Hotel Books' I'm Almost Happy Here But I Never Feel At Home is well-versed prose that at times can be a bit repetitive. Each verse has elements that are thought provoking and heartfelt which helps carry the album to make up for the repetition. The tone sets in almost immediately with the opening song, “Lose One Friend,” and quickly gets you accustomed to Cam Smith's vocal style, which can lack structure at times, but it works. His voice is pleasantly jagged and is both harsh and soothing but also lacks a melody that the album desperately needs. There are times where it feels like it’s going to pick up and have more of a traditional hardcore sound but it never does. Instead it sticks with the spoken word format that can get a bit tiresome and feel like a rehearsed open mic poetry session.I'm Almost Happy Here... has an ambient sound that clashes a bit at times with the vocals and seems like it’s telling a completely different story. Despite the clash between the vocals and music, Hotel Books flawlessly delivers its spiritual message. Cam's ability to translate feelings into lyrics shines in tracks like “Nicole” and “America's Next Model.”It … Read more
Moloch returns a second time for 2013 while Meth Drinker join them this time. Moloch remain relatively the same in … Read more
This is a record resembling Clash Of The Titans. Both Canada's Ensorcelor and England's Moloch have been lurching in the … Read more
I became familiar with Ensemble Economique back in 2010 when they released their album Psychical, with Bryan Pyle (formerly of … Read more
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Bar none, I have never heard a more wondrous take on the violence of Power Electronics than the Untitled (which came in an extremely limited cassette run from the label Strange Rules) debut from Cremation Lily (a mysterious act from the British Isles). Without getting into the reasons or “how to’s” or “what for’s” of my finding this tape, suffice it to say, this has been one of my biggest surprises recently; and, as a result, Cremation Lily sits in an almost daily rotation on my various music paraphernalia (no, I am not joking at all). Shards of noise, pounding industrial sounds, screeching, et al lay one of the most droning and hypnotically infectious just under ten minutes that you may ever hear and that is just in the first … Read more
An old, black-and-white photo depicts five dilapidated homes slowly crumbling away on an island in the middle of a vast, dismal ocean; the sea's endlessness and archaicness adds a sense of sentimentality to the picture. With such a glum album cover, it’s a dazzling surprise once the effervescent, action-packed “New Tracy (I Will Learn To See)” - opening song on … Read more
According to Mike "McBeardo" McPadden's Heavy Metal Movies, Stanley Kubrick's 1968 film 2001: A Space Odyssey"profoundly influenced" a yet-to-be-named Black Sabbath. Fifty pages later on in the book, and the reader learns about the night in 1969 in Birmingham, England when Ozzy Osbourne, Geezer Butler, Tony Iommi and Bill Ward were getting ready to take the stage as blues rock … Read more
The UK is a miserable place at times, more often than not in fact, and artists such as Benjamin Shaw fully embrace that misery and spin it out in stories of hopelessness, rejection and the knowledge that pretty much everything is complete shit. Luckily, Goodbye, Cagoule World isn't complete shit and instead takes all the rubbish that life throws out … Read more
Indie Cindy is the first new Pixies full-length since 1991 (Trompe le Monde). After the band reunited a few years back for the tour circuit the rumors of new material started to flow, the band continued to tour, and nothing came out. Eventually, shortly after the departure of original bassist Kim Deal (The Breeders), the band put out three EPs … Read more
I still remember when I first listened to the Atlas Moth debut album, A Glorified Piece of Blue Sky. Instantly I thought that this heavy psychedelic doom/sludge band was on to something really great. The sonic experimentation and the insane weight of the band combined with sick riffs and screaming vocals was an unbelievable record to process. And when their … Read more
The latest in a series of side projects from Deftones vocalist Chino Moreno, ††† (pronounced “crosses”) takes much of its somewhat spooky iconography from the weird world of witch house (ooo look – every ‘T’ is replaced with a †), yet probably has more in common with Nine Inch Nails than any of the here-today-gone-tomorrow genuine witch house groups. Formed … Read more
Death Grips have been making a strong and confrontational statement in music since their inception. Zach Hill (Former drummer extraordinaire for Hella), Stefan "MC Ride" Burnett, and Andy "Flatlander" Morin have been making caustic rap punk that always leaves first-time listeners at a loss for words. Their self-described "accelerated music" contains samples that range from "Up The Beach" by Jane's … Read more
Good things come to those who wait. It's a cliché, yes, but for Clad in Darkness that old adage rings wholly true. Having formed at least fifteen years ago, the band have taken their sweet, sweet time in releasing their debut record. A couple of EPs have seen the light but for this Chicago based band, a full length was … Read more
It may be an antiquated notion, but there are just some names that you can trust. Names that were built by years of fostering goodwill and established by years of putting out the very best. If it's groovy rock and roll that you seek then Hozac Records is one of those names. It's one of those things where even if … Read more
Big Action Records doesn’t pump out a ton of releases and, when they do, they run the geographical gamut. The label is based in St. Paul, MN but releases come from across the country. Still, within that, there’s a well defined style that tends to dominate: pop-tinged, melodic garage rock. The debut from Minnesota’s Rabbit Holes fits well within those … Read more
Bands are seemingly judged differently on their sophomore outings: where does it change, does it meet expectation, does it show growth, and the like. Well, writing about a band the second (or third) time is kind of the same thing. With Blood::Muscles::Bones, Street Eaters haven’t changed up their sound drastically or reworked their well-oiled machine. They’ve just written another bundle … Read more
Showing up a few years after the group’s 2009 debut Aloha, Diarrhea Planet’s 2011 three-track EP Yama-Uba is a more consistent release, with a sound that’s similar to that of 1990s pop-punk group The Queers. Infusing singalong vocal harmonies, intricate guitar work, and soaring solo lines into familiar, old-time rock song formulas, opening tracks “Hot Spit” and “Mutt-Feast” show that … Read more
Formed in 2009, Nashville, Tennessee’s Diarrhea Planet initially were known for their goofy name more than anything else, but with the 2014 reissue of their first EP Aloha, it becomes possible to see why their reputation has only grown over the past few years. A full on assault of wicked, snarling guitar licks, punchy rhythms and amusingly vulgar lyrics, this … Read more
When a band or label is as difficult to track down as Olekranon or Inam Records, then you know you're in for an experience. The chap behind Olekranon - Ryan Huber - is also the chap behind the label but getting a hold of them via the magic of the internet has proved to be a fruitless endeavour. There's a … Read more
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