I had the fortitude to come across GOG’s previous album, Ironworks, and was astonished with what I discovered. On his previous album, Michael Bjella (the man behind GOG) explored the noise and industrial scenes with much precision and no hesitation when it comes to how extreme a musical offering can be. The ability of Bjella to retain the harsh industrial vibe and also bring forth a more melodic side of the band was uncanny and I was looking forward to what I was going to hear next from the band.So just about a year after Ironworks, GOG returns with its self-titled album, through King of Monster Records. And from the very start of the opening track, “The Lies, They Want to Give you Something,” the familiar dense industrial background of the band arises with the melodic keyboard part on the spotlight. This fusion of dissonance and harmony is insane, and while the track evolves and takes an even fuller sound GOG still retains this fine balance between chaos and order. What is more surprising is what comes in next, because at about four and a half minutes in the opening track there is a sudden change with Bjella bringing on … Read more
Though the band is not doing anything that the typical punk rock fan wouldn’t have heard dozens of times before, … Read more
Coming to prominence in 2011 on the strength of the almost unanimously praised debut LP Meet Me at Muster Station, … Read more
At one point during Kids Like You & Me, the documentary chronicling Atlanta "flower-punks" the Black Lips' 2012 tour through … Read more
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Rabbit Fur Coat is the first solo album by Jenny Lewis, the former child actress who also fronts indie darlings Rilo Kiley. Taking a break from her aforementioned band, Lewis has crafted a pop album full of alt-country leanings with the help of the Watson Twins. The album is co-produced by M. Ward and Mike Mogis (stalwarts within the Omaha/Saddle Creek records family) and features a wide variety of guest musicians including Conor Oberst of Bright Eyes, James Valentine of Maroon 5, and Ben Gibbard of Death Cab for Cutie. Upon first listen, Rabbit Fur Coat is not a shocking departure from what Lewis does with her full time band. Repeated listens show that the album has a slower, more traditional country approach than the Rilo Kiley sound as evidenced … Read more
Low Forms self-titled 7” is a six minute blast of power-pop defined by clean guitars, rhythmic chops, and traditional format rock ’n’ roll. While it’s not reinventing anything, it’s a solid homage to a timeless style with a nice build-up from opening verse to close, milking the verse-chorus-verse structure to increase urgency as the song progresses without succumbing to dumbed … Read more
This black metal act from Louisiana continues to spread destruction and devastation. Barghest released their debut album back in 2011, unleashing an echoing shout of misanthropy and obliteration. After their self-titled album, the band put out a split EP with fellow black metal act, False, which also marked their first work for Gilead Media. So now the band carries on … Read more
White Reaper is a cool-named trio who are rubber-burning their way out of the Louisville, KY DIY scene. There’s a dude named Tony Esposito who sings and plays the guitar, and twin brothers Nick and Sam Wilkerson who play drums and bass respectively. Their self-titled debut EP will appeal to fans of Wavves, Japandroids, and Jay Reatard. Hate to drop … Read more
This drug influenced, euro-electronic laser beam, drum and bass can be very, VERY repetitive, Anxiety inducing, tough to listen to, and at times I felt like it was going to trigger a panic attack or an audible seizure.An ‘80s pop-locking, track suit wearing dance crew wouldn't touch this album that brings no emotion or anything of value to the table. … Read more
Despite a confrontational name, Versus You are every bit positive punx with songs praising friendship, relationships, and the like. It’s not that they play bubbly music countered with cynical lyrics, but they place peppy rock that’s further emphasized by sunny reflections over a gritty pop punk sound. The band is also pretty guilty of abusing the RIYL tag on a … Read more
Versus You's album Moving On is short and sweet, but not with out its flaws. It's heartbreak music at its semi finest and the simple yet meaningful lyrics and fun brand of melodic, emotional pop punk establishes itself well with the opening track “When It All Goes Down.” Don't be fooled by the opening track, there's a lot this album … Read more
Hotel Books' I'm Almost Happy Here But I Never Feel At Home is well-versed prose that at times can be a bit repetitive. Each verse has elements that are thought provoking and heartfelt which helps carry the album to make up for the repetition. The tone sets in almost immediately with the opening song, “Lose One Friend,” and quickly gets … Read more
Daniel Pujol is prolific and ever changing. The leader of Pujol continues to release records at a rapid pace, successfully switching up his backing sounds in the process. While early material was a lot more garage in style, the overall tone on Kludge is quirky and rock-based, but it ranges from sauntering slower material (“Spooky Scary”) to minimalist electropop (“Small … Read more
Moloch returns a second time for 2013 while Meth Drinker join them this time. Moloch remain relatively the same in that what they do is play a deep dark style of doom that embraces the blacker elements of the genre. New Zealand's Meth Drinker return the favor by playing something that can at one point resemble trudging doom and at … Read more
This is a record resembling Clash Of The Titans. Both Canada's Ensorcelor and England's Moloch have been lurching in the darkest reaches of the metal underground for a few years. While some bands err to the side or fluid hooks in their riffs and others slink towards creating the most noise possible, somewhere in between lie these two.On one side … Read more
Combining throbbing electronic music with scratchy and crackly noise elements, Providence, Rhode Island’s Container has been getting more and more notice in recent years. Perhaps one reason for this is the fact that musician/producer Ren Schofield (who essentially is Container) has continued to improve, pumping out almost industrial-oriented tracks using conventional techno beats even as many electronic artists have been … Read more
I became familiar with Ensemble Economique back in 2010 when they released their album Psychical, with Bryan Pyle (formerly of Starving Weirdos) combining world music with a very intriguing soundtrack type of feeling. Even though the original incarnation of the band with their fascinating influences was monumental, Ensemble Economique has crossed into darker territories. Pyle has reduced this act to … Read more
An old, black-and-white photo depicts five dilapidated homes slowly crumbling away on an island in the middle of a vast, dismal ocean; the sea's endlessness and archaicness adds a sense of sentimentality to the picture. With such a glum album cover, it’s a dazzling surprise once the effervescent, action-packed “New Tracy (I Will Learn To See)” - opening song on … Read more
According to Mike "McBeardo" McPadden's Heavy Metal Movies, Stanley Kubrick's 1968 film 2001: A Space Odyssey"profoundly influenced" a yet-to-be-named Black Sabbath. Fifty pages later on in the book, and the reader learns about the night in 1969 in Birmingham, England when Ozzy Osbourne, Geezer Butler, Tony Iommi and Bill Ward were getting ready to take the stage as blues rock … Read more
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