Thrice have built quite a large fanbase in quite a short period of time. Perhaps this was one of the factors that led them to singing to a major label (Island) and subsequently shooting out a new record less than a year and a half after the release of their second full-length record, The Illusion of Safety. Illusion sparked that major label interest and introduced Thrice to a lot of new fans. It did for Thrice a fraction of what their major label debut will do for them. The Artist in the Ambulance doesn't dare to stray away from Thrice's signature sound, blending elements of hardcore, pop-punk, "emo", and OH YAH, metal! m/!!! At most, it takes Thrice's old sound, polishes it a tad bit more, and tunes up the melodies a notch. They haven't changed enough to lose a large chunk of fans, but just enough to fuel a few idiotic elitists to declare Thrice 'sell-outs'. With tracks like 'Under a Killing Moon', you'd think you were listening to Illusion of Safety 2: Return to Hardcore Infused Pop-Punk With Cheesy Metal Licks Island, but then you hit a track like the record's first single, 'All That's Left', and you … Read more
On previous records, Ester Drang's output had an epic feel to it; it was more drawn-out and atmospheric than that … Read more
The party starts to wind down and everyone is sitting in lawn chairs around the bonfire. There are at least … Read more
Choose a year to view reviews of albums released in that year.
749 reviews
42 reviews
25 reviews
300 reviews
4878 reviews
19 reviews
Monte Penumbra’s obscure origin dates back to 2013. The project of one W.uR suddenly appeared in the underground black metal scene with a debut full-length in Heirloom of Sullen Fall. Released at the time through Deamon Worship Productions, a label with an excellent pedigree of extreme metal having released music from the likes of Devouring Star and Wormlust, Heirloom of Sullen Fall made for a very promising start for Monte Penumbra. Dissonant and eerie, the work of W.uR was oozing with the adventurous, atmospheric investigations of Ved Buens Ende featuring a doom twist. Kicking off their debut with “By Depths Occult” saw the Scandinavian cacophony be polluted by a controlled pace and certain doom leads, while the follow-up in “Dark Figure” saw W.uR invoking stylistically the otherworldly clean vocalizations of … Read more
Every now and then a super heavily hyped record comes along and completely lives up to all of the expectations set by the preliminary buzz. This is neither now nor then. De-Loused in the Comatorium was hyped by some to be the "best album of all time", but alas, it's not even one of the best albums put out this … Read more
I've never heard The Mars Volta call themselves "experimental" or "out there," have you? Where does everyone get this idea? Why would anyone call their music experimental? They DO get spacey at times with their long, drawn-out segments of little or no music in the middle of a song (i.e.: "Cicatriz ESP," "Take the Veil, Cerpin Taxt," etc.), but the … Read more
As one of the few music geeks on the planet who wasn't infatuated with At the Drive-In, I approached this record with very few expectations. I'd heard the Tremulant EP and wasn't too impressed with it, but thought it was nice enough. De-Loused in the Comatorium sounds like a logical extension of that sound, with the same mix of guitars, … Read more
Every Time I Die has always been one of those bands that I thought were absolutely wretched. Surprise, nothing has changed. Songs like "I Been Gone A Long Time", feature some of the most terrible singing I have ever heard. With it's hardcore meets rock and roll feel that feels like Scissorfight at times, only twelve times worse. His vocals … Read more
It's a rare thing when the title of a band's record suits that record perfectly, but Every Time I Die has managed to do this. Once you peel off the slip case to reveal the liners littered with photos of two girls kissing, you very may well be saying "Hot damn!" Picking up where Last Night in Town left off … Read more
Electroclash seems to be a genre that died as soon as it was conceived, but that doesn't mean that all music that lies under that categorization is bad. Case in point, Stylex. A mix of instrumental disco punk and digital dance elements aids to the final product that is a fun dance collection. Although I wouldn't call this completely original, … Read more
One of Toledo, OH's most exciting young bands, Stylex, has graced us with a new EP by the name of False Start. I went to the record release yesterday just to pick this cd up. Well to see them too of course but that is how much I wanted to hear it. After their amazing show, I popped this in … Read more
Imagine being woken up to find yourself being eaten by hundreds of rats and a few flesh eating bacteria. At first you would be very confused by the situation, but after a few seconds of thought and insight, you'd realize how much you love it. Now, imagine a band by the name of The Sawtooth Grin that is that experience, … Read more
The only thing that kept repeating in my head the entire time I listened to this record was "Wow, the Locust certainly do this whole 'chaos' thing a lot better." And that's my opinion of the whole thing, really. It's a big mess of high-pitched (we're talking exceedingly high-pitched) vocals and drums pushed all the way to the front. The … Read more
The Sawtooth Grin are quite the listen. From the first track, you are thrown into a whirlwind of grind, fronted with a singer that has, quite possibly, the most annoying scream in the world. That scream though is like that one guy you meet and you really don't like him at first. Then you go out one night, he gives … Read more
Brandtson has always been a guilty pleasure type band. I have the Letterbox and Dial In Sounds CDs and listen to them from time to time. When I got the promo for this ep, I checked it out almost immediately. This cd was like a videogame that is alright but has so much shit to unlock it just gets tedious. … Read more
Part of me says it's not Brandtson's fault. They formed way back in 1996, and as such, are quite possibly the last of these so-called "emo" bands left that hasn't broken up, gotten picked up by a major, or enjoyed some moderate degree of success. But part of me says fault or not, there's no excuse for a record being … Read more
This CD was suggested to me by staff member Robby. I put off listening to it for a day. Really bad decision. Featuring a handful of members from Under A Dying Sun, this is not the type of band you would expect. Atmospheric, almost haunting guitars, female vocals, spoken word, this CD has it all. The first spoken word track, … Read more
Prior to listening to this album, having seen Inventing Edward twice, I thought I had a pretty decent idea what the band was going for: minimalist soundscapes, brooding vocals and a fine balance between loud and soft. Inventing Edward presents these elements on We've Met an Impasse (by Midnight We'll be Naked), however the delivery lacks the rawness and excitement … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.