For years I was the biggest Rancid fan. The first record I didn’t buy on its release date was B-Sides & C-Sides, and that’s because I already had the songs. I was an unapologetic completest. As the post-2000 records have been coming, I became an apologetic completest. I bought the double album version of Let the Dominoes Fall and spun it a fair amount that first month…but rarely since.When October 2014 came with promise of the new Honor Is All We Know, I didn’t bother to get it right away. I’d heard a version of the song via Tim’s one-a-day project and, well, it’s another new Rancid song with “we” in the title. That right there sums up where things have gone wrong. Where, for years, the band’s strength was in their storytelling lyricism, mixing autobiographical with fictional tales of urban blight, recent records have revolved more heavily along the “we’re still here” theme. The band that was classified as street punk with an asterisk, has now become that genre to a fault.While the songs on Honor Is All We Know are often catchy—so catchy you can sing along on first listen—they aren’t really about anything at all. “Power Inside,” … Read more
Detailing the history of southern California punk of the late 1970s and early ‘80s and in particular, the scene that … Read more
Tar has been an insane surprise for me. Even though the album was released back in December, I did not … Read more
With their newest release, Sonic Highways, we aptly find Foo Fighters at an apparent crossroads and no longer content to … Read more
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Simply put, Start Today is one of the greatest hardcore records that has ever been written; and there is no way that you can argue against that statement of fact, and if you try, you are not just fooling yourself but also robbing yourself of the experience of hearing one of the most innocent and pure odes to being young, bored, and way too much energy for anyone’s own good that has ever been written in the history of music. These statements are indisputable for reasons that have nothing to do with my personal feelings toward Start Today (I certainly love a bunch of songs of this album and agree that this it is one hundred percent a classic American punk record but it is not like one of my … Read more
The Brokedowns have come a long way. That’s not to say they were torchbearers of suckitude earlier, but early reviews of the band were festivals of namedropping and comparisons to various Midwestern-tinged punk groups. On Life Is A Breeze, those RIYL days of yore can go straight into the Springfield tire fire: The Brokedowns have their own sound and it’s … Read more
The Dead Milkmen were always an idea band. A band who sparkled or fizzled depending on that idea, with some songs brilliant and others that made you dream they’d invent a music format where you could skip to the next song with the simple push of a button. Some things change, others don’t.Pretty Music for Pretty People is the Dead … Read more
The tight and bright 2014 Icarus EP marks the debut of the indie pop quartet that originally recorded as Plumerai under their new name of DRLNG. Despite the group’s billing in some press materials as a shoegaze-inspired project, I noticed much more inspiration coming from the world of cheerful French pop music of the ‘60s, particularly in the almost birdlike … Read more
It’s not so surprising that 2014’s Shortwave Nights, the debut album from Canadian duo Hiss Tracts, sounds similar not only to Godspeed You! Black Emperor music of the late ‘90s but also the two Set Fire to Flames albums: band member David Bryant collaborated on both those aforementioned groups while fellow Tracts member Kevin Doria made a name for himself … Read more
Bate Kush, the second short release from a side-project of drone and ambient musician Foie Gras known as Bad Kisser, presents the listener with a conundrum. The EP has eight extremely noisy and lo-fi tracks, only two of which last more than ninety seconds. Honestly, the brevity of the songs here isn’t really an issue nor is the very rough … Read more
When it comes to minimalistic ambient and dark jazz it does not get much better than these. Two great acts from France coexist within this split album. The Dale Cooper Quartet & The Dictaphones can be considered a legendary act, with a résumé of high quality albums such as their debut, Parole De Navare and their sophomore release Metamanoir. Witxes … Read more
When I hear the phrase “indie rock,” I think of about 4-5 things: Pavement, The Pixies, maybe Weezer, glasses, skinny guys, and bizarre instrumentation or time signatures. Some of that (queue the ‘90s references there) is due to my age, as the former part of that description is a bit more rock oriented than the latter. That former part of … Read more
Reunited bands have a tendency to disappoint. Maybe their hearts aren’t in it the second time around, maybe they’ve changed as artists and individuals, or maybe the expectations of a rabid fanbase are impossible to meet.Whatever the case, let’s put aside our memories of In Name and Blood, their last studio full-length which came out 14 years ago, and focus … Read more
Gloriously imperfect and scratchy, the P-Sides Demo by Denver, Colorado’s Strawberry Runners starts off with “Slip In.” Initially sounding like melodramatic ‘50s pop with a folky undercurrent and sauntering rhythm, the piece works towards a climax of triumphant guitar and jangly background noise. Singer Emi Knight provides a melodic focal point to the piece with her soaring vocal, while male … Read more
Classically trained musician and collaborator of Hidden Orchestra, Poppy Ackroyd, follows the neoclassical path that started off with her debut album, Escapement. In her first full-length Ackroyd was bringing piano and violin on the spotlight and creating tremendous atmospheric music with her melodic ideas. Her collaboration with visual artist Lumen, who created bespoke films for her live performances, led to … Read more
Made up of one half of Sweden’s Masshysteri (vocalist Robert Hurula and drummer Erik Viklund), Cross play dark and grimy music that seems indebted to the almost primal, noisy garage rock of the ‘60s and ‘70s. The group’s loud, sinister, and chaotic 7” debut Pyre makes up for what it lacks in quantity with an overload of shrieky guitar, loud, … Read more
Oruga’s sludged out sound is deep, dirty and disgusting and the French quintet move through massive pits of despair to crawl through the filth and head towards the inevitable end of debut full length Blackened Souls. Their sound has slowly been evolving since the release of a well-received demo in 2010 and with orthodox or post-black metal being more the … Read more
In many ways The Rebel Spell’s Last Run is a depressing album. The cover art depicts a feeble, aging anthropoid trying desperately to hold back an immense industrial wave. It’s clear that he won’t be able to stand his ground for long. The album title itself can be interpreted as an ominous prediction for the fate of our civilization. And … Read more
With their sophomore album, Sky Burial, Inter Arma released one of the best metal albums of the past year. Their style of playing brought to mind the earlier days of Mastodon and Baroness, but Inter Arma was not merely borrowing ideas from the two great acts. The vibe that Sky Burial had was much darker and bleaker than any of … Read more
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