There’s a lot I want to say about this album, but I’m torn because I try to keep things more positive. I’ve given it a lot of thought and a lot of listens, and I just don’t like it. At its best, it’s a pop-punk version of The Hold Steady – and that’s not in that oversimplified “recommended if you like” way. The band plays it up in the press release. They actually worked with Craig Finn on the lyrics and his hand is felt throughout the whole thing, from the storytelling narrative to the choruses. Pkew Pkew Pkew started as something of a party punk band. Their early material mostly featured short, repetitive singalongs about carefree living. It’s fun, catchy stuff, but a band can only write so many songs on that topic. I’m glad they’re growing, but it’s not in a direction that suits my personal taste. For the most part, the sound on Optimal Lifestyles keeps that catchy focus, but adds a few guitar progressions, a lot of vocal tradeoffs, and a penchant to build the songs around the lyrics, letting the melodies rise and fall with the narrative action rather than through instrumental movements and power … Read more
Alex Barnett and Faith Coloccia are both distinguished members of the experimental ambient music scene, and have already proved that … Read more
The distance between San Francisco and Manchester is 5,000 miles, but Californian psychedelic trio Cellar Doors are determined to bridge … Read more
There’s a lot to like on Forever, the third album from Vandoliers. They play a hybrid country-punk that’s a bit … Read more
The Ejector Seats is a bit of a mystery band to me; it’s pretty hard to find anything about them … Read more
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Minima Moralia is ambient artist Chihei Hatakeyama's debut solo album, with his prior musical output coming via his electro-acoustic duo Opitope and the improv group Copa del Papa. Additionally he co-runs the Kualauk Table record label and helps organize the "continuous live performance event" (i.e. "music festival") Kuala Mute Geek. All of this means absolutely nothing to me. If it does to you, then congratulations, for you are clearly more down with the kids in the Tokyo ambient-electro-improv scene than I. What is presented here is just over fifty minutes of lush sound. Not distinctive songs, nor catchy choruses, but rather what you've probably come to expect of a Kranky release. Seeping guitar, fractured sounds and laptop induced drones and crackles. Often the kind of release you might find me … Read more
American Steel always felt a bit under the radar, despite releasing albums on Lookout and Fat Wreck. While they’ve been on well-known labels, they don’t get the same accolades as some of their peers. It feels fitting, in that way, that the band just released a new 7” seemingly out of nowhere. The band hadn’t even played together in five … Read more
Does fun belong in music? Or more specifically: does fun belong in grindcore? And I don’t mean the porn or gore variant (I admit, some of those guys make me smile occasionally), just your regular meat and taters grindcore. The crazy heavy metallers of Beaten To Death seem to think so. How else to explain this album title of song … Read more
Rome’s musical output has been incredibly prolific over the last decade and a half of the project’s existence. Releasing albums at the rate of practically one every year, Rome has much to say and the band is Jerome Reuter’s way of expressing many emotions and opinions on revolution, love and the way forward, all within the neofolk genre in one … Read more
Portland’s Dark/Light pronounces their name phonetically, including the punctuation. They’re doubling down on that element by naming this 7”, released this past June, Dark Slash Light. SPB had the pleasure of hosting their earlier LP, Kill Some Time.As for this 4-song, 9-minute release, it keeps going in that tradition of gritty and to-the-point punk that pulls from ‘80s punk roots … Read more
I first saw Terror live in a garage with about 30 other people on New Year's Eve in 2002. I remember the day because I was blown away by the band's passion, intensity and musicianship, flowing seamlessly from fast verses to chorus breakdowns, peppered with perfectly-timed two-steps and singalongs. I still distinctly remember drummer Nick Jett's blistering snare fills cutting … Read more
30 years is a long fucking time. Those of us fortunate enough to break into our 30s know the wisdom and fragility that comes with clicking into that next decade of life. Things hurt more, from hangovers to inexplicable body aches. That said, we are also wiser, having learned from many of the mistakes we made in our early days, … Read more
Hot Snakes first formed in 1999 and ran until 2005. They re-formed in 2011 for some tours and finally bring the rock in the new album Jericho Sirens, released in early 2018. For those unfamiliar with the group, members also play in Rocket From the Crypt, Drive Like Jehu, Obits, The Night Marchers, and more. There’s a familiar overlap in … Read more
The last couple of years the Macedonian punk scene was a revelation to me. Fonija, Bernays Propaganda and Noviot Pochetok became personal favourites while other bands like Xaxaxa have had their regular time on my turntable as well. What these bands have in common is a sense of melody that is rather melancholic, the courage to develop their sound in … Read more
What started as a two-piece project after the disbandment of Chumped, Katie Ellen are making a name for themselves in their own right. Since seeing the band live this year on tour with Lemuria, I’ve been obsessed with their latest release Still Life. From the record’s hauntingly beautiful lo-fi appeal to the openness of the lyrics to the beauty in … Read more
I’ve always liked Neighborhood Brats, but I don’t remember the band having so much variation in sound. Over 11 songs, this record maintains their melodic and forward-moving punk but with ominous foreboding organ, and even banging piano at times. While this growth stands out, it also doesn’t change who the band is. These details add depth, not a change of … Read more
The Sidekicks are a band that I still pay attention to past my “punk only years”—you know, the years of my youth when only punk music and anything within that sub-genre mattered to me. I know, how naive. But it was also naive of me to brush off The Sidekicks as just another sub-par punk band. Throughout the years I … Read more
Part parody and part homage to guitar music, Dutch four-piece Mozes and the Firstborn have set a new tone with their American-tinged third album Dadcore. The album's name comes from guitar music apparently becoming the preserve of dads, and no longer being popular with teenagers. How true that is is a matter of opinion, but in any case the album … Read more
At SPB, we like to write longer reviews. Reviews that go into depth and give you a reason to read and think about a record instead of just hitting Spotify or Bandcamp. The catch, of course, is that some records are really short. It might take you as long to read this thing as it would to listen to Character … Read more
Philly duo Kississippi released their anticipated debut album Sunset Blush and unlike some records, it lived up to the hype. The album starts off with the song “Once Good,” perfectly blending elements of indie and folk with Zoë Reynolds’ voice beautifully texturing the track. “Cut Yr Teeth” is a sonically dreamy track complete with stellar lyrics. Reynolds is mesmerizing as … Read more
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