have All the Rude Boys Gone?', Ted and company collected even more new fans looking for a little Leo in their lives. The next single off of Hearts of Oak, 'Tell Balgeary, Balgury is Dead', is the lead track off of the EP of the same name. 'Balgeary' isn't of the same caliber as 'Rude Boys', but is still a strong pop song. The song kicks off with a few simple chord progressions paired with an organ, and follows with Ted delivering a great melody with his in and out of falsetto vocal style. It's a good song, maybe not the best on Hearts of Oak, or even … Read more
Who is the Hawnay Troof, you may ask? The Hawnay Troof is a hip-hop project in the vein of early … Read more
Nothing is more excellent than when a fairly unknown semi decent band out of nowhere transitions into a butterfly etched … Read more
Picture, if you will, a buffet comprised of the most delectable cuisines imaginable, prepared by a skilled staff of gourmet … Read more
Choose a year to view reviews of albums released in that year.
749 reviews
42 reviews
25 reviews
300 reviews
4878 reviews
19 reviews
Something about Roll the Tanks sounds familiar. I can't put my finger on who they remind me of, but they have a light, bouncy Brit-pop feel with enough enthusiasm to overcome their lack of originality. On Suffer City, the Massachusetts/Los Angeles quartet brings a half hour of concise, polished indie rock with positive energy and a lot of group vocals. The opener, "No More Scoffing," starts things up with a feelgood melody countered by a lyrical exasperation about the world. From here, the band takes few turns over the next ten songs before wrapping up with the semi-ballad "Saddle Up." Throw in some '60s influences, hints of garage, and a couple songs about girls and you've got a solid record that's aurally pleasing without breaking any boundaries. It's generally positive … Read more
So I get this girl up in my room and we start licking each other's tongues, and before you know it, our clothes start to come off. But then all of a sudden, bam! I realize I need to put on some good love making music, or I ain't gonna get no gerjiner tonight. I start flipping through possible albums … Read more
While there definitely are problems with musical priority in this album, after listening to Good Health, the most negative thing I can say about this album is it pales in comparison to PGMG's debut. While "slow and soft" is not necessarily a bad thing, it is in the case of The New Romance. When your biggest feature is the guitars … Read more
'What is this band? Quasi-popular tripe not worth my time. What's the problem? The band is way too dependent upon the guitars to entertain the audiences. Although the guitarists do excellent work at times in the album, it's not enough to make this bad band good. Is the band any good? Not with what they emphasize. It's pretty easy to … Read more
Now, I can't claim to know much about this band. I don't know what they are ex-members of or where they're from, but I do know this... this record bored me to no end. It kicks off kind of promising, actually. The opening track, "Heart Attack American", starts off with hushed guitar and drums, and then just explodes into a … Read more
Beginning with a short riff-based intro, this record then kicks itself straight into life, inspiring this reviewer to do the same. Exit English, the band's second full-length, shows Strike Anywhere at their fastest, heaviest, and most melodic. The band's political edge on this record is as apparant as ever. Vocalist Thomas: "the songwriting on Exit English has more to do, … Read more
Everyone enjoys a little no-wave now and again, right? Anyone who is into The Red Light Sting, Arab on Radar, or Black Cat #13 will enjoy this. In fact, half of The Sick Lipstick is composed of members from Black Cat #13, and they have done a split with XBXRX. It seems like music this cool can only come from … Read more
Popcorn! Popcorn! The repeated statement of popcorn was one thing that was sorely missed from this album. This was due to the fact that they keyboards for An Albatross sound like the organ that is used at baseball games in the olden days. Then all of a sudden, BAM! The pitcher pegs the hitter in the side. The man with … Read more
The minute someone seriously suggested this name for the band, I'd have to show him the door. The name is not clever, loses it's novelty factor quickly to where it just gets annoying, and doesn't fit this band AT ALL. I was fully expecting a keyboard fronted band with some snotty vocalist. Instead what I was exposed to was a … Read more
I'm glad I got into this album before seeing Black Eyes' live show, because I would have been very unimpressed with the album after witnessing the insanity of their first show in Omaha. They nearly tore the ceiling off that tiny basement, and it was a nigh-religious experience. It's hard to believe that their first full-length, the s/t on Dischord, … Read more
Talk about coming out of left field. Members of some of indie-darlings The Velvet Teen and Benton Falls have gotten together to tell the scene "fuck you" and boy is it exciting. Josh Staples (The Velvet Teen) takes the spotlight as the singer and bassist while Michael Richardson plays lead guitar. Joining them is Sara Sanger, wife of Josh, on … Read more
My first real exposure to Daughters would be an argument amongst SPB staff members in a thread on our dainty message board, in which their hype and their similarities to the Locust were put on the table. Not being a big fan of the Locust myself, this didn't give me too high of hopes for the Locust, in terms of … Read more
Chances are you're not going to like this record. Chances are you've never heard of grindcore and if you did hear it you would say something to the effect of "this is noise." Ignoring probability let's suppose that you, the reader, likes music that is loud. Perhaps you even like music that is filled with blast beats and screaming. And … Read more
"Welcome to 1996." I think that would be a more appropriate name for this record. Integrity is back with the original line-up, sans Melnick, after a stint doing the really terrible Integrity 2000 records. They are now on Deathwish and they haven't been this pissed in some time. The record starts off with "Taste My Sin" which I must say … Read more
J Spaceman's life seems to be a never-ending spiral of hard drugs and failed romances, if his records are to be believed. From his early work with the seminal space-rockers Spacemen 3, to the impressive first two Spiritualized records, to the absolutely incredible Ladies and Gentlemen We Are Floating in Space, to the slightly underwhelming follow-up record Let It Come … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.