This one took a while to stand out, which I didn’t expect given the accolades Joyce Manor has been ringing up with their three releases. Never Hungover Again is my first listen to the band and I can’t say I understand the hype. While they do their style well, it doesn’t jump ahead of the pack, with the predominant power behind their songwriting lying in the separation of the instruments and the ability to combine different elements into a unified emo-punk song. That, and the brevity.This record pulls strongly from ‘90s emo, back when the word had a different meaning and one I cling to. The guitars plot and wander, culminating in power chord choruses that pile on the content before exploring new territory in the verses. The vocals are emphatic, forceful, and a touch mopey, but the songs are truly about the guitars weaving in and out of the bigger structure with some emotional peaks within. A true strength for Joyce Manor is the drumming, which powerfully leads the songs and gives more of a straight-up punk energy while the rest of the band does the mid-tempo thing. It gives a needed boost that fits the band’s tendency to … Read more
This is the first time I saw Billy the Kid: It's Mid-July and the air conditioner at Toronto Lee's Palace … Read more
Ex Friends are a group of Philly area punks, recognized from their work in other bands. The band features Joel … Read more
The incredible nature of The Great Old Ones majestic, sweeping and downright epic black metal was devastatingly apparent on their … Read more
Padkarosda is a three piece punk band from Hungary. Szabadulásom Művészete (translated as Art Of My Liberation) is their second … Read more
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More melody than mayhem, France's Celestia is a band that catches your ear immediately because while they can definitely fly the black flag over their heads, they have an oddly upbeat overall tone to the music. Of course this is a paradox to the true nature of the genre of black metal, but it does open it up to a different sound and, although one shudders to speak the word aloud, a kind of growth that is usually nowhere to be found in the darkness. Apparitia-Sumptuous Spectre is one in a long line of somewhat-obscure yet essential reissues the glorious people of Paragon Records have seen fit to bestow on us slovenly North Americans. Originally released in 2002, Apparitia-Sumptuous Spectre has now been remastered and repackaged (in what apparently is … Read more
It’s difficult to find a decent single-track LP these days. A classic is Sleep’s Dopesmoker (disregarding the album’s live bonus material). The title track is a 63 minute-long sludgy opus about Jesus getting stoned in the desert. It’s definitely one of my favorite albums of all time, too. Another brilliant one-track album is The Great Barrier Reefer by Bongripper, a … Read more
I must admit, before I sat down to watch this I wasn't exactly excited to listen to Circle Jerks vocalist Keith Morris talk about punk rock for the millionth time. Morris, like Jack Grisham (TSOL), Jello Biafra (Dead Kennedys), and to some extent Duane Peters (US Bombs) seems to be a constant presence running throughout any number of the ubiquitous … Read more
The Hold Steady has been on quite a ride. They went from “New York bar band” to critical and indie darlings to, now, wavering somewhere on the edge of the public consciousness without really breaking into new circles. In other words, they seem to have found their fan base and stuck with it. Separation Sunday was a favorite record of … Read more
With an extremely downbeat and aggressive sound, Austin, Texas four-piece band Glue follows up their noisy and vulgar 2012 demo with a 2014 self-titled 7” that picks up right where the demo left off. The first of four tracks featured here is the brief “Enemy,” which operates at a moderate pace and includes a sort of diabolical, horror movie chord … Read more
Wrong Side of History is the debut 7” by Chicago upstarts Earth Girls. This piece of weighty green wax (via Grave Mistake in the United States) was recorded during the same session as their sold-out limited run demo cassette from earlier this year. Earth Girls are headed up by Liz Panella of Libyans and Broken Prayer on guitar and vocals. … Read more
I’m not sure what this says about me, but I like Astpai’s Burden Calls just fine but it takes until they pull a sample from Teenage Mutant Ninja Turtles (the original) to hit that next level. It has little to nothing to do with the actual songs, but somehow it shifts the tone and the energy just picks up at … Read more
Musically tight and lyrically inventive, Pittsburgh, PA-based, self-proclaimed “slacker rock” group Girl Scout seems to draw inspiration from various indie rock groups of the ‘90s and early 2000s - it doesn’t at all seem a coincidence that the band included a cover of Pavement’s “Cut Your Hair” as the b-side to their first single. Built around Jeremy Zerbe’s vulnerable voice … Read more
Proving that Italians can do the doomy, post-metal thing just as well as anyone else, mysterious and methodical five-piece group John, the Void’s 2014 self-titled EP (which actually runs a bit longer than what I might typically expect from an extended play) features six tracks ranging from two minute ambient pieces to sprawling, nine-minute epics. Throughout this very atmospheric but … Read more
Despite the fact that the man’s been dead for more than two decades at this point, the reputation of GG Allin, self-described “public animal #1” who aimed to bring the danger back into rock and roll through live performances that existed somewhere in the netherworld between punk rock shows and performance art pieces, has only continued to grow over the … Read more
Hour-long songs can be somewhat of a hard sell. For starters, there has to be an audience of listeners who are willing to carve out the time and sit and engage for sixty-plus minutes. Additionally and most crucially for instrumental projects, the sounds have to be there. Dopesmoker is an hour long, but it tells a story to go along … Read more
Demonstrating on their 2013 self-titled EP that they may be the modern group that best replicates the sound of classic, British shoegaze bands (particularly, Isn’t Anything-era My Bloody Valentine), Baltimore five-piece Wildhoney returned with 2014’s three-track Seventeen Forever. Showing off new vocalist Lauren Shusterich as well as more confident songwriting, the EP kicks off with the calming “Seventeen.” Guitarists Joe … Read more
Heartbreak in its truest form is one of life's most sobering and unyielding experiences. As the tedious old adage goes: there's a thin line between love and hate. The strength of these emotions can feel like a bizarre tug-of-war. They're not lacklustre, they're arresting, enthralling and all-consuming. If You Wait siphons some of the rawest feelings, left over after picking … Read more
Say what you will about the old “don’t judge a book by its cover” metaphor, but it’s got some credence in the music world too. The Sands’ Hotel & Casino is a case in point. The black vinyl sleeve may have suggested something darker, but the simplicity and attention to precision that marks the cover is befitting of the record … Read more
Total Funeral is the entire anthology-to-date of Electric Funeral, the one-man Swedish raw punk hobbyhorse manned by Jocke D-Takt. And holy crap is it ever unnecessary. We’re talking about 53 songs that, to the untrained ear, are nearly indistinguishable from one another. Southern Lord, as is their wont, reached into their deep-ish pockets to compile material from yet another act … Read more
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