You had to be there. In the grand scheme of box-office existence, Through The Never was a blip. The release was limited, as was apparently, the appeal. Despite all this, It was well worth seeing. It looked fantastic, the sound mix was great. It was possibly the most immersive concert-film experience ever. But, sadly, It will never be credited as such because it wasn't financially successful enough to warrant such accolades in the eyes of the media.But this is not a review of the film, this is a review of the soundtrack, which is comprised of the songs recorded live in the film. As the first official live album release from the band (in this case, official meaning a live album available via other media outlets outside of Metallica.com), the band's catalog is well represented with tracks from Metallica's latest, Death Magnetic and reaching all the way back to Kill 'Em All. The setlist isn't perfect and neither is the performance (I'm looking at you Lars, you lovable sloppy bastard, you) but there's certainly enough metal potency to satiate the majority of their oh-so-fickle fan base. Read more
With a hard copy release that’s designed to look like a blood-spattered wedding invitation, The Messiah is Back has to … Read more
There's something deliciously miserable about Dublin weather that stretches from the end of January to the early flecks of spring, … Read more
Expect adjectives. Adjectives and hyphens. For, you see, Chokecherry are a punk band that doesn’t play punk songs. I guess … Read more
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Something about Roll the Tanks sounds familiar. I can't put my finger on who they remind me of, but they have a light, bouncy Brit-pop feel with enough enthusiasm to overcome their lack of originality. On Suffer City, the Massachusetts/Los Angeles quartet brings a half hour of concise, polished indie rock with positive energy and a lot of group vocals. The opener, "No More Scoffing," starts things up with a feelgood melody countered by a lyrical exasperation about the world. From here, the band takes few turns over the next ten songs before wrapping up with the semi-ballad "Saddle Up." Throw in some '60s influences, hints of garage, and a couple songs about girls and you've got a solid record that's aurally pleasing without breaking any boundaries. It's generally positive … Read more
It's a blank, black slate. There is little information, and everything about Cape Noire is ambiguous. Live pictures are, fittingly, of a woman in a black cape, her face shielded from the glare of the lights. As far as anyone knows, in the absence of a back story, Cape Noire have appeared out of nowhere. Their Ad Nauseam EP is … Read more
The origin of Mastery, the one man black metal project of Ephemeral Domignostika, is traced back in 2005. Through the years, Mastery have released five demos, a compilation of which is found in Barbaric Usurpation of the Hypereonic Black Metal Throne, and a couple of splits with Palace of Worms and Skullflower. So it has taken the act quite a … Read more
Canadian art rock band Women disbanded in 2012, and ex-members Matthew Flegel and Michael Wallace formed Viet Cong almost immediately afterwards. They released an EP, Cassette, in 2013, but this is the first LP we’ve seen from the band. The elephant-sized question in the room is: Is this album really a Viet Cong debut, or is it just another Women … Read more
Back in 2008, Pyramids were setting off with the release of their self-titled debut album. Blending together the different elements of shoe gaze, post-rock, black metal, dark ambient, drone and experimental their first album was nothing less than fascinating. Following the release of the album a variety of artists and bands, including James Plotkin, Colin Marston and Blut Aus Nord, … Read more
Long Winter is the third proper full length from former Cambridge frontman Jesse LeBourdais and seems to be his fullest musical realization to date. While his previous solo releases have been folk-oriented acoustic endeavours,Long Winter utilizes a full band for the entire recording. The instrumentals on the album give it depth and dynamism without taking away from the rawness and … Read more
I saw Father John Misty in concert about two years ago. Josh Tillman sauntered onto stage in an all-white suit—wild and mustachioed—advertising the caricature of a drug-addled, disillusioned troubadour that he had created for himself. He lit a cigarette almost immediately and somehow, in the carcinogenic chokehold, sang in a way that sent shudders through every vertebrate in Terminal 5. … Read more
I know what you’re thinking? Why has it already been five months without a new Dwarves release? Never fear, the long-running goodtime smutlovers are back, this time with a 4-song EP on Fat Wreck Chords. Gentleman Blag pulls its title track from their latest, The Dwarves Invented Rock & Roll, as the band is prone to putting out already released … Read more
Yet another group that, like Trust, CHVRCHES, or any of the artists featured on the Neonautics compilation, is mining the world of ‘80s synth rock in search of inspiration, British four-piece Filter Distortion seem like an alternate version of Perturbator with vocals, replicating the vintage electro sound very accurately. Driven by bouncing synthesizer lines and punchy rhythms, the group’s songs … Read more
For the last few years any musical output with brothers Jez and Andy Williams at the helm has sounded otherworldly, like it's trying to capture some impossible-to-comprehend expanse that stretches beyond the atmosphere. As two-thirds of Mancunian outfit Doves, there was ready admittance between all three band members that when they were working on tracklists for their albums they would … Read more
Implodes from Chicago is a very interesting act. Their debut album Black Earth which came out in 2011 was an unbelievable blend of noise, post rock and kraut rock which showed the band balancing all these different elements to find their unique sound. A couple of years afterwards this insane company was putting out their sophomore release, Recurring Dream, digging … Read more
From The North is Raised Fist’s first release since 2009’s Veil of Ignorance, and is a continuation of the style and sound honed on that album. Veil of Ignorance was a ridiculously catchy album, and a repetitive guilty pleasure for this reviewer. The reason I could not fully get behind Veil of Ignorance, despite not being able to stop listening … Read more
Before developing into a full-fledged band, The Mohrs started out as a writing project between lead singer Jackie Mohr and Canadian Rock legend Hawksley Workman. Mohr’s former outfit Living in Red caught the music industry’s attention after being featured on the CBC’s competition/reality television show Cover Me Canada, and while many aspiring musicians have lived and died on a TV … Read more
The sound comparisons are undeniable when it comes to talking about The Capitalist Kids and their affinity for 1980s-era Lookout Records pop-punk. But the Austin, TX band does have a key difference to be noted. For every saccharine love song, there is a counterpunch of social commentary—not mixed within that same sappy song, but in one of the follow-ups. For … Read more
When listening to the debut album of Primitive Man, Scorn, back in 2013, one thing became perfectly clear about them: they are fucking serious about their music. The blackened sludge band from Denver does not exhibit the signs of their friendlier counterparts within the subgenre. Their dystopic vision back in their independent first release was overwhelming and all-consuming, and it … Read more
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