The UK is a miserable place at times, more often than not in fact, and artists such as Benjamin Shaw fully embrace that misery and spin it out in stories of hopelessness, rejection and the knowledge that pretty much everything is complete shit. Luckily, Goodbye, Cagoule World isn't complete shit and instead takes all the rubbish that life throws out and turns it into a record that embraces it, recognises it and realises that it's all part of just being a human being. Shaw's voice is broken, cracked and imperfect but that's what gives his music such truth. "No One" takes a long time to get moving, all looped signals and fuzz before Shaw's vocal breaks the wall and layers it with weighted sadness. "Break the Kettles and Sink the Boats" introduces an odd little electronic slant before "A Day at the Park" gets wildly off the the acoustic style track that Shaw has brought to proceedings so far with a tripped out beat that later incorporates strings and a slowly building movement towards intensity. It sounds much angrier than previous tracks and it plays off the twanging, questioning style of "Magneto Was Right" quite nicely. "You & Me" uses … Read more
I still remember when I first listened to the Atlas Moth debut album, A Glorified Piece of Blue Sky. Instantly … Read more
Death Grips have been making a strong and confrontational statement in music since their inception. Zach Hill (Former drummer extraordinaire … Read more
Good things come to those who wait. It's a cliché, yes, but for Clad in Darkness that old adage rings … Read more
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Haunting, mournful, and soulful, Ash Borer dials in with a killer new slab of music with The Irrepassable Gate; and the band tosses down the gauntlet with a densely layered album that breathes and stretches and smolders and seethes in a gorgeous cacophony that hints at mystic imagery and hidden arcane knowledge. The four members of the band seemingly take their previous efforts to a new stage with this album, as the music is undeniably Ash Borer and forges their own path through the ether; but the songs have a wider palette of sound with rich tones and wicked riffs that stick with listeners for days, leaving us all with yet another slab to with which to feast, dine, and yes, maybe even laugh at death.Moments exist in the waves … Read more
It may be an antiquated notion, but there are just some names that you can trust. Names that were built by years of fostering goodwill and established by years of putting out the very best. If it's groovy rock and roll that you seek then Hozac Records is one of those names. It's one of those things where even if … Read more
Big Action Records doesn’t pump out a ton of releases and, when they do, they run the geographical gamut. The label is based in St. Paul, MN but releases come from across the country. Still, within that, there’s a well defined style that tends to dominate: pop-tinged, melodic garage rock. The debut from Minnesota’s Rabbit Holes fits well within those … Read more
Bands are seemingly judged differently on their sophomore outings: where does it change, does it meet expectation, does it show growth, and the like. Well, writing about a band the second (or third) time is kind of the same thing. With Blood::Muscles::Bones, Street Eaters haven’t changed up their sound drastically or reworked their well-oiled machine. They’ve just written another bundle … Read more
Showing up a few years after the group’s 2009 debut Aloha, Diarrhea Planet’s 2011 three-track EP Yama-Uba is a more consistent release, with a sound that’s similar to that of 1990s pop-punk group The Queers. Infusing singalong vocal harmonies, intricate guitar work, and soaring solo lines into familiar, old-time rock song formulas, opening tracks “Hot Spit” and “Mutt-Feast” show that … Read more
Formed in 2009, Nashville, Tennessee’s Diarrhea Planet initially were known for their goofy name more than anything else, but with the 2014 reissue of their first EP Aloha, it becomes possible to see why their reputation has only grown over the past few years. A full on assault of wicked, snarling guitar licks, punchy rhythms and amusingly vulgar lyrics, this … Read more
When a band or label is as difficult to track down as Olekranon or Inam Records, then you know you're in for an experience. The chap behind Olekranon - Ryan Huber - is also the chap behind the label but getting a hold of them via the magic of the internet has proved to be a fruitless endeavour. There's a … Read more
It has been quite a time since one could easily quantify Ulver and what they do as a unit. Garm has made no secret that he remains generally uninterested in what Ulver began as and remains focussed on following whatever muse may take him. So for the early years when there was an emphasis on Black Metal to the middle … Read more
Taking their name from the universe of Dune, this intriguing band releases its latest record, Litanies. Post metal might be the easiest way of describing Gholas but that would be unfair to their much deeper and more complex nature.The beginning of the album comes in and hits you straight in the face with “…And the Lives Come Flooding,” as the … Read more
With their first full-length album in 14 years (save for an EP of sorts in 2005 and a 7" in 2012), it's almost one's gut instinct to remark that Eyehategod haven't missed a beat in all that time and sound as lethal now as they did on 2000's Confederacy of Ruined Lives. However, to gloss over those nearly 15 years … Read more
Deep Fantasy is pissed off, but it could still use a good angry howl every so often.The record, the third from Vancouver’s White Lung, is their first on Domino Records and was recorded as a trio (though they still tour as a quartet). The band has seen its fair share of comparisons to Pretty Girls Make Graves and this release … Read more
Milwaukee's Northless have long been trudging within their brand a somewhat sprawling sludge. The band have consistently input further measures of post rock textures into their sound to create something a little bit more different from the norm. While still remaining mostly true to sludge on the whole the band seem to create something a little bit more tuneful and … Read more
Andrew Jackson Jihad make a return on their new label home, Side One Dummy, after a long tenure on Asian Man Records. Usually when a band makes a jump after a long run, many find a cause for concern. I assure you, there's nothing to worry about. The lyrics are as offbeat as ever and the compositions are still whimsical … Read more
If you find yourself loving classical or orchestral pieces, but would just enjoy something with a little more electronic funky vibe this is what you’re looking for. I imagine such wide varieties for this music and it can fit with many of my moods. None of these songs have lyrics but the music speaks for itself. I find myself lost … Read more
I generally hate punctuation in a band name, but it’s uncommonly fitting with Off!. Sure, they only included it to keep the pesticide theme going, but every scrap of vitriol that Keith Morris shouts out in the lyrics deserves to be followed with the exclamation point. It’s loud, shocked, and direct as hell. Almost every song uses the first or … Read more
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