Experimental drone alchemists Sunn O))) have defined two decades of extreme music with their slow, dark offerings. Starting in the early ‘00s, the duo comprised of Stephen O’Malley and Greg Anderson proved to be the most talented disciple of Dylan Carlson’s early sonic investigations with Earth. In those early days the music of Sunn O))) was a cataclysmic experience, highlighted through the dense, unyielding structures of OO Void and Flight of the Behemoth. Gradually, the band would spread its wings and traverse other dimensions, with their White One and White Two records before unleashing the terrifying Black One. This was in many ways a transformative record for Sunn O))), as they took on more pronounced dark ambient tactics and black metal aesthetics, creating a work of avant-metal bliss.And so the latter phase of Sunn O))) continued and expanded on the path forged by Black One. Monoliths & Dimensions that soon followed was the most perfect peak the band could achieve. Through their feedback craftsmanship and an extended set of guests, Sunn O))) brought forth not only their darkest moment, but also their most innovative release to date. What would then follow was an intriguing collaboration with the great, late Scott … Read more
As a record reviewer, sometimes I find it hard to review different works by the same artists. There comes a … Read more
With a name like Wristmeetrazor could assume what you would be getting with this record before heading in and pressing … Read more
In the early ‘10s it felt like the progressive sludge scene had produced all of its great records, and that … Read more
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AFI's newest full length. Since everyone who works on this site has been a member of the AFI community at one time or another, you'd think it'd score 10's. Seems to not be the case so far. I can't say I'll be an exception but that is not to say this record is bad at all. On the contrary actually. When "Girls Not Grey" was first being circulated, I nearly cried. The song was so bad. I still stand by that opinion to this day. Luckily, it was the only terrible song on the record. "The Great Dissapointment" is the only other song that left a sour taste in my mouth. The tracklisting is a bit questionable. Starting off with one of AFI's most powerful intro tracks and going into … Read more
Chicago’s Oozing Wound have been riding the thrash train since their inception in 2011, yet this trio are more than just that label, instead they are a band that incorporates many different aspects of the metal world into their music and in doing so create high energy vibrations that enable them to put their points across in a fun and … Read more
From the start of Collecting Misery it’s clear that Nadir is one of those bands fronted by someone who is usually on a different instrument. Sure, the DIY production also influences the sound, but the vocals are just a bit less fluid than in most bands. It’s not a slight against the band, just that it sounds a little less … Read more
Much of what I listen to on the regular is of the three-chord punk variety. While I want the bands in that field to switch up their sound, to develop and grow, the differences are usually pretty subtle in that world. The Coathangers, though, are something else and for some reason I’m always surprised when I put on each new … Read more
Recently I picked up my longboard from the barn where it was in hibernation for quite some time. I have been cleaning the bearings and other necessary maintenance. All the while looking out the window checking if the weather was adjusting to the meteorological time of the year: spring! Why this urgent need to skate? A long answer short: this … Read more
Nightmarathons are a tough band to pin down. Sure, they fit somewhere under that ever-widening punk umbrella, but it pulls from different areas without fitting neatly into any single substyle. To make a blanket statement, I’d say its heavily influenced by ‘00s punk across the board, with different singers who take the songs in different directions. There’s some first wave … Read more
It had been a long time since I’d listened to The Bananas – and I have to ask myself why. It’s that peppy, poppy, yet underproduced DIY thing that I basically groove on. A few seconds of “La Touraine” is all it takes to get the leg bouncing and a smile on my face. I’m not going to say that … Read more
What’s in a name? Radical Fun Time. Well, it is radical. Just take a look at that artwork. Someone had fun with that! It hurts a bit on the eyes, but someone had fun. And sometimes you can judge a book by it’s cover. This sounds like a bunch of guys having a good time. I picture a couple of … Read more
I’m sure fictitious bands are a fun concept for the musicians writing the material, but I could care less if it's Tim Armstrong behind the mic or “Bagga” – they both sound the same. There are animated videos for this 4-song EP that develop the storyline of a fake 1980s punk band, which is the concept behind Landfill Crew. I’m … Read more
China isn’t the first country you think of when it comes to rock music but over the last two decades, Wang Wen has been placing their home on the musical map and in Invisible City the band brings a range of new emotion to their instrumental work. Wanting to record something warmer than the previous record, Sweet Home, Go!, the … Read more
Los Angeles quartet Dear Boy are firm favourites in their hometown's indie scene, but their new EP suggests that they could go much further. Dear Boy is fronted by Ben Grey, formerly of indie darlings Scarlet Grey, with guitarist Austin Hayman, bassist Lucy Lawrence and drummer Keith Cooper completing the line-up. The band has been together since 2012 and they … Read more
I recently wrote about Future Virgins, stating that the band tempers their anger, choosing more subtle reflection in their songwriting to express that always important human emotion. I guess I know where the band’s members let it out.Basement Benders play a somewhat lo-fi melodic punk with a lot of vocal tradeoffs that pull together with joined melodies. It’s a pop … Read more
When I received the promo for Born To Be Mild the first thing that struck me was the artwork. It matched with the (previously discussed) EP, but not at all with their previous, debut album, Access All Areas. What I like about the artwork of Access All Areas is the dreamy, relaxed atmosphere that oozes from the picture. The artwork … Read more
This is the 30th year of The Bouncing Souls, which seems crazy in many ways – including that I’ve been listening to them for nearly 25 of those years. This year is a milestone for the band: a big international tour, this new EP, even a book of memorabilia for the diehards.I’ve had a bit of a love/indifferent relationship with … Read more
Dirtnap is a fascinating label in how they’ve developed a certain sound to their releases, regardless of what part of the world or what particular scene the musicians hail from. Sure, there’s the Marked Men connection with many of their releases, but that’s only a piece of what the label has put out.Good Shade is Shane Natalie, a one-man band … Read more
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