Expect adjectives. Adjectives and hyphens. For, you see, Chokecherry are a punk band that doesn’t play punk songs. I guess folk-punk is the subgenre tag du jour, but that term steers in the wrong direction in many ways. As does country-punk, though it’s far more apt. Chokecherry play country songs run through a DIY punk filter, influenced by a lifestyle embracing basement shows and independence, doused in twang and sing-alongs. It’s a country version of Plan-It-X punk.The Minneapolis band released In the Wine Press in 2008, broke up, and reunited to eventually release this sophomore album, The Future Was a Long Time Ago. The record continues where they left off 6-ish years ago, but there is a strong punk lean in song structures and the group and backing vocals. Jon Collins’ voice remains the heart of Chokecherry, delivered in a Hank Williams twang that wavers near being overdone, occasionally missing a key in swing of things, which is admittedly a big piece of the band’s charm because it increases the vulnerability that is always at the core of a good country song. The tempo is middling, with more upbeat songs than ballads, and there is a penchant to include background … Read more
It's a blank, black slate. There is little information, and everything about Cape Noire is ambiguous. Live pictures are, fittingly, … Read more
Long Winter is the third proper full length from former Cambridge frontman Jesse LeBourdais and seems to be his fullest … Read more
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The excitement of We Are the Champions of the Word (Retrospectus) is supposed to be the five new songs at the end of the 29-song collection. It probably is, but given how bands often release a Best Of before they breakup, this record feels more worrisome than celebratory. That’s just a personal feeling that views this as some kind of omen. Really, We Are the Champions is probably out now because the band has careers, kids and other things taking their time instead of writing new material. It’s been four years already since Metropole, daggum.So how is this “not a greatest hits” album, as the band so astutely puts it? Well, 75 minutes of any band is a lot. Add that it has 19 years’ worth of material, including a … Read more
I saw Father John Misty in concert about two years ago. Josh Tillman sauntered onto stage in an all-white suit—wild and mustachioed—advertising the caricature of a drug-addled, disillusioned troubadour that he had created for himself. He lit a cigarette almost immediately and somehow, in the carcinogenic chokehold, sang in a way that sent shudders through every vertebrate in Terminal 5. … Read more
I know what you’re thinking? Why has it already been five months without a new Dwarves release? Never fear, the long-running goodtime smutlovers are back, this time with a 4-song EP on Fat Wreck Chords. Gentleman Blag pulls its title track from their latest, The Dwarves Invented Rock & Roll, as the band is prone to putting out already released … Read more
Yet another group that, like Trust, CHVRCHES, or any of the artists featured on the Neonautics compilation, is mining the world of ‘80s synth rock in search of inspiration, British four-piece Filter Distortion seem like an alternate version of Perturbator with vocals, replicating the vintage electro sound very accurately. Driven by bouncing synthesizer lines and punchy rhythms, the group’s songs … Read more
For the last few years any musical output with brothers Jez and Andy Williams at the helm has sounded otherworldly, like it's trying to capture some impossible-to-comprehend expanse that stretches beyond the atmosphere. As two-thirds of Mancunian outfit Doves, there was ready admittance between all three band members that when they were working on tracklists for their albums they would … Read more
Implodes from Chicago is a very interesting act. Their debut album Black Earth which came out in 2011 was an unbelievable blend of noise, post rock and kraut rock which showed the band balancing all these different elements to find their unique sound. A couple of years afterwards this insane company was putting out their sophomore release, Recurring Dream, digging … Read more
From The North is Raised Fist’s first release since 2009’s Veil of Ignorance, and is a continuation of the style and sound honed on that album. Veil of Ignorance was a ridiculously catchy album, and a repetitive guilty pleasure for this reviewer. The reason I could not fully get behind Veil of Ignorance, despite not being able to stop listening … Read more
Before developing into a full-fledged band, The Mohrs started out as a writing project between lead singer Jackie Mohr and Canadian Rock legend Hawksley Workman. Mohr’s former outfit Living in Red caught the music industry’s attention after being featured on the CBC’s competition/reality television show Cover Me Canada, and while many aspiring musicians have lived and died on a TV … Read more
The sound comparisons are undeniable when it comes to talking about The Capitalist Kids and their affinity for 1980s-era Lookout Records pop-punk. But the Austin, TX band does have a key difference to be noted. For every saccharine love song, there is a counterpunch of social commentary—not mixed within that same sappy song, but in one of the follow-ups. For … Read more
When listening to the debut album of Primitive Man, Scorn, back in 2013, one thing became perfectly clear about them: they are fucking serious about their music. The blackened sludge band from Denver does not exhibit the signs of their friendlier counterparts within the subgenre. Their dystopic vision back in their independent first release was overwhelming and all-consuming, and it … Read more
The duo that make up Vancouver-based synth poppers Humans met by chance while engaged in artistic endeavours outside of music. Robbie Slade is a former forest fire fighter who met visual artist and film maker Peter Ricq when he was helping a friend put on an art show, and in 2009 they began creating the electronic sound of Humans. With … Read more
Sounding like the result of glue-huffing fourteen-year-olds being let loose in a recording studio, Too Pooped to Pip, the 2015 demo from Baltimore, Maryland’s Post Pink, contains some of the most crude and snotty punk rock I’ve heard in quite some time. It may be surprising then that three of the group’s four members are female: listening to the singer … Read more
GC Records 15 Year Anniversary Comp: A Snapshot of the 2014 Las Vegas Music Scene is two things: it’s homage to 15 years of success at GC Records and it’s a time capsule of a local music scene. Does it succeed on both ends? From a non-Vegas resident, it seems so. There is a variety of music included, largely in … Read more
Started as the acoustic project of musician Mat Sweet, Boduf Songs have been transforming throughout the years. The debut self-titled album of the band featured interesting acoustic compositions, recorded with minimal equipment in Sweet’s own room back in 2004, but soon enough bloomed into a darker, experimental act. Such tendencies were revealed in Lion Devours the Sun as the music … Read more
I haven’t listened to Gang of Four in a long time, and I tend to stick to the classic Entertainment!, released in 1979, when I do. That’s not to talk about the band’s changes in 30 years, but to introduce that I’m not well versed on recent output. Obviously the band has changed since the early days, the most significant … Read more
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