Offering up an abrasive quintet of hardcore punk that flies by in five minutes, the 2015 self-titled demo from Oakland, California four-piece I WANNA DIE conveys the type of reckless desperation suggested by their name – the hopelessness present in the material is probably the demo’s strongest and most noticeable aspect. An opening trio of 45-50 second punk thrashers gives way to the comparably more substantial (and bizarrely titled) fourth track that throws some doom metal sludginess into the mix before another straight ahead assault on the album’s last track. With raspy, frequently-growled vocals vomited up by a singer who seems to be in genuine peril, the album is anchored by rapid-fire drumming and grinding bass; the fine instrumental performances make it easy to tell these players cut their teeth in Oakland’s punk and metal scene. Even if the group isn’t doing anything most listeners wouldn’t have heard before, it’s hard to argue with a furious album that constantly surges forward and is finished before one can get a word in edgewise. Though perhaps unexceptional, I'd say the I WANNA DIE demo is worth checking out. Read more
Creating the most welcoming introduction that you're likely to hear this year, S opener "Swimming Pool" features haunting, echoing synthesisers … Read more
The Blind Shake have been consistently banging out juicy, syncopatic jams for the better part of a decade now. Breakfast … Read more
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I can think of very few albums I have ever purchased, listened to once, and sold back to the store. Generally, I am a pretty forgiving guy and I can find something worth listening to on a disc. However, YOB just was not my cup of tea. I don't know what it was, but after I listened to the latest YOB release I was not only unsatisfied, but also thoroughly annoyed. Maybe I got hung up on the vocals a little too much, but I couldn't take it. When I read that they had broken up, I was entirely apathetic. Then when I read Middian had formed with main song-writer, Mike Scheidt, I was tepid but figured I waste enough time looking up dumb shit on Myspace, I wasn't going … Read more
Detailing the history of southern California punk of the late 1970s and early ‘80s and in particular, the scene that revolved around the legendary Cuckoo’s Nest club which hosted live music shows, the 2012 documentary Clockwork Orange County: The Rise of West Coast Punk Rock! (which earlier had been released under the title of We Were Feared) covers a fascinating … Read more
Pharaoh’s debut full-length, Negative Everything, is an absolutely crushing release. The New Jersey three-piece play a blend of doom, sludge, hardcore, and crust that is generally slow, sometimes fast, never predictable, and always heavy. The record’s opening track, “Recease,” starts with a slow, chugging, unaccompanied guitar and effectively sets the pace for the record. Pharaoh has no need for frills, … Read more
Tar has been an insane surprise for me. Even though the album was released back in December, I did not notice Weeping Rat until Handmade Birds announced that they were going to release the album on vinyl with an additional five bonus tracks! Weeping Rat comes from Australia, and even though when you first hear their music you will probably … Read more
Since the first time I heard the dewy-eyed lyric, “I caught you sipping milkshakes in the parlor of the hotel,” I’ve been somewhat smitten with the psychedelic princes behind Foxygen’s screwball absurdum: moody-broody Jonathan Rado and Kevin Barnes incarnate, Sam France. Following the release of their hugely successful breakout album, 21st Century Ambassadors, it seems Rado and France decidedly opened … Read more
With their newest release, Sonic Highways, we aptly find Foo Fighters at an apparent crossroads and no longer content to write and record music in a traditional fashion. Sonic Highways is an album conceived and written as a companion piece to the HBO series of the same name, and directed by Dave Grohl himself. The concept of the show? Go … Read more
The Brokedowns have come a long way. That’s not to say they were torchbearers of suckitude earlier, but early reviews of the band were festivals of namedropping and comparisons to various Midwestern-tinged punk groups. On Life Is A Breeze, those RIYL days of yore can go straight into the Springfield tire fire: The Brokedowns have their own sound and it’s … Read more
The Dead Milkmen were always an idea band. A band who sparkled or fizzled depending on that idea, with some songs brilliant and others that made you dream they’d invent a music format where you could skip to the next song with the simple push of a button. Some things change, others don’t.Pretty Music for Pretty People is the Dead … Read more
The tight and bright 2014 Icarus EP marks the debut of the indie pop quartet that originally recorded as Plumerai under their new name of DRLNG. Despite the group’s billing in some press materials as a shoegaze-inspired project, I noticed much more inspiration coming from the world of cheerful French pop music of the ‘60s, particularly in the almost birdlike … Read more
It’s not so surprising that 2014’s Shortwave Nights, the debut album from Canadian duo Hiss Tracts, sounds similar not only to Godspeed You! Black Emperor music of the late ‘90s but also the two Set Fire to Flames albums: band member David Bryant collaborated on both those aforementioned groups while fellow Tracts member Kevin Doria made a name for himself … Read more
Bate Kush, the second short release from a side-project of drone and ambient musician Foie Gras known as Bad Kisser, presents the listener with a conundrum. The EP has eight extremely noisy and lo-fi tracks, only two of which last more than ninety seconds. Honestly, the brevity of the songs here isn’t really an issue nor is the very rough … Read more
When it comes to minimalistic ambient and dark jazz it does not get much better than these. Two great acts from France coexist within this split album. The Dale Cooper Quartet & The Dictaphones can be considered a legendary act, with a résumé of high quality albums such as their debut, Parole De Navare and their sophomore release Metamanoir. Witxes … Read more
When I hear the phrase “indie rock,” I think of about 4-5 things: Pavement, The Pixies, maybe Weezer, glasses, skinny guys, and bizarre instrumentation or time signatures. Some of that (queue the ‘90s references there) is due to my age, as the former part of that description is a bit more rock oriented than the latter. That former part of … Read more
Reunited bands have a tendency to disappoint. Maybe their hearts aren’t in it the second time around, maybe they’ve changed as artists and individuals, or maybe the expectations of a rabid fanbase are impossible to meet.Whatever the case, let’s put aside our memories of In Name and Blood, their last studio full-length which came out 14 years ago, and focus … Read more
Gloriously imperfect and scratchy, the P-Sides Demo by Denver, Colorado’s Strawberry Runners starts off with “Slip In.” Initially sounding like melodramatic ‘50s pop with a folky undercurrent and sauntering rhythm, the piece works towards a climax of triumphant guitar and jangly background noise. Singer Emi Knight provides a melodic focal point to the piece with her soaring vocal, while male … Read more
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