I must admit, before I sat down to watch this I wasn't exactly excited to listen to Circle Jerks vocalist Keith Morris talk about punk rock for the millionth time. Morris, like Jack Grisham (TSOL), Jello Biafra (Dead Kennedys), and to some extent Duane Peters (US Bombs) seems to be a constant presence running throughout any number of the ubiquitous punk docu-films of the last 20 years or so. That being said, I was very curious about some of the band footage. And that’s really the best part of this film. There is tons of live Circle Jerks footage from all eras of the band’s career. And as far as the band’s story goes, the film is very comprehensive overall. Morris kind of comes off like a prick as the film wears on, which isn't a total surprise, but it still kind of makes his later parts tough to watch. What’s kind of curious though—even heartrending—and pretty much hard to ignore, as it’s the biggest take-away from the film, is that it's ultimately about the dissolution of friendship; especially of that between guitarist Greg Hetson and Morris. The sadness in Hetson’s voice when he talks about finally having to call … Read more
The Hold Steady has been on quite a ride. They went from “New York bar band” to critical and indie … Read more
Wrong Side of History is the debut 7” by Chicago upstarts Earth Girls. This piece of weighty green wax (via … Read more
Musically tight and lyrically inventive, Pittsburgh, PA-based, self-proclaimed “slacker rock” group Girl Scout seems to draw inspiration from various indie … Read more
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Wye Oak have never made the same record twice, and on The Louder I Call, the Faster It Runs, it’s not about to change. Jenn Wasner and Andy Stack grow by leaps and bounds on each release, and this, their first proper studio album since 2014’s Shriek has them taking the synth heavy sounds of that record and Wasner’s excellent Flock of Dimes side project and bridging that with the hypnotic drum and guitars found on 2011’s classic Civilian in a way that sounds panoramic. “Lifer” sounds like a conservative synth track before it blows wide open into Wasner’s gargantuan guitar solo, while “Symmetry” sounds like a track from an 80’s action flick doused in nightmare fuel and lit ablaze. Wye Oak always make records worth checking out. Dig right … Read more
Proving that Italians can do the doomy, post-metal thing just as well as anyone else, mysterious and methodical five-piece group John, the Void’s 2014 self-titled EP (which actually runs a bit longer than what I might typically expect from an extended play) features six tracks ranging from two minute ambient pieces to sprawling, nine-minute epics. Throughout this very atmospheric but … Read more
Despite the fact that the man’s been dead for more than two decades at this point, the reputation of GG Allin, self-described “public animal #1” who aimed to bring the danger back into rock and roll through live performances that existed somewhere in the netherworld between punk rock shows and performance art pieces, has only continued to grow over the … Read more
Hour-long songs can be somewhat of a hard sell. For starters, there has to be an audience of listeners who are willing to carve out the time and sit and engage for sixty-plus minutes. Additionally and most crucially for instrumental projects, the sounds have to be there. Dopesmoker is an hour long, but it tells a story to go along … Read more
Demonstrating on their 2013 self-titled EP that they may be the modern group that best replicates the sound of classic, British shoegaze bands (particularly, Isn’t Anything-era My Bloody Valentine), Baltimore five-piece Wildhoney returned with 2014’s three-track Seventeen Forever. Showing off new vocalist Lauren Shusterich as well as more confident songwriting, the EP kicks off with the calming “Seventeen.” Guitarists Joe … Read more
Heartbreak in its truest form is one of life's most sobering and unyielding experiences. As the tedious old adage goes: there's a thin line between love and hate. The strength of these emotions can feel like a bizarre tug-of-war. They're not lacklustre, they're arresting, enthralling and all-consuming. If You Wait siphons some of the rawest feelings, left over after picking … Read more
Say what you will about the old “don’t judge a book by its cover” metaphor, but it’s got some credence in the music world too. The Sands’ Hotel & Casino is a case in point. The black vinyl sleeve may have suggested something darker, but the simplicity and attention to precision that marks the cover is befitting of the record … Read more
Total Funeral is the entire anthology-to-date of Electric Funeral, the one-man Swedish raw punk hobbyhorse manned by Jocke D-Takt. And holy crap is it ever unnecessary. We’re talking about 53 songs that, to the untrained ear, are nearly indistinguishable from one another. Southern Lord, as is their wont, reached into their deep-ish pockets to compile material from yet another act … Read more
I had the fortitude to come across GOG’s previous album, Ironworks, and was astonished with what I discovered. On his previous album, Michael Bjella (the man behind GOG) explored the noise and industrial scenes with much precision and no hesitation when it comes to how extreme a musical offering can be. The ability of Bjella to retain the harsh industrial … Read more
Running nearly twenty minutes in length and featuring two tracks, 2014’s Elegy is the second demo from Indonesian five-piece Maur. I’d classify this band as sounding somewhat similar to stoner metal, particularly on Elegy’s fourteen minute title track which unleashes crisp guitar work played at a deliberate, relaxed tempo. There are moments when the instrumental parts didn’t quite match up … Read more
Though the band is not doing anything that the typical punk rock fan wouldn’t have heard dozens of times before, there’s definite energy and excitement in the four rowdy songs featured on Finnish group Van Dammes’ debut EP. Opening track “(Let’s) Go” kicks the album into high gear immediately, with the sort of singalong punk one would expect from The … Read more
Known primarily as the frontman for Black Moth Super Rainbow, Tobacco (the stage name of electronic musician Thomas Fec) has nonetheless carved out a little niche for himself as a solo artist in the electronic music scene with albums like 2010’s Maniac Meat, which featured contributions by the one and only Beck. Four years later, Tobacco has unveiled Ultima II … Read more
Coming to prominence in 2011 on the strength of the almost unanimously praised debut LP Meet Me at Muster Station, PS I Love You (made up of guitarist/vocalist Paul Saulnier and drummer Benjamin Nelson) popped up at precisely the right time to take advantage of a music community all too willing to embrace an unconventional indie rock duo. Though the … Read more
At one point during Kids Like You & Me, the documentary chronicling Atlanta "flower-punks" the Black Lips' 2012 tour through the Middle East, drummer Joe Bradley remarks that it would be easy for the band to go out and book a tour in North America or even Europe really since the band already has a developed audience there. However, for … Read more
Low Forms self-titled 7” is a six minute blast of power-pop defined by clean guitars, rhythmic chops, and traditional format rock ’n’ roll. While it’s not reinventing anything, it’s a solid homage to a timeless style with a nice build-up from opening verse to close, milking the verse-chorus-verse structure to increase urgency as the song progresses without succumbing to dumbed … Read more
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