Big Action Records doesn’t pump out a ton of releases and, when they do, they run the geographical gamut. The label is based in St. Paul, MN but releases come from across the country. Still, within that, there’s a well defined style that tends to dominate: pop-tinged, melodic garage rock. The debut from Minnesota’s Rabbit Holes fits well within those confines.It’s the three-piece band’s first release and includes ex-members of Voytek. Here, the style is toned down: where Voytek were a punk band celebrating the obnoxious, Rabbit Holes are more tempered and toned, the kind of band to have over for your dinner party instead of at the kegger. Sure, they play rock’n’roll, but there’s some class in there. Those melodies are old-timey and classic, as pleasing as a fine wine and some cheesecake.So what does the band actually sound like? There is a strong ‘60s garage at play, with harmonies and repetitive structures that pull together for memorable hooks, suited for the singalong but run through a dirty grunge filter. There is a subversive undercurrent and some well toned sarcasm within, but on the surface Rabbit Hole’s self-titled 7” is a romp of positivity. About halfway through “It’s Not … Read more
Bands are seemingly judged differently on their sophomore outings: where does it change, does it meet expectation, does it show … Read more
Showing up a few years after the group’s 2009 debut Aloha, Diarrhea Planet’s 2011 three-track EP Yama-Uba is a more … Read more
Formed in 2009, Nashville, Tennessee’s Diarrhea Planet initially were known for their goofy name more than anything else, but with … Read more
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Dirtnap is a fascinating label in how they’ve developed a certain sound to their releases, regardless of what part of the world or what particular scene the musicians hail from. Sure, there’s the Marked Men connection with many of their releases, but that’s only a piece of what the label has put out.Good Shade is Shane Natalie, a one-man band that’s not really a one-man band. Confused yet, because I’ll clarify. Natalie performs everything on Way Out, but live it’s a full band. It’s also definitively a band in sound: the instrumentation is full and complete, not a solo guy onstage with a guitar in hand and a stomp drum. The record has that familiar up-tempo, harmonic pop structure that Dirtnap fans already know well. Where it separates from the … Read more
Taking their name from the universe of Dune, this intriguing band releases its latest record, Litanies. Post metal might be the easiest way of describing Gholas but that would be unfair to their much deeper and more complex nature.The beginning of the album comes in and hits you straight in the face with “…And the Lives Come Flooding,” as the … Read more
With their first full-length album in 14 years (save for an EP of sorts in 2005 and a 7" in 2012), it's almost one's gut instinct to remark that Eyehategod haven't missed a beat in all that time and sound as lethal now as they did on 2000's Confederacy of Ruined Lives. However, to gloss over those nearly 15 years … Read more
Deep Fantasy is pissed off, but it could still use a good angry howl every so often.The record, the third from Vancouver’s White Lung, is their first on Domino Records and was recorded as a trio (though they still tour as a quartet). The band has seen its fair share of comparisons to Pretty Girls Make Graves and this release … Read more
Milwaukee's Northless have long been trudging within their brand a somewhat sprawling sludge. The band have consistently input further measures of post rock textures into their sound to create something a little bit more different from the norm. While still remaining mostly true to sludge on the whole the band seem to create something a little bit more tuneful and … Read more
Andrew Jackson Jihad make a return on their new label home, Side One Dummy, after a long tenure on Asian Man Records. Usually when a band makes a jump after a long run, many find a cause for concern. I assure you, there's nothing to worry about. The lyrics are as offbeat as ever and the compositions are still whimsical … Read more
If you find yourself loving classical or orchestral pieces, but would just enjoy something with a little more electronic funky vibe this is what you’re looking for. I imagine such wide varieties for this music and it can fit with many of my moods. None of these songs have lyrics but the music speaks for itself. I find myself lost … Read more
I generally hate punctuation in a band name, but it’s uncommonly fitting with Off!. Sure, they only included it to keep the pesticide theme going, but every scrap of vitriol that Keith Morris shouts out in the lyrics deserves to be followed with the exclamation point. It’s loud, shocked, and direct as hell. Almost every song uses the first or … Read more
Four years on in a career that’s seen them work on perfecting the brand of quirky 1990s alt rock of bands like the acclaimed Pavement and not-so-fondly-remembered Harvey Danger, Brooklyn’s Parquet Courts return with 2014’s Sunbathing Animal, an album that may be most surprising for the fact that it’s very nearly the equal of the band’s well-received debut, 2012’s Light … Read more
It has been literally years since I have been so taken with a hardcore record, and I am not talking about saying that you love a record with all your being; but rather I am talking about living with the record and sleeping with the record still going on in your desperate feverish brain while some batch of loveable hooligans … Read more
Omen Ex Simulacra is a difficult record - one that twists and forms new shapes as it progresses, one that falls into an unfathomable abyss and crawls back out again. It’s dark, overwhelming and grossly pregnant with malevolence and the base duo of Ævangelist are masters of noise control, giving their record a cacophony of sounds to work with and … Read more
Even though I’ve listened to some of their material, I hadn't really plunged deep into Fucked Up-mania. It wasn’t until I checked out their new song “Paper The House” that I became captivated by the music of this tumultuous, rudely-named band. The tribal drum intro, the ecstatic guitar duel, and barechested frontman Damian Abraham’s face-melting, guttural howls make Glass Boys’ … Read more
We all have our dark places and those journeys to and through and from those midnight shores in the bleak silence of night can produce some of the most meaningful moments of one’s life whether it be a conversation with a person that you barely know or just sitting with your cat staring into its eyes wondering what its thinking … Read more
Much like the recently-reunited Owls, the unfortunately short-lived American Football was a group formed from the remnants of seminal Midwest-based 1990s emo band Cap’n Jazz (whose members went on to form a seemingly endless number of great bands). Unlike Owls who set about making rhythmic post-punk however, American Football’s lineup of Mike Kinsella (guitar, bass, vocals), Steve Lamos (drums, trumpet), … Read more
You know the saying: “Third time’s the charm?” Well it could not be more suitable for the latest Lord Mantis album. The band from Chicago delivered two previous full-lengths, Spawning the Nephilim and Pervertor, both of which were great, but this one really fucking hits the spot. Death Mask is way nastier and dirtier listen, lifting the band to a … Read more
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