Every now and then a super heavily hyped record comes along and completely lives up to all of the expectations set by the preliminary buzz. This is neither now nor then. De-Loused in the Comatorium was hyped by some to be the "best album of all time", but alas, it's not even one of the best albums put out this year. It has the worst cover art ever. While the Mars Volta step out of basic song structure, they don't seem to understand that simply writing songs that escape the verse-chorus-verse-chorus-breakdown/bridge-reprise format does not make your music interesting. The songs at times seem formulaic and terribly contrived. Their failed attempts at being 'experimental' and 'out there' doom most of the songs. You're bound to get bored of their drawn out sound effects + guitar pedal stomping parts, as you would get bored of the long repetive beat/keyboard parts after the second chorus on every Wesley Willis track. WORST COVER ART. EVER. The lyrics, how can I best sum up the lyrics? Well, here, want to write your own Mars Volta lyrics? Write a sentence down, now run it through a Thesaurus 750 times over and see what you come out … Read more
I've never heard The Mars Volta call themselves "experimental" or "out there," have you? Where does everyone get this idea? … Read more
As one of the few music geeks on the planet who wasn't infatuated with At the Drive-In, I approached this … Read more
Every Time I Die has always been one of those bands that I thought were absolutely wretched. Surprise, nothing has … Read more
It's a rare thing when the title of a band's record suits that record perfectly, but Every Time I Die … Read more
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Extinct is a meeting of giants, seeing the breakbeat-fueled leftfield industrial electronic of Meat Beat Manifesto clashing with the noise onslaught of Merzbow. As the first of the record’s two tracks, “¡FLAKKA!” settles in, it is the intricate and layered rhythmic backbone of MBM prevails, setting the tone. It is a post-club application, the staggered percussion forming complex structures and themes. Soon enough Merzbow joins in. Subtly at first, fragments of power electronics in the form of sonic beams distort the breakbeats. It feels like a stand-off, these two overwhelming forces keeping each other at bay. At that point, it feels like this will be an adversarial work, but the truth is that Merzbow and MBM feed off each other. In one way, this is a work of complete contradiction. … Read more
One of Toledo, OH's most exciting young bands, Stylex, has graced us with a new EP by the name of False Start. I went to the record release yesterday just to pick this cd up. Well to see them too of course but that is how much I wanted to hear it. After their amazing show, I popped this in … Read more
Imagine being woken up to find yourself being eaten by hundreds of rats and a few flesh eating bacteria. At first you would be very confused by the situation, but after a few seconds of thought and insight, you'd realize how much you love it. Now, imagine a band by the name of The Sawtooth Grin that is that experience, … Read more
The only thing that kept repeating in my head the entire time I listened to this record was "Wow, the Locust certainly do this whole 'chaos' thing a lot better." And that's my opinion of the whole thing, really. It's a big mess of high-pitched (we're talking exceedingly high-pitched) vocals and drums pushed all the way to the front. The … Read more
The Sawtooth Grin are quite the listen. From the first track, you are thrown into a whirlwind of grind, fronted with a singer that has, quite possibly, the most annoying scream in the world. That scream though is like that one guy you meet and you really don't like him at first. Then you go out one night, he gives … Read more
Brandtson has always been a guilty pleasure type band. I have the Letterbox and Dial In Sounds CDs and listen to them from time to time. When I got the promo for this ep, I checked it out almost immediately. This cd was like a videogame that is alright but has so much shit to unlock it just gets tedious. … Read more
Part of me says it's not Brandtson's fault. They formed way back in 1996, and as such, are quite possibly the last of these so-called "emo" bands left that hasn't broken up, gotten picked up by a major, or enjoyed some moderate degree of success. But part of me says fault or not, there's no excuse for a record being … Read more
This CD was suggested to me by staff member Robby. I put off listening to it for a day. Really bad decision. Featuring a handful of members from Under A Dying Sun, this is not the type of band you would expect. Atmospheric, almost haunting guitars, female vocals, spoken word, this CD has it all. The first spoken word track, … Read more
Prior to listening to this album, having seen Inventing Edward twice, I thought I had a pretty decent idea what the band was going for: minimalist soundscapes, brooding vocals and a fine balance between loud and soft. Inventing Edward presents these elements on We've Met an Impasse (by Midnight We'll be Naked), however the delivery lacks the rawness and excitement … Read more
A new record from Hot Cross. I was so giddy to get my hands on this promo. Unfortunately, the giddyness wore off while listening to it. There are some good tracks on this record but their new approach to melodic singing killed this record. "Pretty Picture of a Broken Face" is, without a doubt, the worst song ever recorded by … Read more
"It's the band that has the singer from Saetia in it", was the first thing I heard about Hot Cross. Later I also heard it contains ex-members of Neil Perry and Joshua Fit For Battle, but being a huge fan of Saetia I immediately was forced to check this new all star screamo band. The first thing I noticed was … Read more
I am not one who can sit down and listen to a record that is just acoustic guitar and vocals. Call me shallow but, playing in Symphony Orchestras and the such has made me a sucker for instrumentation. The closest I come to such minimalistic music is Songs: Ohia's Didn't It Rain and some of the older Against Me! stuff. … Read more
Four years ago to the present, record players everywhere have played the last note of "Raining in Darling," the final song on Will Oldham's Bonnie "Prince" Billy record, I See a Darkness. As his record burped and scratched to its end, newly-anointed or long-time fans of Will Oldham have eagerly awaited his return which would once again, hopefully, take us … Read more
Yes folks, this band is the same Cave In that released Beyond Hypothermia and played metal. Yes avid readers, this is the same Cave In that played space rock and released Jupiter. But the music that graces this compact disc isn't metal or space rock, but instead radio friendly rock music with nebula inspired riffage. At this rate Cave In … Read more
This is one of the many albums of 2003 that I love but am also dissapointed with. Cave In have managed to write numerous catchy, commercial rock songs without deviating from their style too much. I'm not saying 'catchy/commercial' with a negative connotation, this is a good album. However, I can't move past Jupiter. That album was brilliant, and they … Read more
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