Whole genres are made off the backs of originators. Sometimes these genres become forgotten for awhile or just bogged down with repetition and simplicity. Every once in awhile a band sheds mere aping to become something interesting, yet familiar. Something clearly within genre stereotypes but with their own sense of interpretation. The Bellicose Minds are one of those on the interesting side. While darkwave, goth rock, or any of their conjunctions is nothing new at this point (nor is chasing Joy Division’s shadow for that matter), the Bellicose Minds bring their own little splash to the formula on their first full-length. The dark shadows, heavy bass, jittery drums, and monotone vocals are certainly all present. Somehow even with all of these things something feels different with this record. From the more rugged texture to the songs and the little punk touches at moments nothing feels entirely in the realm of copycatting. From the genre signifiers you could gather whether you would like this album or not. What can be confidently said by anyone is that The Bellicose Minds feel and sound entirely comfortable with what they do and make it sound more original than most of the bands that share … Read more
I haven't been following Architecture in Helsinki too much since the underwhelming, Places Like This. In 2011 they released, Moment … Read more
Often when a critic writes of a band not changing its sound it’s meant in the negative light: art should … Read more
Five years removed from a self-titled debut released on the legendary Slumberland Records label that to many, signaled the return … Read more
Self-released in November of 2013, Roaming Herds of Buffalo’s Alien Canyons is the band’s second release to date. The Seattle-based … Read more
I hate to simplify the role of the split 7”—they’re about way more than this, in truth—but one of the … Read more
Choose a year to view reviews of albums released in that year.
749 reviews
42 reviews
25 reviews
300 reviews
4865 reviews
19 reviews
It is easy to take for granted the excellent state of experimental hip-hop today. With Death Grips freely applying noise and electronica with a punk ethos, and clipping. doubling down on industrialized beats and Afro-futuristic narratives, it is easy to forget that this landscape was not always so rich. Traveling back in time, to the end of the ‘90s, it was artists like Dälek knocking on the door that led to the future. It was as adventurous a path as an artist could choose. With the hip-hop influence of heavyweights like Public Enemy and Run-DMC on one hand, and then an industrial and noise injection running straight through their core. It was a statement that no boundary would stand in the way of Dälek’s vision, and so the experimental machinations … Read more
It’s 11 o’clock on a Saturday night. You’re lying in your bed, craving some late night music. You want something dreamy, but not Panda Bear dreamy; something minimal, but not Bonnie ‘Prince’ Billy minimal; something that comfortably sits in the middle of it all. Try out Chad VanGaalen.The Calgary singer/songwriter has been making awesome psych folk since 2001. After a … Read more
Though many have tried to position singer/songwriter Meg Myers as the latest in the line of angsty female singers that includes the likes of Fiona Apple, the alarming level of bitterness and near hostility found in the lyrics of theMake a Shadow EP, the second release from the ferocious former Jehovah’s Witness, almost puts her in a different league entirely. … Read more
All good stories need an emphatic storyteller to bring the characters to life. Beyond one dimensional storyboards where all film ideas begin and draft-upon-draft of song lyrics harbouring a vision, the most important part of any creative endeavour is when these ideas are brought out of their enshrouded beginnings, and the storyteller tells us why these characters should matter to … Read more
Southern Californias' Bl'ast are certainly not new by any stretch but possibly forgotten by most to the annals of time. Hardcore is a scene that attempts to treasure the past while forgetting certain standard bearers and originators as suits the times. Southern Lord has managed to unearth a forgotten chapter of hardcore history with this record of forgotten and remastered … Read more
La Dispute’s 2011 post-hardcore masterpiece Wildlife was not only the highlight release of that year, but one of the finest records that I myself have humbly observed. Personal accolades aside, this opinion is one shared by many others, and not without due reason. Wildlife represented at the time of it's release not only an extended display of unbridled emotionality, but … Read more
Oh, to be a fly on the wall during one of Toronto-based The Bare Miniumum's practices. It's generally an added bonus to discover that a band has a sense of humor about themselves, but with these guys it's seemingly the only thing they're concerned with. In interviews, the band presents themselves as lots of things. At times, they're an unconcerned … Read more
In the darkest recesses of some of our minds lies an unspeakable and unknowable terror, and some artists have brushed against that darkness throughout time (some recent examples might be H.P. Lovecraft, Francis Bacon, and a select few others) and Cacophony is a perfect illustration for the madness induced by such brushes with our inner demons; although nowhere near as … Read more
I’ve sat on this review for a while, waiting for that easy-to-describe-it moment to hit me. With Signals Midwest, I don’t know if that’s going to happen. The Cleveland band uses their Midwestern sensibility in their sound—it’s gritty, honest, and non-showy—but it’s also too distinct to tie to a geographic area. The band uses a punk influence throughout while playing … Read more
Though he’s primarily known for being the former, on-again, off-again guitarist for Red Hot Chili Peppers, John Frusciante has long pursued a solo career that’s been full of peaks and valleys. After releasing a pair of somewhat fascinating, but difficult-to-listen-to albums in the 1990s, Frusciante hit his stride as a solo artist in the early 2000s, at one point releasing … Read more
Electronic musician Skrillex’s 2014 debut full length album Recess (released on the Atlantic label) starts with a track called “All’s Fair in Love and Brostep.” That says almost everything one needs to know about the album, prompting a WTF reaction from all except those people already firmly in the pro-Skrillex camp. The song title also hints at the juvenile mentality … Read more
The Philadelphia rock scene is famous for producing indie bands heavily dosed on vintage, classic rock. Folker Kurt Vile recalls Bob Dylan and neo-psychedelia band Dr.Dog draws upon Big Star. You probably know Vile from when he packed all the “Best Of” lists last year with his critically-acclaimed masterpiece Wakin’ On A Pretty Daze, and you've probably heard Dr.Dog’s rootsy … Read more
Tiny Empires seek to build something new; something powerful, significant, and memorable, just as the name suggests. With their debut record Weird Headspace they’re doing just that. It’s big, grasping, and expansive work.It’s also out of the ordinary for the scene in which it originates.Lead by Eric Solomon (O Pioneers!!!) and Bryon Lippincott (New Bruises), it plays off the two … Read more
As a full on Nadja addict, Queller was immediately on my radar when I heard of its upcoming release; but as a “music critic” (that is what we do here right), Queller may just be one of the finest not quite hour of their impressive discography / existence to this point, which is an impressive feat considering how large and … Read more
I don't get too excited about new bands anymore. However, Seagulls recently swooped into my radar and have me pumped for sing-a-longs. If you're a fan of the guttural vocals of Fucked Up and the melodic pop-punk riffs of Latterman, then this is right up your alley. The band's new EP, The Royal We, will have you fist pumping through … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.